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191 stories by "Hugh Iglarsh"

Dado Does Dada: A Review of The Ruse of Medusa at Facility Theatre by Hugh Iglarsh

Hardly seen stateside, this tautly silly production of Erik Satie's play is a once-in-a-lifetime opportunity.

SOURCE: www.newcitystage.com at 2:00pm on March 8, 2019

What a Bomb: A Review of The Man Who Was Thursday at Lifeline Theatre by Hugh Iglarsh

This quixotic adaptation of G.K. Chesterton's novel is both reverent and ridiculous.

SOURCE: www.newcitystage.com at 12:00pm on March 4, 2019

Welt Upon the Soul: A Review of Requiem for a Heavyweight at The Artistic Home by Hugh Iglarsh

By going with the padded Broadway version, rather than the tighter TV or movie screenplay, this production of Rod Serling's noirish melodrama delivers something less than a knockout.

SOURCE: www.newcitystage.com at 6:00pm on February 21, 2019

Don't Let Her Be Misunderstood: A Review of Nina Simone: Four Women at Northlight Theatre by Hugh Iglarsh

Come for the legacy, stay for the songs.

SOURCE: www.newcitystage.com at 2:30pm on February 6, 2019

On Nothing: A Review of Noises Off at Windy City Playhouse by Hugh Iglarsh

Windy City Playhouse's revival of Michael Frayn's backstage comedy is exactly what it satirizes: a soulless execution of entertainment industry mores.

SOURCE: www.newcitystage.com at 6:00pm on January 23, 2019

A Will for the People: A Review of Fuente Ovejuna at City Lit Theater by Hugh Iglarsh

Written more than four hundred years ago, this play about collective resolve against singular authority remains urgently contemporary.

SOURCE: www.newcitystage.com at 11:30am on January 21, 2019

Challah Days: A Review of Hershel and the Hanukkah Goblins at Strawdog Theatre Company by Hugh Iglarsh

This world premiere at Strawdog Theatre Company provides much-needed holiday fare for families of the non-Noel persuasion.

SOURCE: www.newcitystage.com at 1:30pm on December 6, 2018

One Ghost Will Do: A Review of The Woman in Black at Royal George Theatre by Hugh Iglarsh

There's no moral message or social insight to bog down this heart-pounding holiday journey at The Royal George Theatre.

SOURCE: www.newcitystage.com at 10:30am on November 21, 2018

Balance in the Labyrinth: A Review of Malaga (or the Inner Ear) at Theatre Y by Hugh Iglarsh

Theatre Y presents the English-language premiere of this disquieting exploration of sacrifice and parenting.

SOURCE: www.newcitystage.com at 1:00pm on November 9, 2018

No Holiday: A Review of Lady in Denmark at the Goodman Theatre by Hugh Iglarsh

The Goodman Theatre stages the world premiere of this bland and meandering reflection on the life of an artist who was anything but.

SOURCE: www.newcitystage.com at 12:30pm on November 5, 2018

Easy on the Ears: Nate Herman's Latest Enterprise Fuses Radio, Classic Hollywood Cinema and the Anything-Goes Attitude of Improv by Hugh Iglarsh

Combining his years as an improv artist with the storytelling possibilities of radio, Nate Herman's Films for the Ears produce one-of-a-kind, off-the-cuff events.

SOURCE: www.newcitystage.com at 10:00am on September 28, 2018

Slow Curve: A Review of Curve of Departure at Northlight Theatre by Hugh Iglarsh

The latest from Northlight Theatre follows a "ragtag little group of humans" through an increasingly contrived familial plot.

SOURCE: www.newcitystage.com at 2:15pm on September 24, 2018

Dig A Little Deeper: A Review of Nightmares & Nightcaps: The Stories of John Collier at Black Button Eyes Productions by Hugh Iglarsh

Black Button Eyes Productions captures the misanthropy in John Collier's stories but misses his sly take on the shadows surrounding civilized life.

SOURCE: www.newcitystage.com at 11:15am on August 21, 2018

Jersey By Way Of Athens: A Review of BLISS (Or Emily Post Is Dead!) at Promethean Theatre Ensemble by Hugh Iglarsh

There is not enough dramatic scaffolding to support the bulk of thematic materials in this world premiere from Promethean Theatre Ensemble.

SOURCE: www.newcitystage.com at 1:00pm on August 20, 2018

A Moveable Feast: A Review of Pamplona at the Goodman by Hugh Iglarsh

Returning to the Goodman Theatre a year after suffering a heart attack while on its stage, Stacy Keach consummates his performance of the tumultuous, iconic Ernest Hemingway in this affectin…

SOURCE: www.newcitystage.com at 6:00pm on July 25, 2018

Hunger Porn: A Review of Sickle at Red Theatre by Hugh Iglarsh

Like the fields tilled by the victims of Holodomor, Abbey Fenbert's new play at Red Theater Chicago needs air and space in order to properly grow.

SOURCE: www.newcitystage.com at 3:00pm on July 25, 2018

Ship of Fools: A Review of The Deck Chairs (or Make the Titanic Great Again) at The Conspirators by Hugh Iglarsh

The Conspirators present a multi-level satire of just about everything in this sharp-edged and in touch production.

SOURCE: www.newcitystage.com at 11:00am on June 25, 2018

Not Very Rich: A Review of A Little Night Music at Boho Theatre by Hugh Iglarsh

Performed in cramped quarters, BoHo Theatre's production of Sondheim's rarely revived musical reveals an ugliness beneath its polished, polyphonic surface.

SOURCE: www.newcitystage.com at 4:30pm on June 2, 2018

Dream A Little Dream: A Review of Cry It Out at Northlight Theatre by Hugh Iglarsh

Molly Smith Metzler's new play at Northlight Theatre explores the realities of modern motherhood.

SOURCE: www.newcitystage.com at 1:00pm on May 29, 2018

Making Imperialism Great Again: A Review of The Explorers Club at Citadel Theatre by Hugh Iglarsh

Nell Benjamin's play at Citadel Theatre attempts to pose reactionary nostalgia as feminist provocation.

SOURCE: www.newcitystage.com at 1:00pm on May 3, 2018

Good History: A Review of A Home on the Lake at Piven Theatre Workshop and Fleetwood-Jourdain Theatre by Hugh Iglarsh

Piven Theatre Workshop and Fleetwood-Jourdain Theatre co-produce this place-based world premiere about Evanston's racially-charged history.

SOURCE: www.newcitystage.com at 12:15pm on May 2, 2018

A Lane Worth Staying In: A Review of How I Learned to Drive at The Artistic Home by Hugh Iglarsh

The Artistic Home's production of Paula Vogel's Pultizer Prize-winning play is storefront theater at its very best.

SOURCE: www.newcitystage.com at 5:00pm on April 3, 2018

Sadistic Pageantry: A Review of The Beauty Queen of Leenane at Northlight Theatre by Hugh Iglarsh

Even the formidable leads of this Northlight Theatre production cannot rescue it from Martin McDonagh's bone-deep cynicism.

SOURCE: www.newcitystage.com at 12:15pm on March 29, 2018

Farewell, Hedy: An Open Letter to the Theater Community, Meaning All of Us by Hugh Iglarsh

Theater and art in general feed on attention and die of neglect.

SOURCE: www.newcitystage.com at 11:02am on March 25, 2018

Antihero For Our Time: A Review of An Enemy of the People at Goodman Theatre by Hugh Iglarsh

Intelligence minus sympathy and compassion equals arrogance in this Goodman Theatre production.

SOURCE: www.newcitystage.com at 4:00pm on March 24, 2018
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