Belly Up review at the Vaults, London " 'fun, feminist historical comedy' by Grace Wood

This jam-packed historical comedy from Julia Grogan and Lydia Higman is full of unexpected twists. Liberty Whitley (Grogan), orphaned, and brought up

SOURCE: The Stage Registration at 12:25pm on February 24, 2020☆⚑

Sticky Door at the Vaults, London " 'funny, moving and energetically performed solo show' by Grace Wood

Katie Arnstein must be one of the hardest-working theatremakers at this year's Vault Festival as she's performing all three shows of her

SOURCE: The Stage Registration at 9:28am on February 12, 2020☆⚑

Christmas at the (Snow) Globe review at Shakespeare's Globe, London " 'a joyful festive singalong' by Grace Wood

British Sign Language interpreter Becky Barry steals the show in Christmas at the Snow Globe, Shakespeare Globe's seasonal offering created by Sandi

SOURCE: The Stage Registration at 7:41am on December 23, 2019☆⚑

Sleeping Beauty review at Greenwich Theatre, London " 'a celebratory panto with a great dame' by Grace Wood

Andrew Pollard's celebratory pantomime marks 50 years since Greenwich Theatre opened in 1969. The slumbering princess in this Sleeping Beauty is Russia's

SOURCE: The Stage Registration at 10:53am on December 3, 2019☆⚑

A Christmas Carol review at Bridge House Theatre, London " 'immensely talented cast' by Grace Wood

Pub theatre the Bridge House has a strong reputation for its Christmas shows, and this year it takes on Charles Dickens' A

SOURCE: The Stage Registration at 10:56am on November 29, 2019☆⚑

Poisoned Polluted review at Old Red Lion, London " 'powerful story of addiction' by Grace Wood

Kathryn O'Reilly's new play, her second after 2016's Screwed, follows two sisters as they seek to find their place in the world.

SOURCE: The Stage Registration at 2:21pm on November 11, 2019☆⚑

Call Me Fury review at Hope Theatre, London " 'offers much potential' by Grace Wood

It's not easy to produce serious, funny and historically accurate theatre. This really shows in Sasha Wilson's Call Me Fury, which, taking

SOURCE: The Stage Registration at 5:55am on September 20, 2019☆⚑

Harper Regan review at Tabard Theatre, London " 'a lack of quiet and subtlety' by Grace Wood

Harper Regan debuted in 2008 at the Cottesloe, National Theatre, and has been revived by Contentment Productions " recently launched to champion

SOURCE: The Stage Registration at 6:31am on May 24, 2019☆⚑

Happy Jack review at Jack Studio Theatre, London " 'nostalgic slice of West Yorkshire life' by Grace Wood

John Godber's 1982 play Happy Jack is a two-hander based on the lives of Godber's grandparents: Jack " a "hard man" miner

SOURCE: The Stage Registration at 10:30am on May 17, 2019☆⚑

Playwright Dominique Morisseau: 'When I'm writing, I can see myself in all my characters' by Grace Wood

US playwright Dominique Morisseau tells Howard Sherman about theatres' responsibility to reach black audiences, discovering musical theatre workshops and writing the book

SOURCE: The Stage Registration at 7:30am on April 22, 2019☆⚑

One Jewish Boy review at Old Red Lion, London " 'tenderly performed' by Grace Wood

Stephen Laughton's moving play explores the relationship between Jesse (Robert Neumark Jones), a "nice Jewish boy from north London" and Alex (Asha

SOURCE: The Stage Registration at 12:21pm on December 18, 2018☆⚑

Robin Hood and the Arrow of Destiny review at Theatre Peckham, London " 'fun, if a little confused, family-orientated panto' by Grace Wood

This year, Theatre Peckham’s seasonal offering is a retelling of Robin Hood. Originated by Richard Hurford and Rob Castell for York Theatre

SOURCE: The Stage Registration at 8:05am on December 7, 2018☆⚑

Executive director Sarah Nicholson to leave Orange Tree Theatre by Grace Wood

London’s Orange Tree Theatre has announced that executive director Sarah Nicholson is to step down from her role. Nicholson, who joined the

SOURCE: The Stage Registration at 6:40am on October 26, 2018☆⚑

Sundowning review at Tristan Bates Theatre, London " 'a poignant play about dementia' by Grace Wood

Despite being only 80 minutes, Nessa Muthy's new play Sundowning feels a lot longer. Repetitive and slow, it captures the misery of

SOURCE: The Stage Registration at 9:03am on October 19, 2018☆⚑

The Burning Tower review at Spid Theatre, London " 'moving and passionately performed' by Grace Wood

The Burning Tower experience starts on arrival at SPID Theatre in Kensal Rise " one mile from Grenfell. Wooden chairs are arranged

SOURCE: The Stage Registration at 9:45am on October 6, 2018☆⚑

Every Day I Make Greatness Happen review at Hampstead Theatre, London " 'terrifyingly accurate' by Grace Wood

Richard Molloy’s Every Day I Make Greatness Happen terrifyingly captures the trauma of state education. Both for teachers and students. Designer Lucy

SOURCE: The Stage Registration at 7:31am on September 28, 2018☆⚑

Actresses' Franchise League: The 100-year-old feminist theatre coalition that's inspiring writers today by Grace Wood

In 1908, at the Criterion Restaurant in Piccadilly Circus, a group of actresses, creatives and theatremakers decided to form a group. In

SOURCE: The Stage Registration at 7:17am on July 20, 2018☆⚑

Careers Clinic: Can I put stage work on my showreel? by Grace Wood

Since leaving drama school, I have mostly worked on stage. In the past year or so, I have finally graduated from just

SOURCE: The Stage Registration at 7:00am on May 30, 2018☆⚑

Mark Shenton: What do we experts know? by Grace Wood

One of the most notorious, noxious statements of the pro-Brexit campaign was Michael Gove’s infamous declaration: “People in this country have had

SOURCE: The Stage Registration at 2:00am on December 14, 2017☆⚑