Paco Pena, Sadler's Wells, review: 'magnificent and inspired'
This flamenco show masterminded by the great guitarist is entirely irresistible, says Laura Thompson
This flamenco show masterminded by the great guitarist is entirely irresistible, says Laura Thompson
Clean and clear-limbed choreography remind you of ballet's significance as an art form, says Laura Thompson
Even this oddly muted departure can't diminish Sylvie Guillem's talent, says Laura Thompson
Russian ballerina Natalia Osipova is simply phenomenal at Covent Garden, says Laura Thompson
The opening night pairing of Marianela Núñez and Thiago Soares seemed, at times, to breathe as one, says Laura Thompson
Christopher Wheeldon's dark, absurdist take on Lewis Carroll is an impressive extravaganza, says Laura Thompson
The Royal Ballet is breaking with tradition in the fascinating talent of artist-in-residence Liam Scarlett, says Laura Thompson
Four short Ashton works performed to near-perfection show why ballet matters, says Laura Thomson
Michael Flatley, king of Irish dancing, is back and as great as ever, says Laura Thompson
What Arthur Pita's Nobody's Baby occasionally lacks in coherence it makes up for in passion and grip, says Laura Thompson
As a new, older-actors-only The Importance of Being Earnest hits theatres, Laura Thompson asks if the way our society looks at age is changing
This piece of public art brings cycling and dance together beautifully ahead of the Tour de France's arrival in Leeds, says Laura Thompson
Did Shakespeare write fearless black comedy Arden of Faversham?
Laura Thompson is delighted by three perfectly cast and superbly danced works from Frederick Ashton, Kenneth MacMillan and Wayne McGregor