112 stories by "Gabriela"
This year's iteration of the innovative Psychogeographies project guides audiences through D.C. through a lens of protest.
The L.A.-based Colombian playwright, performer, and teaching artist talks about sources of inspiration from the Latine theatre canon and about building close artistic relationships.
Looking back on the school year, gearing up for Jimmy's and ITF.
Ahead of our Summer 2025 issue release, we sit down with one of the stars of Broadway's 'Real Women Have Curves.'
Reading Sarah Ruhl's book, learning from both educators and students, and celebrating graduates.
A feature on rethinking board governance, and deep dive into a community-centered play.
Checking in with the Brooklyn Academy of Music, The Prep, theatre programs in California, and the educators among our readership.
One of the nation's most influential musical theatre institutions, now in its 46th year, is on the opposite coast from Broadway.
Ahead of concerts at Steppenwolf and Ravinia, Kelli O'Hara reflects on her journey, artistry and breath work, and the "service" of performing.
This month in Chicago, a rundown of theatre companies' anniversaries, a lament for Victory Gardens, and a celebration of disability representation.
This month's newsletter take another look at our latest education-centered print issue.
This month, Woodzick talks with Erin Rollman and Brian Colonna of Buntport Theater, a non-hierarchical collective in Denver known for imaginative, campy adaptations.
The writers behind a feature on high school theatre inspiration and a production notebook for a new musical.
A TCG co-executive director reminds us in our Winter 2025 issue that even in the middle of winter, it's still possible to protest, organize, and cultivate a garden of hope for the future.
Our 2025 Winter issue launches during uncertain times"but they are precedented.
This month Brian talks with the award-winning playwright about how he went from technician to playwright, and how to find the real drama behind a true historical event.
A brief introduction to the Fornés playwriting method, with a condensed exercise adapted by Migdalia Cruz from MarÃa Irene Fornés's original lab at INTAR.
In this episode, Woodzick talks with the Seattle-based creative about returning to acting, creating caring classrooms, and seeing the 'whole picture' as a director.
This month Brian talks with playwright, director, and performer Aya Ogawa about "hacking away with a machete" toward a career and directing their own work.
The commissioning program Generation Now emerged from a desire to diversify TYA, and may offer a model for more communicative collaboration across companies.
This month, Gabriela reflects on what theatre can illuminate about the 'quiet art of survival,' and two busy artists share self-care practices and visions for 2025.
This month, Woodzick talks with drag superstar Monét X Change about her solo Life be Lifin', collaborating on music with BenDeLaCreme, sources of queer joy, and Broadway aspirations.
This month Brian talks with the playwright, producer, Fire This Time Festival founder, and Apollo Theater director of new works about drama, balance, and Louisiana history.
This month spotlights a collaboration between the University of Tennessee and Clarence Brown Theatre and looks back at readers' favorite school productions of 2024.
This month, Woodzick chats with multi-hyphenate filmmaker Vera Drew about cultivating joyful spaces for trans audiences through her DIY film 'The People's Joker.'
