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1,324 stories by "Charles McNulty"

Review: A dazzling Katerina McCrimmon makes for an authentic Fanny Brice in 'Funny Girl' by Charles McNulty

The Broadway touring production of Michael Mayer's 2022 revival of "Funny Girl" arrives at the Ahmanson Theatre with a star-making lead performance from Katerina McCrimmon.

SOURCE: Los Angeles Times at 6:32pm on April 4, 2024

Review: Guess who's coming to dinner. 'One of the Good Ones,' an updated comedy of representation by Charles McNulty

'One of the Good Ones,' by Gloria Calderón Kellett, co-creator of the rebooted 'One Day at a Time,' has its world premiere at Pasadena Playhouse, directed by Kimberly Senior and starring …

SOURCE: Los Angeles Times at 2:48pm on March 19, 2024

The Village Voice gets the rollicking, rebellious oral history it deserves by Charles McNulty

An exchange with Tricia Romano, author of 'The Freaks Came Out to Write: The Definitive History of the Village Voice, the Radical Paper That Changed American Culture,' with one of her former…

SOURCE: Los Angeles Times at 6:00am on March 19, 2024

'Enemy of the People' is the 19th century drama that still resonates with our pandemic-scarred society by Charles McNulty

A new adaptation of Henrik Ibsen's 'An Enemy of the People," written by Amy Herzog and directed by Sam Gold, is on Broadway this season in a production starring Jeremy Strong and Michael Imp…

SOURCE: Los Angeles Times at 6:00am on March 12, 2024

Stephen Sachs documents an American family torn apart by Jan. 6 in his new play by Charles McNulty

The Fountain Theatre's founding artistic director, Stephen Sachs, reflects on his new play, "Fatherland," and new adventures as he prepares to step down at the end of the year.

SOURCE: Los Angeles Times at 9:00am on March 5, 2024

Review: Anatomy of a theatrical train wreck: Nick Ullett recounts an ill-fated Pinter revival by Charles McNulty

In "The Birthday Party: A Theatrical Catastrophe," actor Nick Ullett, a cast member in William Friedkin's 2014 Harold Pinter revival, tells the tale of the madness that upended the productio…

SOURCE: Los Angeles Times at 5:03pm on March 4, 2024

Review: History haunts the characters of 'Black Cypress Bayou' at the Geffen Playhouse by Charles McNulty

Kristen Adele Calhoun's haunting "Black Cypress Bayou" wrestles with history and reparations in its world premiere at the Geffen Playhouse's Audrey Skirball Kenis Theater.

SOURCE: Los Angeles Times at 2:52pm on February 20, 2024

Review: 'The Wiz' revival wobbles more than eases down the road to Broadway by Charles McNulty

A new revival of "The Wiz," featuring Wayne Brady and the hits "Ease on Down the Road" and "Home," opens at the Hollywood Pantages before its Broadway run.

SOURCE: Los Angeles Times at 6:07pm on February 15, 2024

Commentary: For better or worse, two new plays reveal their writers' TV backgrounds by Charles McNulty

'Mercury,' by Steve Yockey, the creator/showrunner of HBO Max's 'The Flight Attendant,' and 'Middle of the World' by TV executive Juan José Alfonso spin yarns designed to hook restless audi…

SOURCE: Los Angeles Times at 10:00am on February 14, 2024

Review: A Pulitzer Prize-winning meditation on language and loss at San Diego's Old Globe by Charles McNulty

'English' by Sanaz Toossi, an Iranian American playwright from Orange County, received the 2023 Pulitzer Prize for drama. The play gets a sensitively acted production at San Diego's Old Glob…

SOURCE: Los Angeles Times at 10:00am on February 7, 2024

Review: Abstract expressionism, espionage and Cold War history converge in John Ross Bowie's 'Brushstroke' by Charles McNulty

James Urbaniak stars as an Abstract Expressionist painter with a double life in the world premiere of John Ross Bowie's 'Brushstroke' at the Odyssey Theatre.

SOURCE: Los Angeles Times at 6:00am on February 3, 2024

Review: Matthew Bourne shifts 'Romeo and Juliet' into an asylum for maximum menace by Charles McNulty

A radical reworking of Shakespeare's "Romeo and Juliet" by acclaimed choreographer Matthew Bourne gets its North American premiere at the Ahmanson Theatre in L.A.

