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701 stories by "David Cote"

A Streetcar Named Desire by David Cote

Danger comes knocking anew in Rebecca Frecknall's searing revival of Tennessee Williams's tragic play, starring Paul Mescal and Patsy Ferran. Patsy Ferran as Blanche DuBois and Paul Mescal …

SOURCE: 4columns at 8:00pm on March 13, 2025☆⚑

Review: Whale-Loving Islanders Drown In Fathomless Loss in 'Deep Blue Sound' by David Cote

Playwright Abe Koogler's portrait of a group of Pacific Northwesterners is rich, funny and devastating, with a cast that's a tasting menu of acting brilliance.

SOURCE: The New York Observer at 4:30pm on March 7, 2025☆⚑

Spring Theater Preview: History Sings, Classics Get Twisted and Experiments Explode by David Cote

Broadway has George Clooney and two different shows based on TV series. Downtown has space travel and T.S. Eliot. Brooklyn has Chekhov and an ant invasion. This theater season, there's somet…

SOURCE: The New York Observer at 3:59pm on February 26, 2025☆⚑

Review: Half-Brotherly Love Is a Struggle Against Darkness in 'Grangeville' by David Cote

This two-hander about estranged half-brothers with a dying mother is painfully gorgeous.

SOURCE: The New York Observer at 9:01pm on February 24, 2025☆⚑

Review: Idina Menzel Goes Out on a Limb in Eco-Musical 'Redwood' by David Cote

Menzel remains an indomitable diva in this well-intentioned misfire.

SOURCE: The New York Observer at 8:01pm on February 13, 2025☆⚑

Review: Is 'Urinetown' Still Good to the Last Drop? by David Cote

Nearly a quarter century after its Broadway debut, the Tony winning musical is back at City Center Encores. Does its ghoulish giddiness still work?

SOURCE: The New York Observer at 12:01pm on February 10, 2025☆⚑

Review: The Distant Future Is Already Ancient History in AI Drama 'The Antiquities'  by David Cote

The human race is presented like a museum exhibit"a grimly compelling concept, but one that makes for a glitchy play.

SOURCE: The New York Observer at 9:01pm on February 4, 2025☆⚑

Review: 'English' Speaks Eloquently of Language and Loss by David Cote

Pulitzer Prize winner Sanaz Toossi's play about a group of Iranians studying for the Test of English as a Foreign Language transfers to Broadway in an impeccable production.

SOURCE: The New York Observer at 9:31pm on January 23, 2025☆⚑

Review: Does A Race-Critical 'Show Boat' Weather the Winds of History? by David Cote

This minimalist staging strips 'Show Boat' to its bones, scraping away a century of cultural rust and sentimentality to reveal an often deeply sad and frequently funny masterpiece of music-t…

SOURCE: The New York Observer at 8:01pm on January 15, 2025☆⚑

Review: Audra McDonald Is One Mother of a Rose in a Stupendous Gypsy by David Cote

Audra McDonald is the first Black actress to play Madame Rose on Broadway, and she and director George C. Wolfe deliver what may be the most heartstopping 'Gypsy' you'll ever see.

SOURCE: The New York Observer at 12:01am on December 20, 2024☆⚑

Review: Libs Own Themselves in the Sharp and Infectiously Funny 'Eureka Day' by David Cote

Jonathan Spector's play, about vaccine politics splintering a school board, is one big Learning Moment that pretty much everyone fails.

SOURCE: The New York Observer at 5:00pm on December 17, 2024☆⚑

Review: Kenneth Branagh's 'King Lear' Howls Into A Stormy, Rushed Muddle by David Cote

The great Kenneth Branagh leads and co-directs a decidedly not-great production of the Shakespeare tragedy.

SOURCE: The New York Observer at 3:37pm on November 15, 2024☆⚑

Review: 'Give Me Carmelita Tropicana!' Is A Crazy Avant-Garde Flashback by David Cote

This absurdist comedy"the final production to run at Soho Rep"has a hallucinogenic plot that brings to mind the days when artistic risk was the norm and downtown performance art was in high …

SOURCE: The New York Observer at 9:00am on November 11, 2024☆⚑

Review: 'In The Amazon Warehouse Parking Lot' Tries to Think Outside the Box by David Cote

Set about 15 years from now, this future fable takes place in and around a shipping center in Wyoming as rising sea levels are swallowing American states east and west.

