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902 stories by "Laura Collins-Hughes"

'Corruption' Review: Onstage, a Scandal's Human Drama Is Muffled by Laura Collins-hughes

A new play by J.T. Rogers goes behind the scenes of the shady "news-gathering" that rocked Rupert Murdoch's British media empire over a decade ago.

SOURCE: The New York Times Subscription at 10:18pm on March 11, 2024[SHARE]

'Dead Outlaw' Review: Not Much of a Bandit, but What a Corpse by Laura Collins-hughes

The creators of "The Band's Visit" return with this mischievous ghost story of a musical based on an odd slice of Old West history.

SOURCE: The New York Times Subscription at 8:02pm on March 10, 2024[SHARE]

Review: In 'Brooklyn Laundry,' There's No Ordering Off the Menu by Laura Collins-hughes

John Patrick Shanley's new play, starring Cecily Strong and David Zayas, is a romantic comedy with a penchant for the resolutely dismal.

SOURCE: The New York Times Subscription at 9:24pm on February 28, 2024[SHARE]

Review: Seeking Purpose Among the Dead in 'Spiritus/Virgil's Dance' by Laura Collins-hughes

Dael Orlandersmith's slender new solo play is a meditation on living that seems also like a curveball response to loss.

SOURCE: The New York Times Subscription at 5:12am on February 20, 2024[SHARE]

'Bark of Millions' Review: Taylor Mac's Rock Opera at BAM by Laura Collins-hughes

If Taylor Mac and Matt Ray's four-hour rock opera were aiming to succeed on aural gorgeousness and visual spectacle alone, there would be no cause to quibble.

SOURCE: The New York Times Subscription at 10:18pm on February 7, 2024[SHARE]

Review: In 'Jonah,' Starring Gabby Beans, Trust Nothing, and No One by Laura Collins-hughes

Gabby Beans shines as a time-hopping protagonist tracing her trauma in Rachel Bonds's slip-slidey new Off Broadway play.

SOURCE: The New York Times Subscription at 9:42pm on February 1, 2024[SHARE]

Two Theater-Making Couples Reflect on Mortality and Renewal by Laura Collins-hughes

A meditation on mortality and renewal, "The Following Evening" presents mirror images of two married pairs of theater makers.

SOURCE: The New York Times Subscription at 1:06pm on February 1, 2024[SHARE]

'Days of Wine and Roses' Review: Romance on the Rocks by Laura Collins-hughes

Kelli O'Hara and Brian d'Arcy James are superb as a midcentury-modern couple free-falling into addiction in Craig Lucas and Adam Guettel's musical.

SOURCE: The New York Times Subscription at 9:06pm on January 28, 2024[SHARE]

Review: In 'Aristocrats,' an Irish Dynasty Confronts Reality by Laura Collins-hughes

A once-powerful clan gathers for a family wedding and muddles through the facts and fiction of their past and present.

SOURCE: The New York Times Subscription at 12:54pm on January 24, 2024[SHARE]

Julia Jordan Set Aside Playwriting to Win Gender Parity in Theater by Laura Collins-hughes

After years of fighting to win parity and recognition for women in theater, Julia Jordan said: "Everybody gets produced now. There's much more competition. In a good way."

SOURCE: The New York Times Subscription at 2:12pm on January 7, 2024[SHARE]

New Year, New Show: An Original '& Juliet' Star Heads Home by Laura Collins-hughes

Melanie La Barrie, who brought the role of Angélique from the West End to Broadway, flew back on New Year's Eve with "Hadestown" on the horizon.

SOURCE: The New York Times Subscription at 1:06pm on January 2, 2024[SHARE]

'Real Women Have Curves' and 'Heart Sellers': Snapshots of Immigrant Lives by Laura Collins-hughes

A musical adaptation of "Curves" and a play about two Asian women becoming friends both look at immigrants' experiences, with mixed results.

SOURCE: The New York Times Subscription at 3:42pm on December 21, 2023[SHARE]

Review: 'Madwomen of the West' Is Comedy as Comfort Food by Laura Collins-hughes

In Sandra Tsing Loh's zany play, the stage is star-studded but familiarity alone can't sustain this story about a group of old college friends.