SOURCE: Los Angeles Times at 7:22pm on February 1, 2024

Appreciation: Theater critic Gordon Rogoff found the most artful language to capture acting greatness by Charles McNulty

Retired Yale School of Drama professor Gordon Rogoff died at 92. Theater critic Charles McNulty, his former student, shares an appreciation of Rogoff's legacy.

SOURCE: Los Angeles Times at 2:13pm on January 31, 2024

Appreciation: Chita Rivera, a Broadway diva by stature, not by temperament by Charles McNulty

Broadway star and three-time Tony Award winner Chita Rivera achieved her diva-dom through sheer hard work, humility and humanity.

SOURCE: Los Angeles Times at 8:58pm on January 30, 2024

'POTUS,' an all-female political farce, battles the patriarchy at the Geffen Playhouse by Charles McNulty

'POTUS,' Selina Fillinger's farce about the women charged with keeping a misbehaving president in line, has its L.A. premiere at the Geffen Playhouse in a production directed by Jennifer Cha…

SOURCE: Los Angeles Times at 6:04pm on January 28, 2024

Review: Kate Berlant questions this thing we call the self in the clever meta-comedy 'Kate' by Charles McNulty

Kate Berlant plays an actor unable to cry on cue in her solo show 'Kate,' directed by Bo Burnham, at the Pasadena Playhouse.

SOURCE: Los Angeles Times at 9:00am on January 24, 2024

Review: 'Randy Rainbow for President' rolls through L.A. leading the anti-Trump resistance by Charles McNulty

The talented political parodist Randy Rainbow skewers Donald Trump, Marjorie Taylor Greene and Ron DeSantis at the Orpheum Theatre, while announcing a new book.

SOURCE: Los Angeles Times at 4:58pm on January 21, 2024

These theater veterans made their final exits in 2023 by Charles McNulty

In 2023, the theater lost many notables with long careers, including Michael Gambon, Frances Sternhagen, Glenda Jackson, Barry Humphries and Michael Blakemore. Praising those we lost makes t…

SOURCE: Los Angeles Times at 1:32pm on December 20, 2023

As Broadway flickered, off-Broadway was defiantly lit by Charles McNulty

With Aubrey Plaza, John Turturro and Dianne Wiest on its stages, new musicals from Alicia Keys and Stephen Sondheim and critically hailed new plays by Annie Baker and David Adjmi, downtown u…

SOURCE: Los Angeles Times at 6:00am on December 15, 2023

David Hyde Pierce on Sondheim, the 'Frasier' reboot and being 'Julia's' Mr. Child by Charles McNulty

David Hyde Pierce is in the cast of "Here We Are," Stephen Sondheim's final musical, at the Shed in New York.

SOURCE: Los Angeles Times at 8:00am on December 11, 2023

Review: Matthew Broderick portrays a pre-MAGA everyman in 'Babbitt' at La Jolla Playhouse by Charles McNulty

Matthew Broderick stars in a new adaptation of Sinclair Lewis' 1922 satiric novel 'Babbitt' in a production at La Jolla Playhouse directed by artistic director Christopher Ashley.

SOURCE: Los Angeles Times at 8:00am on December 5, 2023

The year in theater: A time of struggle but with enough brilliance to sustain us by Charles McNulty

Alex Edelman's 'Just for Us,' the genius of Stephen Sondheim and a Tony Award for the Pasadena Playhouse were among the highlights of Los Angeles theater in 2023.

SOURCE: Los Angeles Times at 6:00am on December 4, 2023

Not another jukebox musical, 'Hell's Kitchen' artfully reimagines Alicia Keys' songs by Charles McNulty

The world premiere of 'Hell's Kitchen,' the semi-autobiographical musical by Alicia Keys, features a book by Kristoffer Diaz and sublime vocals by a cast that re-interprets some of Key's big…

SOURCE: Los Angeles Times at 2:44pm on November 29, 2023

Commentary: Aubrey Plaza goes off in her off-Broadway debut, 'Danny and the Deep Blue Sea' by Charles McNulty

Aubrey Plaza, fresh off her 'White Lotus' success, makes her stage debut off-Broadway in John Patrick Shanley's 'Danny and the Deep Blue Sea,' starring opposite Christopher Abbott.

SOURCE: Los Angeles Times at 1:55pm on November 28, 2023

Review: 'Lines in the Dust's' critique of public education in America is more polemic than play by Charles McNulty

Nikkole Salter's "Lines in the Dust" at the Matrix Theater looks at the issue of school residency fraud and what it says about the state of public education in America.

SOURCE: Los Angeles Times at 8:00am on November 14, 2023
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