SOURCE: The New York Observer at 5:00pm on October 29, 2024☆⚑

Review: Juliet Is Fire, Romeo Got Mad Rizz In This Shakespeare Glowup by David Cote

Characters vape, gender is fluid, desire bi, and death assured in director Sam Gold's hyperpop reimagining of 'Romeo + Juliet.'

SOURCE: The New York Observer at 11:00pm on October 24, 2024☆⚑

Review: Andrew Lloyd Webber's 'Sunset Boulevard' Ready For Its UHD 4K Close-Up by David Cote

This revival of the 1994 Andrew Lloyd Webber musical is full of modern eye-candy and a few surprises. Among them, how Nicole Scherzinger commands her scenes in her Broadway debut.

SOURCE: The New York Observer at 10:00pm on October 20, 2024☆⚑

McNeal by David Cote

It's hard to tell what's real in Ayad Akhtar's play starring Robert Downey Jr. as an alcoholic novelist who turns to AI. Robert Downey Jr. as Jacob McNeal (right) and cast of McNeal. Photo:…

SOURCE: 4columns at 8:00pm on October 10, 2024☆⚑

Review: Long, Bumpy Ride to Sisterly Reconciliation Over 'The Hills of California' by David Cote

An excellent cast and direction from Sam Mendes keep the action driving in this nearly three hour family drama from playwright Jez Butterworth.

SOURCE: The New York Observer at 11:01pm on September 29, 2024☆⚑

Review: Forbidden Broadway Mercilessly Mauls the Hits by David Cote

Now 42 years old, the Forbidden Broadway franchise remains Mad Magazine with jazz hands, and the latest edition, 'Merrily We Stole a Song,' features a cast of wildly talented mimics skewerin…

SOURCE: The New York Observer at 4:23pm on September 20, 2024☆⚑

Review: Ex-Lovers Eat Their Hearts Out in Savory Romantic Comedy 'Table 17'  by David Cote

A couple gropes toward honesty and clarity about how they drifted apart in this fast-moving comic showcase.

SOURCE: The New York Observer at 5:28pm on September 9, 2024☆⚑

Theater Fall Preview: Women Are Taking Charge, On Broadway And Off by David Cote

Women are center stage this fall in shows that highlight reproductive rights, consent and motherhood or showcase a powerful female lead. It can't possibly have anything to do with a certain …

SOURCE: The New York Observer at 9:00am on August 28, 2024☆⚑

Review: The Gaudy, Immersive 'Life and Trust' Is Part Theater, Part Stunt by David Cote

This Choose Your Own Adventure fable about American innovation and greed fills six floors and 100,000 square feet, with 24 characters and enough plot lines to drive an HBO season.

SOURCE: The New York Observer at 10:00pm on August 1, 2024☆⚑

Review: That Internet Can Drive a Person Crazy in the Gimmicky 'Job' by David Cote

It's Boomer versus Millennial in this one-act play that involves a gun, life online, and a therapist who's both hostage and hostage negotiator.

SOURCE: The New York Observer at 9:31pm on July 30, 2024☆⚑

'Oh, Mary!' Is a Splendidly Nasty Farce You Will Not Want to Miss by David Cote

Cole Escola plays Mary Todd Lincoln in drag in this delightfully campy queer romp, which has moved uptown to goose a sleepy Broadway summer.

SOURCE: The New York Observer at 7:31pm on July 11, 2024☆⚑

Review: Women's Work Is A Bloody Business In 'The Welkin' by David Cote

Sandra Oh leads a talented cast in this Lucy Kirkwood play"set in 18th century England"that's both a murder mystery and an exploration of the moral rot of misogyny.

SOURCE: The New York Observer at 9:31pm on June 12, 2024☆⚑
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