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902 stories by "Laura Collins-Hughes"

'Melissa Etheridge: My Window' Review: Musings on Life and Music by Laura Collins-hughes

On Broadway, this rock concert spliced with memoir has gained a striking intimacy.

SOURCE: The New York Times Subscription at 9:25pm on September 28, 2023[SHARE]

Review: In Theresa Rebeck's 'Dig', a Plant Shop Nurtures Weary Souls by Laura Collins-hughes

Theresa Rebeck's play, a Primary Stages production at 59E59 Theaters, is a beautifully acted dramedy exploring the truth and warped perceptions of it.

SOURCE: The New York Times Subscription at 12:13pm on September 21, 2023[SHARE]

A.I.-Scripted Stories, and a Counterpoint, Take the Stage Off Broadway by Laura Collins-hughes

"Prometheus Firebringer" and "Bioadapted" test the waters, while the abstract "Psychic Self Defense" is a warm and pulsing counterpoint.

SOURCE: The New York Times Subscription at 12:43pm on September 20, 2023[SHARE]

'No Good Things Dwell in the Flesh' Review: Seeking a Successor by Laura Collins-hughes

In her new play, Christina Masciotti turns a keen gaze on an immigrant tailor who has woven her business into the fabric of a neighborhood.

SOURCE: The New York Times Subscription at 2:13pm on September 13, 2023[SHARE]

'Swing State' Playwright Wants to Sound an Alarm for a World in Trouble by Laura Collins-hughes

In her Off Broadway drama, which had an acclaimed run in Chicago, the playwright looks for hope to outweigh despair in a fractious, anxious time.

SOURCE: The New York Times Subscription at 5:07am on September 7, 2023[SHARE]

Leaping 'Into the Next Unknown': Robert Lyons on the End of New Ohio Theater by Laura Collins-hughes

The handwriting on the company's wall, in chalk, was traced by a closing night crowd sharing memories of more than 30 years of landmarks and larks.

SOURCE: The New York Times Subscription at 5:07am on September 3, 2023[SHARE]

Theater to See in September 2023: 'Ulysses,' 'The Pianist' and More by Laura Collins-hughes

Six shows and a fringe festival are among this month's highlights in New York, New Jersey, Connecticut and a bit beyond.

SOURCE: The New York Times Subscription at 3:43pm on September 1, 2023[SHARE]

Reeling From Heartbreak, and Then 'Penelope' Showed Up by Laura Collins-hughes

Alex Bechtel's new musical, sort of "a pandemic parable," gives voice to a mythical character in "The Odyssey."

SOURCE: The New York Times Subscription at 3:43pm on September 1, 2023[SHARE]

'On Cedar Street' Meets 'Here You Come Again' by Laura Collins-hughes

"Here You Come Again" and "On Cedar Street" are very different new musicals about people who are unmoored and seek companionship to make it through.

SOURCE: The New York Times Subscription at 4:04pm on August 21, 2023[SHARE]

A Guide to Summer Theater Festivals in New York and the Berkshires by Laura Collins-hughes

A guide to what's onstage at theater festivals in upstate New York and the Berkshires.

SOURCE: The New York Times Subscription at 3:33pm on July 27, 2023[SHARE]

At Two Summer Theater Festivals, Reassuring Signs of Life by Laura Collins-hughes

The industry is facing challenges, but in western Massachusetts the quality of the works is as rich as ever, our critic writes.

SOURCE: The New York Times Subscription at 3:43pm on July 25, 2023[SHARE]

Book Review: 'Encounterism,' by Andy Field by Laura Collins-hughes

Conceived before the pandemic, Andy Field's ode to sharing space in person glosses over the ways our everyday habits seem to have changed for good.

SOURCE: The New York Times Subscription at 5:19am on July 18, 2023[SHARE]

Review: In 'Malvolio,' Hope (and a Title Role) for a Damaged Heart by Laura Collins-hughes

The Classical Theater of Harlem follows up last year's winning "Twelfth Night" with a sequel that feels like a sweet summer frolic.

