916 stories by "Laura Collins-Hughes"
Marin Ireland's play opens with Tatiana Maslany in a rotating cast of stars, and "What Became of Us" continues its own experiment with changing casts.
In the Tony-nominated "Mother Play," the writer conjures warm memories and thorny ones, not to judge her mother, but to understand " and to forgive.
Shayan Lotfi's topical play about a family building a new life in a new country leaves the details vague, deliberately.
Madison Ferris and Danny J. Gomez star in the meet-cute "All of Me" " proof that depictions of disability onstage don't have to be "a buzz kill," as Ferris puts it.
In "The Playbook," James Shapiro offers a resonant history of the Federal Theater Project, a Depression-era program that gave work to writers and actors until politics took center stage.
Lauren Patten and Taylor Iman Jones star in an achingly romantic, softly sexy new musical by Rachel Bonds and Zoe Sarnak.
Maia Novi stars in her play about a Hollywood-struck actress from Argentina who stops at Yale's drama school and an inpatient psych ward on her way.
The actress is back in concert mode at 76, and doing new material. She's also looking forward to a bold new take on "Sunset Boulevard."
Abigail and Shaun Bengson muse on death in their latest work, but its looseness makes it hard to get a handle on.
Steve Carell, William Jackson Harper, Alison Pill and Anika Noni Rose discuss the new translation of Chekhov that brought them to the farm.
This musical adaptation, now on Broadway, is a lot of Jazz Age fun. But it forgot that Fitzgerald's 1925 novel endures because it is a tragedy.
At St. Ann's Warehouse, this documentary play about a London fire is blood-boiling and aggrieved.
"Agreement," at Irish Arts Center, and "Philadelphia, Here I Come!," at Irish Repertory Theater, have a timeless feel, rooted in their eras and resonant in ours.
A new play by J.T. Rogers goes behind the scenes of the shady "news-gathering" that rocked Rupert Murdoch's British media empire over a decade ago.
The creators of "The Band's Visit" return with this mischievous ghost story of a musical based on an odd slice of Old West history.
John Patrick Shanley's new play, starring Cecily Strong and David Zayas, is a romantic comedy with a penchant for the resolutely dismal.
Dael Orlandersmith's slender new solo play is a meditation on living that seems also like a curveball response to loss.
If Taylor Mac and Matt Ray's four-hour rock opera were aiming to succeed on aural gorgeousness and visual spectacle alone, there would be no cause to quibble.
Gabby Beans shines as a time-hopping protagonist tracing her trauma in Rachel Bonds's slip-slidey new Off Broadway play.
A meditation on mortality and renewal, "The Following Evening" presents mirror images of two married pairs of theater makers.
Kelli O'Hara and Brian d'Arcy James are superb as a midcentury-modern couple free-falling into addiction in Craig Lucas and Adam Guettel's musical.
A once-powerful clan gathers for a family wedding and muddles through the facts and fiction of their past and present.
After years of fighting to win parity and recognition for women in theater, Julia Jordan said: "Everybody gets produced now. There's much more competition. In a good way."
Melanie La Barrie, who brought the role of Angélique from the West End to Broadway, flew back on New Year's Eve with "Hadestown" on the horizon.
