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902 stories by "Laura Collins-Hughes"

Where Is Hollywood When Broadway Needs It? by Laura Collins-hughes

A critic writes a plea to the film and TV stars who got their starts in the theater and can do more to aid its rescue.

SOURCE: The New York Times Subscription at 6:06am on March 10, 2021[SHARE]

Battered but Unbowed: How Beckett Speaks to a New Era by Laura Collins-hughes

Adaptations of "Happy Days" and "First Love," works by the master of existential wheel-spinning, show us how to live in place.

SOURCE: The New York Times Subscription at 12:24pm on March 8, 2021[SHARE]

'First Love' Review: Stop and Smell the Corpses by Laura Collins-hughes

Bill Camp stars in JoAnne Akalaitis's creepy, funny streaming production of this Samuel Beckett short story.

SOURCE: The New York Times Subscription at 5:42pm on February 26, 2021[SHARE]

Douglas Turner Ward: A Lens on 'Questions That the Country Wasn't Asking' by Laura Collins-hughes

Samuel L. Jackson, David Alan Grier, Phylicia Rashad and others remember the Negro Ensemble Company founder.

SOURCE: The New York Times Subscription at 4:36pm on February 23, 2021[SHARE]

Two Tales of Disconnection, With One Cicada Cameo by Laura Collins-hughes

Recorded on a Houston stage, "The Book of Magdalene" is theatrically intimate, while "Hotel Good Luck" gets caught up in digital trickery.

SOURCE: The New York Times Subscription at 2:33pm on February 15, 2021[SHARE]

When Theatermakers Long for the Stage, Playfully by Laura Collins-hughes

Two short films that find pandemic-sidelined performers grappling with Beckett are a highlight of the annual Exponential Festival.

SOURCE: The New York Times Subscription at 2:36pm on January 25, 2021[SHARE]

'The Approach' Review: Three Women and the Men Who Define Them by Laura Collins-hughes

Mark O'Rowe's intricate, beautifully acted play begs for debate. To start: Why don't its protagonists have full lives of their own?

SOURCE: The New York Times Subscription at 11:36am on January 23, 2021[SHARE]

Review: One Belfast Landmark Inspires Five Irish Monologues by Laura Collins-hughes

The excellent program of short audioplays commissioned for "Under the Albert Clock" imagines the world in 2050.

SOURCE: The New York Times Subscription at 2:18pm on January 21, 2021[SHARE]

How Theater Stepped Up to Meet the Trump Era by Laura Collins-hughes

As artists saw liberties threatened and inequities exacerbated, the stage became more thrillingly urgent than it had been in decades.

SOURCE: The New York Times Subscription at 3:32pm on January 18, 2021[SHARE]

More Than the Girl Next Door: 8 Actors on Emily in 'Our Town' by Laura Collins-hughes

With a history of the Thornton Wilder classic coming soon, we talk with performers who found personal inspiration in the play's beating heart.

SOURCE: The New York Times Subscription at 10:18am on January 6, 2021[SHARE]

Lee Breuer, Adventurous Theater Director, Dies at 83 by Laura Collins-hughes

One of the founders of Mabou Mines, he reveled in being an outsider even when his celebrated "The Gospel at Colonus" reached Broadway.

SOURCE: The New York Times Subscription at 8:36pm on January 4, 2021[SHARE]

Review: In 'Making Friends,' a Bitter Grab Bag of Grievances by Laura Collins-hughes

Tom DeTrinis's solo show is full of rage, but in a way that's bizarrely out of touch with this overwhelmingly disastrous year.

SOURCE: The New York Times Subscription at 2:06pm on December 28, 2020[SHARE]

'This Is Who I Am' Review: Cooking With Dad, Remotely by Laura Collins-hughes

A son in New York and a father in the West Bank prepare a favorite family recipe. Longing and resentment are in the mix, too.

SOURCE: The New York Times Subscription at 11:32am on December 16, 2020[SHARE]

Holiday Cheer, Spiked or Straight by Laura Collins-hughes

How do you like your celebration? Taylor Mac gives it to you dazzling and arch, while "Meet Me in St. Louis" is a nostalgic comfort.

SOURCE: The New York Times Subscription at 12:06pm on December 15, 2020[SHARE]

Scrooge on a Screen Just Can't Be the Same by Laura Collins-hughes

The joy of "A Christmas Carol" isn't merely the story; it's the ritual of communion and reflection with family and fans. This year that's not possible.

SOURCE: The New York Times Subscription at 5:24pm on December 8, 2020[SHARE]

Review: Chagall Comes to Life in Enchanting 'Flying Lovers' by Laura Collins-hughes

Charming performers, elegant design and a smart video capture bring a bittersweet chamber play about the artist and his wife to the screen.

SOURCE: The New York Times Subscription at 11:36pm on December 7, 2020[SHARE]

Review 'Emilia': An Elizabethan Poet Takes Her Rightful Place Onstage by Laura Collins-hughes

The life of Emilia Bassano Lanier is interwoven with Shakespeare's in a boisterous British comedy.

SOURCE: The New York Times Subscription at 2:48pm on November 25, 2020[SHARE]

Strangers on a Phone, Theatrically Speaking by Laura Collins-hughes

Social distance has left us rusty when it comes to connecting with strangers. The latest piece by 600 Highwaymen aims to help us practice " starting with a call.

SOURCE: The New York Times Subscription at 10:24am on November 11, 2020[SHARE]

Patti LuPone Was a Constant. The Other Ingredients Never Cooked. by Laura Collins-hughes

With a marquee creative team, this romantic musical should have been a sure bet. One great song survived the out-of-town turmoil.

SOURCE: The New York Times Subscription at 2:06pm on November 4, 2020[SHARE]

Don't Eat the Breakfast Cereal. It's Made of Plastic. by Laura Collins-hughes

Robin Frohardt has turned a vacant space in Times Square into a colorful installation that slyly doubles as an eco-warning. Puppets have their moment, too.

SOURCE: The New York Times Subscription at 3:42pm on November 1, 2020[SHARE]

'It Can't Happen Here' Review: A Not-So-Subtle Slide Into Autocracy by Laura Collins-hughes

Sinclair Lewis's 1930s novel-turned-stage play about the rise of fascism in America returns as an audio drama from Berkeley Rep.

SOURCE: The New York Times Subscription at 3:24pm on October 26, 2020[SHARE]

'Carolyn Bryant' Review: Reliving a Lie That Never Goes Away by Laura Collins-hughes

This stylized, two-character play finds the woman whose false accusation led to the lynching of Emmett Till bound to him, and to racist myths, forever.

SOURCE: The New York Times Subscription at 3:18pm on October 13, 2020[SHARE]

Socially Distant, Except for the Dogs, Sheep and Chickens by Laura Collins-hughes

On the farm with Isabella Rossellini, as she readies a streaming theater piece with cameos from her animal friends.

SOURCE: The New York Times Subscription at 1:18pm on October 11, 2020[SHARE]

'Zoo Motel' Review: Got the Key. Where's the Minibar? by Laura Collins-hughes

The setting is stylish, and some tricks are nifty. But this Zoom show, which encourages audience involvement, is more scattershot than inspired.

SOURCE: The New York Times Subscription at 5:54pm on October 6, 2020[SHARE]

'Zero Cost House' Review: Could Thoreau Save Us Now? by Laura Collins-hughes

In the dreamscape of Toshiki Okada's play, the American philosopher is a 21st-century presence, and an author meets his younger self.

SOURCE: The New York Times Subscription at 3:48pm on September 20, 2020[SHARE]
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