SOURCE: The New York Times Subscription at 2:55pm on July 10, 2023[SHARE]

'Uncle Vanya' Review: Candlelit With a High-Wattage Cast by Laura Collins-hughes

Unrequited love swirls through this prestige-cast production of Anton Chekhov's play, in a Manhattan loft.

SOURCE: The New York Times Subscription at 8:19pm on July 6, 2023[SHARE]

How to Squeeze a Feminist Farce Into an English Country House by Laura Collins-hughes

"The Cottage" is a throwback play with a modern mind-set. The cast, playwright and director talk about pulling off the comedy and landing all the "darlings."

SOURCE: The New York Times Subscription at 5:33am on July 5, 2023[SHARE]

'Invisible' Review: Brown and British by Laura Collins-hughes

As part of the Brits Off Broadway festival at 59E59 Theaters, Nikhil Parmar's solo play is a drama-tinged satire that morphs into a grisly revenge parable.

SOURCE: The New York Times Subscription at 10:55pm on June 25, 2023[SHARE]

'Good Vibrations' Review: The Saving Power of Punk by Laura Collins-hughes

In a big-hearted musical about a 1970s Belfast record store owner and the punk movement he nurtured, music is the real hero.

SOURCE: The New York Times Subscription at 2:37pm on June 21, 2023[SHARE]

'Wet Brain' Review: A Vodka-Spiked Horror Show by Laura Collins-hughes

The children of a severely alcoholic widower navigate his incapacity, and his legacy, in John J. Caswell Jr.'s pitch-black comedy about addiction.

SOURCE: The New York Times Subscription at 9:25pm on June 6, 2023[SHARE]

Review: In 'Days of Wine and Roses,' Two Souls Lost in an Ocean of Booze by Laura Collins-hughes

In Craig Lucas and Adam Guettel's jazzy new musical, Kelli O'Hara and Brian d'Arcy James are a glamorous couple succumbing to alcoholism.

SOURCE: The New York Times Subscription at 9:06pm on June 5, 2023[SHARE]

He Made a Show About Grief. She Saw Herself In It. by Laura Collins-hughes

Audible Theater's leader and the creator of "Sorry for Your Loss" hope the autobiographical comedy helps others learn to talk about grief.

SOURCE: The New York Times Subscription at 4:18pm on May 25, 2023[SHARE]

Summerworks Festival Opens With "Work Hard Have Fun Make History" by Laura Collins-hughes

Clubbed Thumb's Summerworks festival opener, written by ruth tang, rages against the machines and examines human alienation.

SOURCE: The New York Times Subscription at 7:54pm on May 24, 2023[SHARE]

Arian Moayed Plays Creepy Men for Thoughtful Reasons by Laura Collins-hughes

In roles in HBO's "Succession" and "A Doll's House" on Broadway, politics are never far from mind for the Iranian American actor.

SOURCE: The New York Times Subscription at 11:42am on May 23, 2023[SHARE]

'The Habit of Art' Review: Theater of the Creative Drive by Laura Collins-hughes

A play within a play about W.H. Auden and Benjamin Britten structures this sex-spiked comedy for the Brits Off Broadway festival at 59E59 Theaters in Manhattan.

SOURCE: The New York Times Subscription at 5:42pm on May 10, 2023[SHARE]

How the Star of 'Kimberly Akimbo' Found Beauty in Her Voice Again by Laura Collins-hughes

When Victoria Clark was offered the titular role in the musical, she worried her singing had lost its luster. Turns out, imperfection has its own allure.

SOURCE: The New York Times Subscription at 5:32am on May 10, 2023[SHARE]

Review: Racism Echoes Through Time in 'the ripple' by Laura Collins-hughes

The story of a Black family's fight to desegregate public pools spans decades in Christina Anderson's play at Yale Repertory Theater.

SOURCE: The New York Times Subscription at 1:54pm on May 9, 2023[SHARE]
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