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140 stories by "Holly Williams"

All Aboard a Steam Train to See 'The Railway Children' by Holly Williams

The smells and sounds of locomotive travel get the audience in the mood for a theatrical adaptation of the beloved children's book.

SOURCE: The New York Times Subscription at 10:54am on July 17, 2025[SHARE]

Murderer, manipulator… or not that bad at all? The reframing of Richard III by Holly Williams

More than 500 years after his death, the monarch most reviled by Shakespeare is still courting controversy " over whether non-disabled actors should ever be cast in the role, and with a new …

SOURCE: The Guardian at 7:02am on March 3, 2024[SHARE]

'Treason,' the Musical, Was Built on an Online Foundation by Holly Williams

The producers cultivated online followers for three years before mounting a full production, bringing them along on the show's journey to the stage.

SOURCE: The New York Times Subscription at 7:02am on November 2, 2023[SHARE]

A Streetcar Named Desire at 75: Blanche, Stanley, and the Tennessee Williams play that still haunts us by Holly Williams

As Paul Mescal takes on the role first made famous by Marlon Brando, Holly Williams looks at the star-studded history of 'Streetcar', a play full of parts coveted by big name actors

SOURCE: The Independent at 3:48am on December 19, 2022[SHARE]

3 Theaters, 3 Plays, One Cast, All at Once by Holly Williams

The Crucible Theater in Sheffield, England, is celebrating its 50th anniversary with a mind-boggling logistical challenge that also honors a declining industry in the city.

SOURCE: The New York Times Subscription at 12:42pm on June 24, 2022[SHARE]

Hedwig and the Angry Inch review: Divina de Campo whips up a froth of sheer delight by Holly Williams

Jamie Fletcher's production is a rackety and raucous triumph

SOURCE: The Independent at 8:24am on April 7, 2022[SHARE]

Anna Karenina review: Tolstoy's heroine is brought to magnetic, maddening life by Adelle Leonce by Holly Williams

Anthony Lau delivers a stylish production at the Sheffield Crucible, set in a glittering, heightened contemporary world of neon outfits and disco-balls. Yet while the first half flies by, so…

SOURCE: The Independent at 8:42am on February 11, 2022[SHARE]

'A Midsummer Night's Dream,' Sprinkled With High-Tech Fairy Dust by Holly Williams

A new online production from the Royal Shakespeare Company uses motion-capture and video game technology to create a virtual world.

SOURCE: The New York Times Subscription at 7:54am on March 12, 2021[SHARE]

A Christmas Carol to the Royal Ballet " the best live shows to stream over the festive period by Holly Williams

If the second lockdown has you yearning for theatre, opera, dance or comedy, we've got you covered. Holly Williams picks some of the best online performances streaming this winter

SOURCE: The Independent at 1:36am on November 29, 2020[SHARE]

'There will be positives': artistic directors on theatre's terrible year by Holly Williams

The Observer revisits six theatre bosses appointed in 2019 to discuss the existential threat to their industry, and the fightback Last summer, the Observer profiled a group of newly-appointe…

SOURCE: The Guardian at 9:42am on September 27, 2020[SHARE]

3-D Sound and a Zoom Apocalypse: The Plays That Come to Life Online by Holly Williams

Watching on a screen can feel like a poor imitation of real-life theater, but some artists are using the communications technology we now rely on to enhance the streaming experience.

SOURCE: The New York Times Subscription at 11:24am on May 20, 2020[SHARE]

The Upstart Crow review " a sitcom ripe for a theatrical remake by Holly Williams

Gielgud, LondonDavid Mitchell makes a rollicking stage debut as the Bard in this bawdy adaptation of Ben Elton's BBC series Of all the sitcoms to be turned into a stage show, Upstart Crow is…

SOURCE: The Guardian at 1:54am on February 23, 2020[SHARE]

Nora: A Doll's House review " Stef Smith's powerful three-Nora rewrite by Holly Williams