SOURCE: The New York Times Subscription at 11:54am on December 12, 2023[SHARE]

Review: In 'The Salvagers,' a Battered Family Finds Strength by Laura Collins-hughes

Harrison David Rivers's new drama, featuring a strong cast, is having its world premiere at Yale Repertory Theater.

SOURCE: The New York Times Subscription at 12:48pm on December 7, 2023[SHARE]

'Walk on Through' Review: Dispatches, in Song, From a Museum Novice by Laura Collins-hughes

In his new show, Gavin Creel sings about the wonders of visiting the Metropolitan Museum of Art, but sticks too close to the surface.

SOURCE: The New York Times Subscription at 7:18pm on December 4, 2023[SHARE]

A Wood-Carved Protagonist, Enduring the Brutality of War by Laura Collins-hughes

A stage adaptation of J.M. Coetzee's novel "Life & Times of Michael K," about a man's struggles during a fictional South African conflict, includes actors alongside a puppet version of M…

SOURCE: The New York Times Subscription at 1:24pm on November 30, 2023[SHARE]

'Amid Falling Walls' Review: Songs of Resilience From the Holocaust Era by Laura Collins-hughes

A new musical from National Yiddish Theater Folksbiene stitches together music written and performed in Eastern Europe in the 1930s and '40s.

SOURCE: The New York Times Subscription at 1:18pm on November 28, 2023[SHARE]

'Waiting for Godot' Review: Old Friends Falling in and Out of Sync by Laura Collins-hughes

Michael Shannon and Paul Sparks star in Arin Arbus's pandemic-delayed production at the Polonsky Shakespeare Center.

SOURCE: The New York Times Subscription at 9:18pm on November 14, 2023[SHARE]

'Mysterious Case of Kitsy Rainey' Review: A Trilogy's Bittersweet End by Laura Collins-hughes

At Irish Arts Center, the actor delivers the final installment of his solo plays about the cobbler Pat and his eccentric beloved.

SOURCE: The New York Times Subscription at 12:06pm on November 9, 2023[SHARE]

Tales That Crackle With Vitality, With or Without a Puppeteer by Laura Collins-hughes

La MaMa Puppet Festival and other stage works this fall highlight the power of storytelling through puppetry.

SOURCE: The New York Times Subscription at 2:06pm on November 8, 2023[SHARE]

'Merry Me' Review: A Loopy Sex Comedy Focused on Female Pleasure by Laura Collins-hughes

Hansol Jung's new play riffs on Greek dramas, the Restoration comedy "The Country Wife" and Tony Kushner's "Angels in America."

SOURCE: The New York Times Subscription at 1:03pm on November 1, 2023[SHARE]

Searching for Brian Friel, and His Mythical Ballybeg by Laura Collins-hughes

Irish Repertory Theater's season-long survey of the playwright's work prompted our reporter to seek out the Irish town that inspired the imaginary site of so many of his plays.

SOURCE: The New York Times Subscription at 5:25am on November 1, 2023[SHARE]

'Helen.' Review: A Restless Heroine Tired of Abiding by Gender Roles by Laura Collins-hughes

At La MaMa, Caitlin George's new play uses comedy to counter the legend of Helen of Troy.

SOURCE: The New York Times Subscription at 1:43pm on October 18, 2023[SHARE]

'All the Devils' Review: Patrick Page Investigates Evil by Laura Collins-hughes

In this Off Broadway production, the actor is most fascinated by human fallibility and Shakespeare's nuanced understanding of it.

SOURCE: The New York Times Subscription at 1:33pm on October 17, 2023[SHARE]

Garry Hynes Brings Sean O'Casey's Dublin Trilogy to Life by Laura Collins-hughes

At NYU Skirball, Druid's marathon production depicts the beginning of a free Irish state through the voices of the working class.

SOURCE: The New York Times Subscription at 12:33pm on October 4, 2023[SHARE]
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