First Nighter: C. P. Taylor's "Good," Howard Barker's "No End of Blame" Celebrate PTP/NYC's 30-Year Anniversary
Let's just say that Good is not only good but better than No End of Blame, because Taylor has a much more graspable attitude
Let's just say that Good is not only good but better than No End of Blame, because Taylor has a much more graspable attitude
Because of Williston's betrayal involving a stopped college tuition check, James is threatening to do no more channeling
The music throughout is generically rousing and the figures depicted are also generic--among them a woman pushing a cart
Not sold on Swados as much as I am on predecessors MacDermot-Rado-Ragni, there is one song I would like to get to know better
What Swados had going for her then, though, and what director Sam Pinkleton and choreographer Ani Taj have now are young
Surely flashy choreographer Alistair David deserves some credit for the immediate confrontational look. And that's only for
Both 15-year-olds, who are at the same school in a downscale neighborhood, feel slightly alienated among their classmates
The beloved 1953 L. P. Hartley novel--that famously begins "The past in a foreign country; they do things differently there
There and before understanding what he's agreed to do, Leo becomes an eager "postman" delivering letters between upper-class
There's no question that this is a volatile time and certainly for the nearly destitute Simons, but Turner has them and those
By the way, Freddie is the real irony here. A hero during World War II, he's now a society discard and incensed about it
It should also be noted that although this Threepenny Opera--announced at the get-go as "cheap" but blessedly devoid of standard
A few years back there was talk of a New York City revival. If those producers are still thinking about one and willing to
With her songs and stories, Dillie Keane is interested in--no, possessed by--the lives, mostly romantic, as lived by women of a certain age. Often it's herself about whom she's chatting and …
As the author of 79 -- count 'em, 79 -- plays, Alan Ayckbourn rarely falls below a certain laugh level.
If the following four plays are anywhere near as strong as the initial entry, audiences throughout the City are in for a tremendous treat.
The Floor Above Me -- Tony Yazbeck - PS Classics: A hot Broadway triple-threat man of the moment, he's sticking strictly
Busy Being Free - Barbara Fasano - Human Child Records: Another ultra-classy cabaret singer, she realized some time ago that