Admiring Strindberg doesn’t mean we like him
Winnipegs Strindberg festival opts for many re-imaginings of his plays in order to get around the Swedish playwrights harsh misogyny
Winnipegs Strindberg festival opts for many re-imaginings of his plays in order to get around the Swedish playwrights harsh misogyny
Soulpepper remounting makes it clear who the villain is
Gem of a play suggests that who we are consists of what we choose to remember and forget
The Canadian electro-pop queen nails every role in Jesus Christ Superstar
Theatre critic J. Kelly Nestruck rounds up the year in theatre
His affection for the clown prince of U.S. acting royalty becomes infectious
Measured direction and restrained performance make Joan Didion's autobiographical play even more poignant
Critic J. Kelly Nestruck keeps an eye on what's going on in theatre
Prairie Theatre Exchange hoping to raise $2.2 million
The latest joint effort between Michael Healey and Peggy Baker makes for a disjointed whole
New translations and revivals are giving a shot of Botox to plays written decades ago
Company Theatre production of Franz Xaver Kroetz's Through the Leaves shows the banality of brutality
Play traces the lines between life in the analog, private past and the digital, all-too-public present
Lack of heat and urgency make this Midsummer Nights Dream feel like it's partly in hibernation
The Canadian-made Broadway hit The Drowsy Chaperone is being developed into a movie musical - and Oscar-winning actor Geoffrey Rush is slated to play the lead.
There's something about drag queens that middle-brow theatre audiences seem to find sort of ... cuddly
As the school marks its 50th anniversary, we ask 12 graduates-to-be in the English-language-acting conservatory what it means to them
Small English-language outfit scores stunning coup de théâtre
Productions include The Glass Menagerie, Exit the King, A Midsummer Night's Dream and The Fantasticks
A play constructed from video, with a lead character who's a composite of real people, ends up distant and unengaging
A good tale, a smart set, an energetic performance and the few problems with the script
Arthur Miller's 1949 play is a touchstone, but this well-acted production lacks emotional punch
Writer and director Alistair Newton on "aesthetic sampling", Stratford's Bruce Dow and collaborating with convicted murderer Michael Alig
If so, this review - along with Theatre Calgarys new production - can help you
Marie Clements creates three moving native characters, but the play fails to deal satisfyingly with these tragic figures