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135 stories by "Julia Rank"

About Leo review at Jermyn Street Theatre, London " 'a mannered account of a fascinating life' by Julia Rank

Not to be confused with Dora Carrington, the Surrealist painter and writer Leonora Carrington's life was as rich in creative energy and

SOURCE: The Stage Registration at 9:46am on September 10, 2018

The Rise and Fall of Little Voice review at Park Theatre, London " 'commendable revival' by Julia Rank

Sheridan Morley once remarked that future productions of Jim Cartwright's 1992 play The Rise and Fall of Little Voice could never be

SOURCE: The Stage Registration at 7:52am on August 22, 2018

Around the World in 80 Days review at Union Theatre, London " 'energetic, but too much slapstick' by Julia Rank

Tapping into the Victorian fascination with speed, time and travel, Jules Verne’s much-adapted novel Around the World in 80 Days tells the

SOURCE: The Stage Registration at 6:14am on August 13, 2018

Spiral review at Park Theatre, London " 'unsettling look at dysfunctional relationships' by Julia Rank

Abigail Hood’s play Spiral takes place against a jagged promenade in an anonymous seaside town. The seedy associations of such a milieu

SOURCE: The Stage Registration at 5:58am on August 9, 2018

Review: The Rape of Lucretia at the Arcola Theatre by Julia Rank

An astringent, pressure cooker production: Julia Burbach directs a clear and compelling opera at Dalston's Grimeborn Festival. The post Review: The Rape of Lucretia at the Arcola Theatre app…

SOURCE: exeuntmagazine.com at 9:20am on July 27, 2018

Two for the Seesaw review at Trafalgar Studios, London " 'unengaging and overstretched' by Julia Rank

The heroine of William Gibson's 1958 play Two for the Seesaw, struggling Bronx dancer Gittel Moskowitz, is archetypally Shirley MacLaine  (who played

SOURCE: The Stage Registration at 6:07am on July 20, 2018

But It Still Goes On review at Finborough Theatre, London " 'Robert Graves' lost tragicomedy' by Julia Rank

It's the law of theatre that if there's a gun on stage it will go off before the play ends. In Robert

SOURCE: The Stage Registration at 5:31am on July 13, 2018

The Unnatural Tragedy review White Bear Theatre, London " 'an intriguing exercise' by Julia Rank

Samuel Pepys described Margaret Cavendish as "a mad, conceited, ridiculous woman." She was certainly an unusual woman for the 17th century, or

SOURCE: The Stage Registration at 6:29am on July 7, 2018

For King and Country review at Southwark Playhouse, London " 'visceral power' by Julia Rank

Amongst the forgotten stories of the First World War, those of the soldiers executed for desertion must be some of the most

SOURCE: The Stage Registration at 9:33am on July 4, 2018

The Tempest review at St Paul's Church, London " 'summery Shakespeare' by Julia Rank

Iris Theatre's production of Shakespeare's final play The Tempest takes the form of a gentle promenade in which the audience is seated

SOURCE: The Stage Registration at 12:49pm on June 29, 2018

Misanthrope review at Camden People's Theatre, London " 'ambitious, but clumsy' by Julia Rank

Whilst the cast of the current West End production of Tartuffe perform in a mixture of English and French, the bilingual Exchange

SOURCE: The Stage Registration at 12:16pm on June 22, 2018

Finishing the Picture review at Finborough Theatre " 'intimate staging of Arthur Miller's swan song' by Julia Rank

Arthur Miller's final play Finishing the Picture explores the manufacturing of female stars in Hollywood and their struggle to find their own

SOURCE: The Stage Registration at 7:42am on June 15, 2018

The Yellow Wallpaper review at Omnibus Theatre, London " 'effective glimpse into postnatal depression' by Julia Rank

Taking its cue from Charlotte Perkins Gilman’s 1892 gothic feminist short story The Yellow Wallpaper, Ruby Lawrence’s intelligent re-imagining makes for an

SOURCE: The Stage Registration at 7:17am on June 8, 2018

Stitchers review at Jermyn Street Theatre, London " 'hope without sentimentality' by Julia Rank

Sewing tends to be thought of as a quiet, meditative activity performed by women in peaceful surroundings. The men’s prison in which

SOURCE: The Stage Registration at 5:52am on June 4, 2018

Adam and Eve review at Hope Theatre, London " 'unconvincing and underdeveloped' by Julia Rank

In Tim Cook's hour-long play Adam and Eve, the biblical progenitors take the form of a smug middle-class couple (played by Lee

SOURCE: The Stage Registration at 9:50am on May 31, 2018

The Biograph review at Finborough Theatre, London " 'a love letter to silent film' by Julia Rank

In 1912, only the most desperate out-of-work theatre actors would have considered slumming it in moving picture shows. By 1928, cinema was

SOURCE: The Stage Registration at 8:13am on May 25, 2018

Faceless review at Park Theatre, London " 'lacks theatricality' by Julia Rank

Based on true accounts of young women running away to join IS, Chicago-based playwright Selina Fillinger's debut play Faceless (which she wrote

SOURCE: The Stage Registration at 12:56pm on April 27, 2018

Stuffed review at Jack Studio Theatre, London " 'heartfelt and strongly performed' by Julia Rank

Inspired by co-writer Lucy Joy Russell's personal experiences of IVF treatment, Stuffed follows 40-year-old Kim and her husband Jack's increasingly attempt to

SOURCE: The Stage Registration at 11:20am on March 12, 2018

Napoleon Disrobed review at Arcola Theatre, London " 'energetic and anarchic' by Julia Rank

Based on a novel by Simon Leys, Napoleon Disrobed imagines a scenario in which the diminutive tyrant escapes from exile in St

SOURCE: The Stage Registration at 6:34am on February 20, 2018

Cyril's Success review at Finborough Theatre, London " 'a good-natured revival' by Julia Rank

In honour of the 150th anniversary of the foundation of the Finborough Arms building, the west London pub theatre is presenting a

SOURCE: The Stage Registration at 7:42am on February 6, 2018

Austen the Musical review at Mirth, Marvel and Maud, London " 'frustratingly thin portrait of an author' by Julia Rank

The opening scene of Austen The Musical makes a strong argument in favour of 'The Death of the Author' mode of literary

SOURCE: The Stage Registration at 7:18am on January 24, 2018

Woman Before a Glass review at Jermyn Street Theatre, London " 'an impressive performance' by Julia Rank

The painterly title Woman Before a Glass is suggestive of the male gaze. This one-woman play by Lanie Robertson " author of

SOURCE: The Stage Registration at 8:43am on January 22, 2018

Tiny Dynamite review at Old Red Lion Theatre " 'strikingly designed' by Julia Rank

Abi Morgan's three-hander Tiny Dynamite was last seen at the Lyric Studio in 2003. As well as continuing to write for theatre,

SOURCE: The Stage Registration at 12:32pm on January 15, 2018

Top Hat review at Upstairs at the Gatehouse, London " 'a lively staging' by Julia Rank

This time last year, Joanne Clifton raised the Strictly Come Dancing mirrorball trophy in front of a television audience of millions. Having

SOURCE: The Stage Registration at 11:49am on December 20, 2017

The Wolves of Willoughby Chase review, Jack Studio Theatre, London " 'mischievous sense of humour' by Julia Rank

Joan Aiken's The Wolves of Willoughby Chase (first published in 1962) is a tale that has it all: intrepid orphans, a manor

SOURCE: The Stage Registration at 4:53am on December 18, 2017
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