Young Vic, LondonStef Smith's smart three-Nora Ibsen update spans 100 years and cleverly contrasting worlds of pain in this slick first revival It's often said that Nora's slam of the door a…

SOURCE: The Guardian at 2:04am on February 16, 2020[SHARE]

Jamie Lloyd: 'The reason Cyrano has endured is that we all have an insecurity' by Interview By Holly Williams

The acclaimed theatre director on his latest West End production, his Pinter obsession, and why offering free tickets to first-time theatregoers is so important Theatre director Jamie Lloyd …

SOURCE: The Guardian at 10:36am on November 23, 2019[SHARE]

Tristan Fynn-Aiduenu: 'Give black people the keys to the building' by Holly Williams

The writer-director on staging Arinzé Kene's Little Baby Jesus, winning the JMK award and working with regional black British writers Tristan Fynn-Aiduenu, 25, is a playwright, director and…

SOURCE: The Guardian at 7:33am on October 27, 2019[SHARE]

Fleabag, Wyndham's, London: Phoebe Waller-Bridge brings her show back to the stage " and it's still brilliant by Holly Williams, Holly Williams

The London run is the last time that Phoebe Waller-Bridge will perform her hit one-woman show

SOURCE: The Independent at 7:42pm on August 28, 2019[SHARE]

Playwright Ifeoma Fafunwa: 'It was permission, all of a sudden, to speak' by Interview By Holly Williams

The Nigerian architect turned dramatist on the impact of her play Hear Word!, her Edinburgh festival debut " and why directing is a lot like designing buildings Ifeoma Fafunwa is a playwrigh…

SOURCE: The Guardian at 8:06am on August 15, 2019[SHARE]

Edinburgh Fringe Festival 2019, review: Happy Hour, Coma, I'll Take You to Mrs Cole!, Bobby & Amy by Holly Williams, Holly Williams

Totalitarian rule, immersive terror and lightsabers factor into the latest shows at the Fringe

SOURCE: The Independent at 5:12am on August 12, 2019[SHARE]

Edinburgh Fringe Festival 2019, review: Collapsible, Swim, The Last of the Pelican Daughters by Holly Williams, Holly Williams

There's no shortage of candid shows about coping with grief and mental health at this year's festival

SOURCE: The Independent at 6:48am on August 10, 2019[SHARE]

Edinburgh Fringe Festival 2019: Traverse theatre round-up by Holly Williams, Holly Williams

Two very different but equally as good productions were put on at the vibrant theatre

SOURCE: The Independent at 3:48am on August 10, 2019[SHARE]

Edinburgh Fringe 2019 review round-up: Three must-see acts for this year's festival by Holly Williams, Holly Williams

This year, several performers who have long straddled the boundaries of theatre, comedy and performance art return to the fringe

SOURCE: The Independent at 5:36am on August 9, 2019[SHARE]

Edinburgh Fringe Festival 2019: Untapped award winners round-up by Holly Williams, Holly Williams

The untapped award has made a name for itself as a pretty reliable indicator of interesting shows

SOURCE: The Independent at 7:06am on August 8, 2019[SHARE]

Edinburgh Festival 2019: La Reprise, Are we not drawn onward to new erA by Holly Williams, Holly Williams

Milo Rau's 'La Reprise' is a deeply humane look at trauma after a senseless murder while the fiendishly clever 'Are we not drawn onward to new erA' is about climate change

SOURCE: The Independent at 7:12am on August 7, 2019[SHARE]

Edinburgh Fringe Festival 2019: One-woman shows round-up by Holly Williams, Holly Williams

The limitations of the fringe set-up are real for a lot of performers doing shows in tiny shoebox venues

SOURCE: The Independent at 4:18am on August 6, 2019[SHARE]

Edinburgh Fringe Festival 2019: Traverse Theatre round-up by Holly Williams, Holly Williams

The opening weekend brought some thrills, if no out-and-out smash hit

SOURCE: The Independent at 7:06am on August 5, 2019[SHARE]
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