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295 stories by "Cindy Marcolina"

BWW Review: HIR, Bush Theatre by Cindy Marcolina

Upon being discharged from the Marine Corps, Isaac Arthur Darvill goes back home only to find an anarchically ruled household at hand of his mother Ashley McGuire. Fed up with domestic patri…

SOURCE: BroadwayWorld at 7:36am on June 21, 2017

BWW Review: HOLY CRAP!, King's Head Theatre by Cindy Marcolina

The Heather Brothers are back with their new heavenly blaspheme musical comedy Holy Crap. After launching the first pay-per-view religious channel in Great Britain, the American Bobby Del La…

SOURCE: BroadwayWorld at 7:06am on June 14, 2017

BWW Review: THE LAST ONES, Jermyn Street Theatre by Cindy Marcolina

Anthony Biggs presents the UK premiere of Maxim Gorky's 1908 The Last Ones in a highly dramatic and touching production that nevertheless feels ultimately insubstantial.

SOURCE: BroadwayWorld at 10:24am on June 13, 2017

BWW Review: KISS ME, Trafalgar Studios by Cindy Marcolina

Directed by Anna Ledwich, Kiss Me is passionately and heartbreakingly intimate. Stephanie Claire Lams, a war widow, struggles to reconcile her role as a modern woman with her longing to have…

SOURCE: BroadwayWorld at 6:04am on June 10, 2017

BWW Review: PUNTS, Theatre503 by Cindy Marcolina

Like other young men, Jack, a 25-year-old with a learning disability, has needs and desires, and his parents don't want him to feel left out of significant life experiences, so they decide t…

SOURCE: BroadwayWorld at 8:41am on June 6, 2017

FAVOURITE SONGS: 'See I'm Smiling', THE LAST FIVE YEARS by Cindy Marcolina

The Last Five Years recounts Cathy and Jamie's five-year long relationship. With music, lyrics, and book by Jason Robert Brown, it's an intricate work while Jamie narrates his side of the ta…

SOURCE: BroadwayWorld at 3:54am on June 5, 2017

BWW Review: SAND IN THE SANDWICHES, Theatre Royal Haymarket by Cindy Marcolina

Edward Fox stars in the one-man tribute to Great Britain's most acclaimed Poet Laureate John Betjeman. Following a successful UK tour, Sand in the Sandwiches is a verbal tour de force for th…

SOURCE: BroadwayWorld at 11:54am on June 1, 2017

Show-stopping Sugary Goodness At WEST END BAKE OFF 2017 by Cindy Marcolina

On a thankfully sunny Saturday afternoon, the thespians who usually inhabit London theatres turned bakers for the day. Benefitting Acting For Others, an umbrella name that represents 15 char…

SOURCE: BroadwayWorld at 4:42am on May 22, 2017

BWW Review: 5 GUYS CHILLIN', King's Head Theatre by Cindy Marcolina

Peter Darney brings back his highly acclaimed and disturbingly honest 5 Guys Chillin' to King's Head Theatre. After an original run in 2005, the show has touched audiences at Edinburgh Fring…

SOURCE: BroadwayWorld at 2:12pm on May 20, 2017

BWW Review: BLUSH, Soho Theatre by Cindy Marcolina

Five people face the shame that comes with being exposed in the digital age awoman dealing with her younger sister's sex tape being published a father coming to terms with his daughter's sex…

SOURCE: BroadwayWorld at 12:12pm on May 19, 2017

BWW Review: LETTICE AND LOVAGE, Menier Chocolate Factory by Cindy Marcolina

Lettice Douffet Felicity Kendal, a tour guide at Fustian House, has inherited her mother's penchant for theatricality. This inclination leads her to filling the gaps in the boring history of…

SOURCE: BroadwayWorld at 6:25am on May 18, 2017

BWW Review: LIVING A LITTLE, King's Head Theatre by Cindy Marcolina

In a zombie-raided Scotland, best friends Paul Paul Thirkell and Rob Finlay Bain have found refuge in an abandoned flat. Out of luck, they managed to surround themselves with all kinds of co…

SOURCE: BroadwayWorld at 7:48am on May 11, 2017

BWW Review: NO PLACE FOR A WOMAN, Theatre503 by Cindy Marcolina

At the end of World War Two, Annie Ruth Gemmell and Isabella Emma Paetz are being interviewed in Poland by the Allied forces. The two women tell two sides of the same story the former - a Co…

