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121 stories by "Guy Yedwab"

PRODUCING: The Ethics of "The Show Must Go On" by Guy Yedwab

It's been a week now since the MTA shut down the subway system in preparation for Hurricane Sandy, and the events of the last week have led me to wonder the wisdom and ethics of the phrase, …

SOURCE: CultureFuture at 9:24pm on November 4, 2012

PLUG: Américana Passover Resumes... with a Review! by Guy Yedwab

My company, Organs of State, has announced the make-up schedule for Américana Passover. Only two nights still have availability: Tuesday the 6th and Thursday the 8th. Just in time for…

SOURCE: CultureFuture at 8:43pm on November 4, 2012

LEGAL COMMENTARY: Bullshit IP Lawsuit #23001 by Guy Yedwab

The suit was filed on Thursday in Federal District Court in Oxford, Miss., against Sony Pictures Classics, which released "Midnight in Paris," and reported by Variety (registration required)…

SOURCE: CultureFuture at 6:54pm on November 3, 2012

CRITICISM: How To Talk To Artists About Their Work by Guy Yedwab

Prerequisite reading: Jason Robert Brown, on how Sondheim told him never to tell an artist what you really think of their work. At least, not immediately. 99Seats, very validly hoping…

SOURCE: CultureFuture at 4:40pm on November 1, 2012

PLUG: Américana Passover - My Thoughts by Guy Yedwab

NYTheatre.com put out some questionnaires to artists working on my show, Américana Passover. If you're interested, here are my thoughts.

SOURCE: CultureFuture at 11:59am on October 12, 2012

PLUG: Américana Passover by Guy Yedwab

I'll make this quick and to the point. For two years I've been working on a piece with my performance company, Organs of State, called Américana Passover. We started with the election…

SOURCE: CultureFuture at 12:17am on October 8, 2012

FUN: Cage Chaser by Guy Yedwab

I've decided that any time I write a protracted post about politics or aesthetics, I will give you all a Nicolas Cage chaser (or other ridiculous actors, if I run low on the Cage well... if …

SOURCE: CultureFuture at 12:48am on October 5, 2012

POLITICS: Why Vote For An Objectionable Man? by Guy Yedwab

First, you'll want to read Conor Friedersdorf's Why I Refuse to Vote for Barack Obama, and/or George Hunka's Throwing away my vote, or L'Hôte's you're either with us or you're against us,…

SOURCE: CultureFuture at 10:11pm on October 4, 2012

POLITICS: Good Ad! by Guy Yedwab

This ad season has been brutal. Ever since the primaries wrapped up, I feel like I've been watching a whole shit-ton of mass-produced, grave-voices-over-shocking-press-clips, formulaic ads. …

SOURCE: CultureFuture at 2:59pm on September 22, 2012

PRAGMATICS: Too Culturally Relevant? by Guy Yedwab

As a producer, you want to stay culturally relevant with the work you're producing. But maybe there's such a thing as being too culturally relevant? At least when it comes to marketing. Abo…

SOURCE: CultureFuture at 11:16pm on September 18, 2012

FOOD: A Worrying Sign: by Guy Yedwab

It's definitely a bad sign when you have to answer questions like "What is this food?" and "Why is this food square?" and "Is your meat real or fake?" Those are all screengrabs …

SOURCE: CultureFuture at 8:25pm on September 18, 2012

PERSONAL: Where Is CultureFuture? by Guy Yedwab

There's a lot going on, and I'll fill you in soon, but mostly, I blame the internet. How am I expected to blog when people have put all the cut-scenes from the game Civilization II online? …

SOURCE: CultureFuture at 9:58pm on September 13, 2012

PRODUCING: Finding Non-Traditional Performance Space by Guy Yedwab

Our friends over at Fractured Atlas have a post up about finding non-traditional performance space. I am not linking to it just because I'm quoted! I am linking to it because it's something …

SOURCE: CultureFuture at 10:22pm on September 4, 2012

POLITICS: Only One Conclusion by Guy Yedwab

Geithner needs to resign. Unless he can trot out some incredible self-defense, he needs to resign.

SOURCE: CultureFuture at 11:13pm on July 24, 2012

CRITICISM: I Didn't Like It So Do We Need It? by Guy Yedwab

In the same vein as Charles Isherwood wanting to get rid of direct address because it often doesn't work, now we can add to that genre John M Morrison wanting to banish set designers to an i…

SOURCE: CultureFuture at 2:43pm on July 5, 2012

PRAGMATICS: A Few Notes on Transmedia by Guy Yedwab

A while back, my company created a month-long transmedia performance called In Memoriam. (Entire archive available here). After a conversation with a colleague about our experience, I decide…

SOURCE: CultureFuture at 5:14pm on July 4, 2012

REVIEW: I Don't Want To Kill Myself by Guy Yedwab

I DON'T WANT TO KILL MYSELF Northside Film Festival's DIY Competition June 20th, 5:40 PM (IMDB) I didn't write the review I was intending a while back, but I spotted that the movie i…

SOURCE: CultureFuture at 10:43pm on June 3, 2012

CHANGE: Steady State, and The Pace of Change by Guy Yedwab

From 99 Seats at Parabasis: So the question that comes to me is: what if this is it? A lot of us invest a lot of time in being semi-professionally upset about things. We want change! We wa…

SOURCE: CultureFuture at 12:09pm on June 3, 2012

UPDATE: The Window by Guy Yedwab

I recently reviewed The Window, a performance piece at the Romanian Institute. I recently received word that it's been extended for the following dates: June 5 through 7, 8.30 …

SOURCE: CultureFuture at 4:02pm on June 1, 2012

REVIEW: The Collected Rules of Gifted Camp by Guy Yedwab

THE COLLECTED RULES OF GIFTED CAMP The Brick Theater (download the script here) May 16th - 26th  The first time I went to pre-college camp, it was UCI, and I studied Forensics. M…

SOURCE: CultureFuture at 3:45pm on May 28, 2012

REVIEW: The Window by Guy Yedwab

THE WINDOW Romanian Cultural Institute May 23rd - 29th 8PM-10PM  (on 20 minute cycles -- see below) FREE Firstly, you have almost no reason not to see this show. It is free, so …

SOURCE: CultureFuture at 10:29pm on May 25, 2012

LOCAL: What OB/OOB Needs Now by Guy Yedwab

Village Voice asks the question, and actually gets creative answers from creative people. My favorite: Susan Bernfield, artistic director of New Georges: We gotta get with the food thing.…

SOURCE: CultureFuture at 5:21pm on May 23, 2012

PRODUCING: Thus It Ever Was... by Guy Yedwab

... high ticket prices edition: And when it opens Antony and Cleopatra on October 22, tickets won't come cheap: $42 for the best seats, a new high that this season will match Goodman, Stepp…

SOURCE: CultureFuture at 1:06pm on May 22, 2012

ARTS POLICY: League of Independent Theaters Endorses Koster for AEA Council by Guy Yedwab

I'm not a member of Actor's Equity, nor does my company work with Actor's Equity actors, but for those of you who are involved, you will be interested in this note that the League sent to it…

SOURCE: CultureFuture at 10:47pm on May 21, 2012

RESPONSE: Quick Thought by Guy Yedwab

Unlike a stand-up comedian or a comic literary stylist such as James Thurber, who engaged in obviously implausible situations, Sedaris's stories fall into a gray area.  Sorry, Washingto…

SOURCE: CultureFuture at 10:57am on May 17, 2012
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