121 stories by "Gabriela"
The playwright and director from Hawaii and Nevada discusses ‘Death Play,’ ‘Sumo,’ yearning, loneliness, and the wisdom of accepting loss.
When the resident company model was more prevalent in U.S. theatres, actors had the chance to put down roots in a community. Is that dream over?
A pre-conference reflection on Puerto Rico, where TCG will hold its national conference in June.
In our Spring issue, we look at some long-standing structural and systemic challenges facing the regional theatre movement—and celebrate the luminous new work still being made in spite of …
The renowned director and acting teacher discusses her transition into a new academic and artistic institution.
GALA Hispanic's new musical celebrating friendship and art aims to immerse audiences in the languages, rhythms, and smells of Latine and Caribbean homes.
Creating space for reflection and traditions for celebration in high school and college theatre.
The playwright and founding artistic director of a site-specific theatre discusses going from studying computer science at MIT to honing in on his artistry.
Between the Super Bowl's theatrical catharsis and LTC's Actor Training Laboratorio, this late winter and early spring have offered beautiful instruction on returning to roots and authenticit…
Performer, director, and educator Isel RodrÃguez walks us through the archipelago's distinct theatre landscape.
In a recent issue on theatre training, recent graduates talked about how they're finding their footing and making ends meet.
The playwright, originally from Wisconsin, discusses her company, influences, exposure therapy, and the challenges of being an 'emerging' artist.
Our March edition highlights new-play milestones from 1916 through 2016.
How did a playwright bring the Pulitzer-winning, generation-defining novel to the stage? By finding himself in the story.
What kinds of shows are college theatre students most eager to work on? Survey says: Big casts and edgy themes preferred.
TCG's co-executive director, national engagement, reflects on the winter training issue and the importance of diverse early-career opportunities in theatre.
The playwright, screenwriter, and musician talks about juggling various projects, how to manage the emotional ups and downs in an unpredictable career path, and the value of teaching.
The Center's roles as an incubator of new work for young audiences, and as a generous host for the American College Theater Festival, will be hard to fill.
How a grad student's puppetry arts thesis, a Peter Pan adaptation, is dismantling patriarchy with Connecticut Repertory Theatre.
In adapting beloved children's and YA literature to the stage, the powerhouse national MTH On Stage and Chicago Children's Theatre let presence and play guide their way.
2026 kicks off with a report from this year's gathering in Atlanta.
The playwright behind 'Committed' and 'Apologies to Lorraine Hansberry (You Too August Wilson)' shares their journey from aspiring corporate defense attorney to playwright.
This edition features the birth and death of playwrights and major openings.
In the latest AT Education Monthly: an annual tradition restored, insights from educators, and news from around the country.
A list of festivals, competitions, and other programs to give young people access to and training in the theatre.
