211 stories by "Helen Shaw"
In her play about a group of very online incels, Else Went reveals what happens to their rabid rhetoric when these people are offered love.
Jocelyn Bioh’s breakthrough 2017 play about cliques and colorism is just as funny — and devastating — with a sharp ensemble and direction by Whitney White.
In adapting the old plot, the director-writer Simon Stone transports the story to a modern Korea from Russia in the early 1900s.
A new docudrama uses recordings of Supreme Court nominations to measure how much (or little) has changed from Anita Hill to Christine Blasey Ford.
Damien Warren-Smith takes (nearly) everything off to play a flightless bird whose natural habitat might be in your very own lap.
For his final year as artistic director, Antoni Cimolino directs “The Tempest,” and like Prospero, he understands how to wield acts of kindness.
In this semi-open-air staging in the Hudson Valley, the musical conjures Paris’s seedy cobblestone streets with an adept Jean Valjean leading the charge.
It’s now haunting Broadway in this adaptation of the horror film franchise about a couple seeking a new start. Instead, they become prime targets.
From 60-minute plays to marathon dramas, surviving the festival and the Fringe isn’t about finding a common thread — it’s about surrendering to the chaos.
Bubba Weiler’s new play about two altar boys at a crossroads includes several beautiful performances, even when the line between sweetness and treacle blurs.
A new production at Barrington Stage Company reminds us of how the “singular sensation” changed our relationship to performance.
Des (Heather Agyepong) and Dre (Daniel Ezra), navigate a mutual magnetic pull in this British love story by Benedict Lombe at Cherry Lane Theater.
A beautifully observed version of a man’s final act, along with a lively staging of “As You Like It,” engage the surrounding mountains in conversation.
César Alvarez’s ambitious new work is a mixed musical meal: It wants to be a call to revolutionary action but is surprisingly lacking in it.
Our critic chose 10 moments from the theatrical year that shifted her thinking.
Jonathan Spector’s ambitious drama about six Jewish friends and their shifting relationship with Israel stretches over three hours and nearly two decades.
Stephen Sondheim’s masterpiece, “Sunday in the Park With George,” contains a song capable of making order out of mayhem. Listen to hear how he did it.
A co-founder of Pig Iron Theater Company, known for its surreal productions, he also gave energetic performances as his alter ego, Martha Graham Cracker.
For the Public Theater’s Shakespeare in the Park, the director Saheem Ali presents a strangely low-energy version of the tragedy.
Qween Jean won for “Cats: The Jellicle Ball,” becoming the first openly transgender person to win a Tony Award, according to a “Cats” publicist.
Morgan Bassichis, whose solo show “Can I Be Frank?” resurrects an act by Frank Maya, joins others this season who are recreating the works of deceased artists.
While the 1999 movie went for melodrama, this stage adaptation with songs by Aimee Mann honors the memoir’s coolly clinical prose.
John J. Caswell’s triangular romance set in the early 1990s speaks to us from the smoking psychic caldera left by AIDS.
Jean Genet’s psychosexual drama gets a social-media-heavy update. But what does it say beyond “internet=bad”?
