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1,308 stories by "Charles McNulty"

Review:Can't think of a better holiday treat than this powerful "Into The Woods" where joy & sorrow are like old pals by Charles McNulty

This OSF production may not have the star power of the film coming out at Christmas, but it has the buoyancy & complexity of feeling that turned "Into the Woods" into a modern classic.

SOURCE: touch.latimes.com at 10:20pm on December 4, 2014

In powerful 'Into the Woods,' joy and sorrow are like old pals by Charles McNulty

The actors mingle with one another and audience members before the show as if what lies ahead is not an official performance but just another rehearsal. The casually dressed musicians take t…

SOURCE: Los Angeles Times at 8:21pm on December 4, 2014

'Luna Gale' a grimly rich study of the fight to protect a child by Charles McNulty

Rebecca Gilman, the talented author of such plays as "Spinning Into Butter," "Boy Gets Girl" and "The Glory of Living," is known for confronting social problems head-on. Racism and white hyp…

SOURCE: Los Angeles Times at 8:39pm on December 3, 2014

Epigrams and clothes fly in Taper's 'What the Butler Saw' by Charles McNulty

There are no household servants in Joe Orton's "What the Butler Saw," which is appropriately set in a psychiatric clinic. The title, once popular for blue movies, is a British phrase referri…

SOURCE: Los Angeles Times at 9:28pm on November 24, 2014

'Delicate Balance' teeters slightly but always fascinates by Charles McNulty

The setting for Edward Albee's "A Delicate Balance" is "the living room of a large and well-appointed suburban home," and scenic designer Santo Loquasto has conjured the scene so sumptuously…

SOURCE: Los Angeles Times at 7:20pm on November 20, 2014

Mike Nichols' theater legacy: Laughter and tears with equal genius by Charles McNulty

Whenever Mike Nichols worked in the theater, it was inevitably an event, the focal point of the season " the show you simply had to get tickets to or be left in the conversational cold.

SOURCE: Los Angeles Times at 2:53pm on November 20, 2014

Revivals turn 2 problem-child musicals into something special by Charles McNulty

When the newly reworked version of Bill Russell and Henry Krieger's "Side Show" opened at the La Jolla Playhouse last year, the production didn't fix all the musical's flaws, but it did reve…

SOURCE: Los Angeles Times at 9:00pm on November 19, 2014

Elaine Stritch: All the best lines at this memorial were hers by Charles McNulty

NEW YORK -- Broadway bid farewell to one of its favorites on Monday at the Al Hirschfeld Theatre in a tribute titled "Everybody, Rise! A Celebration of Elaine Stritch."

SOURCE: Los Angeles Times at 5:08pm on November 18, 2014

Review: 'The River,' with Hugh Jackman, is a wisp of a fish tale by Charles McNulty

NEW YORK " If Hugh Jackman decided to headline a musical tribute to the Yellow Pages, Broadway theatergoers would line up around Times Square. But the Tony-winning song-and-dance man/"X-Men"…

SOURCE: Los Angeles Times at 11:10pm on November 16, 2014

Ambitious new work would help elevate Center Theatre Group by Charles McNulty

Taking stock of Center Theatre Group on the occasion of the Music Center's 50th anniversary is a bit like trying to summarize an up-and-down marriage. So many reasons to leave, so many cheri…

SOURCE: Los Angeles Times at 12:00pm on November 14, 2014

'Hunchback of Notre Dame' at La Jolla has identity crisis by Charles McNulty

The busy afterlife of "The Hunchback of Notre Dame," Victor Hugo's 1831 doorstop novel about a church bell ringer with severe chiropractic difficulties, continues with a musical adaptation t…

SOURCE: Los Angeles Times at 9:03pm on November 13, 2014

Review: Moving power of love in 'Stop Kiss' confronts brutality by Charles McNulty

At the center of Diana Son's drama "Stop Kiss" is a brutal attack on two women locked in an embrace. The scene is reported rather than graphically dramatized, but the violence clarifies so m…

SOURCE: Los Angeles Times at 1:00am on November 12, 2014

'Into the Woods' reunion shows Sondheim can still cast a spell by Charles McNulty