SOURCE: BroadwayWorld at 3:54am on May 9, 2017

BWW Review: BRIMSTONE AND TREACLE, The Hope Theatre by Cindy Marcolina

Dennis Potter's 1976 work finds new life with Matthew Parker. Written as a television play but never broadcasted due to its disturbing plot, it was finally produced at the Sheffield Crucible…

SOURCE: BroadwayWorld at 12:02pm on May 6, 2017

BWW Review: PAPER HEARTS, Upstairs At The Gatehouse by Cindy Marcolina

Even the toughest heart of stone will turn into a paper heart with Liam O'Rafferty's new musical. After winning over audiences in 2016 during Edinburgh Fringe Festival with its 75-minute ver…

SOURCE: BroadwayWorld at 3:48am on May 5, 2017

BWW Review: ROMEO AND JULIET, Union Theatre by Cindy Marcolina

Andy Bewley directs Joe Mackenzie's mostly disappointing but highly energetic adaptation of Shakespeare's tragic tale. Set in a universe where football is almost considered a religion,Romeo …

SOURCE: BroadwayWorld at 6:12am on May 4, 2017

BWW Review: ALL OUR CHILDREN, Jermyn Street Theatre by Cindy Marcolina

Set in a Nazi-dominated Germany in 1941, Stephen Unwin's debut play is an affecting examination of humanity, hypocrisy, and morality.

SOURCE: BroadwayWorld at 7:48am on May 3, 2017

BWW Review: WHILE WE'RE HERE, Bush Theatre by Cindy Marcolina

The inaugural production in the refurbishedBush Theatre's new studio space is the latest play from Barney Norris. Directed by Alice Hamilton, it's a searching exploration of loneliness and r…

SOURCE: BroadwayWorld at 5:05pm on April 29, 2017

BWW Review: LATE COMPANY, Finborough Theatre by Cindy Marcolina

During its celebrations for Canada's 150th birthday, Finborough Theatre sees the premiere of Late Company. Jordan Tennahill's play is a poignant reflection tackling bullying, sexuality, and …

SOURCE: BroadwayWorld at 7:02am on April 28, 2017

BWW Review: THREADS, The Hope Theatre by Cindy Marcolina

After breaking up five years prior, Charlie Samuel Lawrence writes a quite melodramatic letter to Vic Katharine Davenport, his ex-girlfriend, confessing how he is dead inside, and how he alm…

SOURCE: BroadwayWorld at 12:24pm on April 14, 2017

BWW Review: 46 BEACON, Trafalgar Studios by Cindy Marcolina

Bill Rosenfield premieres his play 46 Beacon in the United Kingdom with director Alexander Lass at the helm. His tale of identity, pride, and becoming is warm and viciously funny at Trafalga…

SOURCE: BroadwayWorld at 9:47am on April 11, 2017

BWW Review: THE WINTER'S TALE, Barbican by Cindy Marcolina

In the vast space of the Silk Street Theatre at the Barbican, Cheek by Jowl present their new, formidable take on Shakespeare's The Winter's Tale directed by Declan Donnellan.

SOURCE: BroadwayWorld at 10:06am on April 7, 2017

BWW Review: EXPENSIVE SHIT, Soho Theatre by Cindy Marcolina

Written and directed by Adura Onashile, Expensive Shit is not afraid to show an uncomfortable truth. Going back and forth between Lagos in 1994 and Glasgow in 2013, the play revolves around …

SOURCE: BroadwayWorld at 9:57am on April 6, 2017

BWW Review: CASTE, Finborough Theatre by Cindy Marcolina

Celebrating the 150th year from its first production, Caste at Finborough Theatre is an underwhelming classist act with a polyester feel.

SOURCE: BroadwayWorld at 8:42am on April 4, 2017

BWW Review: HADLEY FRASER & WILL BUTTERWORTH, Live at Zedel by Cindy Marcolina

Music is the centrepiece at Hadley Fraser and Will Butterworth's show at Zedel. During the evening, they revisit classics - ranging from Broadway's beloved Stephen Sondheim, and touching Pau…

SOURCE: BroadwayWorld at 3:54am on April 2, 2017
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