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902 stories by "Laura Collins-Hughes"

Let's See: Outdoor Theater Is Welcome, but Sightlines Are Vital by Laura Collins-hughes

It might seem churlish to criticize productions improvising through a pandemic. But for audiences taking the chance, design makes a difference.

SOURCE: The New York Times Subscription at 4:36pm on September 15, 2020[SHARE]

'Twelve Angry Men …and Women' Review: Tales of Brutality by Laura Collins-hughes

The Billie Holiday Theater's brilliantly designed performance, staged for a live audience in Brooklyn and filmed for YouTube, is an urgent response to police misconduct.

SOURCE: The New York Times Subscription at 4:24pm on September 14, 2020[SHARE]

When the Wrong Singer for the Song Is Just So Right by Laura Collins-hughes

Thrice-delayed and now virtual, this year's scrambled show-tune revue "Miscast" has to entertain while recognizing that casting is political.

SOURCE: The New York Times Subscription at 10:18am on September 2, 2020[SHARE]

5 'Miscast' Numbers That Will Play With Your Preconceptions by Laura Collins-hughes

Jonathan Groff tapping a tribute to Sutton Foster? Lin-Manuel Miranda singing Anita's part in "West Side Story"? Watch these videos and see what's possible.

SOURCE: The New York Times Subscription at 10:18am on September 2, 2020[SHARE]

Outdoor Medicine for the Play-Starved Soul by Laura Collins-hughes

Pairing Molière and Millay for a socially distanced audience, Shakespeare Theater of New Jersey offers light entertainment just when we need it.

SOURCE: The New York Times Subscription at 3:06pm on August 14, 2020[SHARE]

Provincetown: Go for the Mask Compliance, Stay for a Show by Laura Collins-hughes

In this gay haven known for its nightlife, the crowds are smaller this summer. And the nightclubs are closed. But by the pool, the show goes on.

SOURCE: The New York Times Subscription at 2:24pm on July 31, 2020[SHARE]

Review: Listening in the Dark to a Cruel Tale of 'True History' by Laura Collins-hughes

Shaun Prendergast's play, written to be performed in darkness, asks audiences to imagine what the "ugliest woman in the world" looks like.

SOURCE: The New York Times Subscription at 6:18pm on July 27, 2020[SHARE]

'Gotham Refuses to Get Scared': In 1918, Theaters Stayed Open by Laura Collins-hughes

With an influenza pandemic and a war on, New York's health commissioner took an unorthodox stand, declining to shutter public entertainment.

SOURCE: The New York Times Subscription at 5:54am on July 14, 2020[SHARE]

Digital Theater Isn't Theater. It's a Way to Mourn Its Absence. by Laura Collins-hughes

The industry's show-must-go-on smile masks a harder truth: that there is no substitute for the live interaction between performer and audience.

SOURCE: The New York Times Subscription at 10:54am on July 8, 2020[SHARE]

A 1978 Play Plucked From the Slush Pile Gets a Timely New Reading by Laura Collins-hughes

With its themes of white privilege and black rage, Kermit Frazier's "Kernel of Sanity" resonates powerfully today. That's why Paula Vogel is giving it a boost.

SOURCE: The New York Times Subscription at 2:36pm on June 23, 2020[SHARE]

Theater Kids Trade a Big Stage for Highlight Tapes and Heartache by Laura Collins-hughes

Thousands of students should have been gathering to cheer on the year's best shows. But this isn't a typical year.

SOURCE: The New York Times Subscription at 1:24pm on June 17, 2020[SHARE]

'Anno Domino' Review: Long Married, but Open to Adjustment by Laura Collins-hughes

In his new audio comedy, Alan Ayckbourn does more than write: He and his wife, Heather Stoney, portray several couples in disarray.

SOURCE: The New York Times Subscription at 2:18pm on June 8, 2020[SHARE]

On Second Viewing, First Impressions Don't Always Hold by Laura Collins-hughes

Watching familiar plays online can be a comfort " and sometimes a revelation.

SOURCE: The New York Times Subscription at 2:24pm on May 14, 2020[SHARE]

Can Physical Comedy Work on Zoom? Bill Irwin Wants to Find Out. by Laura Collins-hughes

His 10-minute, two-character play will test the possibilities of a new form that puts faces, more than bodies, at the center of the action.

SOURCE: The New York Times Subscription at 3:36pm on May 12, 2020[SHARE]

A Thousand Goodbyes for McCarter Theater's Emily Mann by Laura Collins-hughes

A virtual send-off for the artistic director and playwright drew more attendees than could have fit under a tent. "I liked this better," she said.

SOURCE: The New York Times Subscription at 3:32pm on May 3, 2020[SHARE]

10 Playwrights Script a Web Series. Is It Theater? by Laura Collins-hughes

"Homebound" is one company's attempt to give structure and meaning to the worries and what-ifs of the strange new present. But these aren't plays, the artistic director says.

SOURCE: The New York Times Subscription at 2:32pm on April 23, 2020[SHARE]

A Cast Album I Love: 'Twelfth Night' by Laura Collins-hughes

We continue our cast album series with more recommendations for wonderful musicals to listen to at home

SOURCE: The New York Times Subscription at 2:18pm on April 22, 2020[SHARE]

'The Addams Family' Musical Was Panned. Then It Became a Hit. by Laura Collins-hughes

A rare show that retooled and flourished after its New York debut, the musical, a decade later, has endured in schools and through international productions.

SOURCE: The New York Times Subscription at 10:18am on April 7, 2020[SHARE]

As Theaters Stare Down Uncertainty, Ars Nova Buys Itself Time by Laura Collins-hughes

In committing to paying its people during a three-month shutdown, the theater gives itself breathing room to prepare for when it can open again.

SOURCE: The New York Times Subscription at 4:36pm on March 30, 2020[SHARE]

The Fourth Wall Is My Laptop Screen by Laura Collins-hughes

When theaters closed by the pandemic stream their shuttered plays online, watching sharpens the longing for the real thing.

SOURCE: The New York Times Subscription at 1:48pm on March 26, 2020[SHARE]

Where to Celebrate Sondheim in New York by Laura Collins-hughes

What's a birthday celebration without tribute concerts, new commissions and revivals of three classics? Here's how to join the party, live.

SOURCE: The New York Times Subscription at 7:06am on March 12, 2020[SHARE]

'Conscience' Review: The Woman Who Stared Down the Red Scare by Laura Collins-hughes

The hero of Joe DiPietro's new comic drama is Margaret Chase Smith, a U.S. senator who had the rare courage to stand up to McCarthyism.

SOURCE: The New York Times Subscription at 4:06pm on March 11, 2020[SHARE]

Review: A Crisis of Borders in '72 Miles to Go…' by Laura Collins-hughes

In Hilary Bettis's play, a family separated by deportation wants to live regular American lives but discovers how mercilessly difficult that is.

SOURCE: The New York Times Subscription at 10:54pm on March 10, 2020[SHARE]

Review: In 'Mr. Toole,' Trying to Remember Teacher by Laura Collins-hughes

Vivian Neuwirth's play is a fictionalized recollection of the life of the novelist John Kennedy Toole, who died before his Pulitzer-Prize winning classic "A Confederacy of Dunces" was publis…

SOURCE: The New York Times Subscription at 1:32pm on March 5, 2020[SHARE]

In a Battle for Female Personhood, These Plays Are on the Front Lines by Laura Collins-hughes

"Grand Horizons" and "Dracula" assert the full humanity of women, a matter not as settled as we might like to think.

SOURCE: The New York Times Subscription at 12:36am on February 27, 2020[SHARE]
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