"Once upon a time," the open sesame of childhood fantasy, worked its magic on adults Sunday at the Segerstrom Center for the Arts, where an "Into the Woods" reunion was held with the show's …

SOURCE: Los Angeles Times at 9:30am on November 11, 2014

Lindsay Duncan finds her footing in 'A Delicate Balance' by Charles McNulty

Elaine Stritch didn't originate the role of Claire, the alcoholic loose cannon of Edward Albee's Pulitzer Prize-winning 1966 drama "A Delicate Balance." But she did put her corrosively funny…

SOURCE: Los Angeles Times at 9:00am on November 11, 2014

Globe's compact 'King Lear,' at the Broad, lacks needed heft by Charles McNulty

"King Lear" is regarded as Shakespeare's pinnacle achievement in tragedy, a masterpiece of vast scope and overwhelming intensity. How big is it? A.C. Bradley, the great Shakespearean scholar…

SOURCE: Los Angeles Times at 7:17pm on November 6, 2014

A wrenching ' 'night, Mother' at Lost Studio by Charles McNulty

Suicidal depression is easy to overact. The temptation for an actor is to make clarifying gestures when the character's impulse isn't to explain but to withdraw.

SOURCE: Los Angeles Times at 4:28pm on November 5, 2014

Scones and tea won't help Theresa Rebeck's 'Zealot' at SCR by Charles McNulty

"Zealot," Theresa Rebeck's new play at South Coast Repertory, is ostensibly set in Mecca, Saudi Arabia, at the start of the Hajj, the annual holy pilgrimage that able adult Muslims are requi…

SOURCE: Los Angeles Times at 7:50pm on October 27, 2014

Three bright performances on Broadway: Nathan Lane, Michael Cera and Alex Sharp by Charles McNulty

In an age of vacuous celebrity, in which body parts can go viral and a good plastic surgeon can get you a bigger pay day than talent, it is heartening to report that Broadway's leading men s…

SOURCE: Los Angeles Times at 6:00pm on October 25, 2014

'Pippin' brings big-top wonders to Hollywood Pantages by Charles McNulty

"Pippin," the Tony-winning revival that transformed Roger O. Hirson and Stephen Schwartz's musical into a circus theatrical, has pitched its tent at the Hollywood Pantages, and it has been q…

SOURCE: Los Angeles Times at 7:35pm on October 23, 2014

A kinder, gentler 'Dance of Death' at A Noise Within by Charles McNulty

"No one has the opportunity of tormenting one another as thoroughly as a man and woman who love one another (= hate one another)," Swedish playwright August Strindberg observed with his usua…

SOURCE: Los Angeles Times at 7:50pm on October 21, 2014

'Venus in Fur' is a delicious study of sexual power dynamics by Charles McNulty

Depending on your taste for kink, "Venus in Fur," David Ives' twisty tale about a casting session between a smug playwright and an earthy actress trying out for the role of a well-born 19th …

SOURCE: Los Angeles Times at 8:00am on October 13, 2014

L.A.'s theater community resumes discussion of wages and fiscal health by Charles McNulty

In late summer rumors began circulating of a potential coup within Los Angeles' thronging and boisterous smaller theater scene.

SOURCE: Los Angeles Times at 2:00pm on October 10, 2014

'Better' is good look at woman's attempt at great happiness by Charles McNulty

The old conundrums about happiness " who's entitled and whether it can be lastingly achieved " are at the heart of Jessica Goldberg's "Better," which is having its world premiere courtesy of…

SOURCE: Los Angeles Times at 8:35pm on October 7, 2014

Marian Seldes: Her life and career were a master class by Charles McNulty

If the spirit of the theater could be incarnated, it would have looked and sounded very much like Marian Seldes, the Tony Award-winning actress who died Monday after an extended illness. She…

SOURCE: Los Angeles Times at 4:37pm on October 7, 2014

'Bright Star' wears its old-fashioned heart on its gingham sleeve by Charles McNulty

'Bright Star,' the quaint new musical by Steve Martin and Edie Brickell at the Old Globe in San Diego, has a luscious bluegrass score. Too bad the book is such a floridly melodramatic throwb…

SOURCE: Los Angeles Times at 10:45pm on September 29, 2014
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