'Like watching Trip Advisor glitching': Lorna Irvine reviews German dance-theatre company Tatraum Projekte Schmidt's piece on sharing space in contemporary Europe. The post Review: no + poli…
Isobel McArthur’s adaptation of the classic Jane Austen match-making tale is a merry dance: it's a shimmy; a krump, a twerk,with skirts
Martin McCormick’s latest play is a scabrous meditation on domesticity. Charlotte Lane’s set, which looks like the contents of a junk shop
There are echoes of Jack Thorne’s TV work throughout his 2011 play. Bunny is reminiscent of both Skins and This is England,
School gate politics: Lorna Martin makes an assured debut with A Play, A Pie and A Pint. The post Review: Party Politics at Òran Mór, Glasgow appeared first on Exeunt Magazine.
The premise of Blanche and Butch feels like the set up to a joke: an Englishman, a Scotsman and a (somewhat dubious) American
Music Is Torture could be considered a companion piece to Louise Quinn’s Fringe success Biding Time (Remix) in terms of its leitmotifs:
A highly original, thoroughly rollicking ninety minutes: Lorna Irvine enjoys Jasmin Vardimon's multi-faceted dance adaptation of this classic children's story. The post Review: Pinocchio at …
A beautiful anomaly: Lorna Irvine on choreographer Marc Brew's provocative hybrid of gig and dance. The post Review: Brewband at Traverse Theatre, Edinburgh appeared first on Exeunt Magazine.
A particularly British nightmare: Lorna Irvine is at Dance International Glasgow to review Liz Aggiss' boundary-breaking, genre-melding solo show. The post Review: Slap and Tickle at Tramway…