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1,324 stories by "Charles McNulty"

Inside Center Theatre Group's slow and systematic search for its next leader by Charles McNulty

Following Michael Ritchie's departure last year, Center Theatre Group is still in the early stages of its search for its next artistic leader. What does this deliberate, albeit sluggish, app…

SOURCE: Los Angeles Times at 3:33pm on July 14, 2022

Review: Wayne Brady sashays to the rescue in 'Kinky Boots' at the Hollywood Bowl by Charles McNulty

Jerry Mitchell's Hollywood Bowl production of "Kinky Boots," Cyndi Lauper and Harvey Fierstein's Tony-winning musical, showcased a brilliant Wayne Brady.

SOURCE: Los Angeles Times at 5:45pm on July 10, 2022

Review: 'Moulin Rouge! The Musical' arrives at the Pantages in a burst of colorful excess by Charles McNulty

The Tony-winning stage adaptation of Baz Luhrmann's 2001 film, 'Moulin Rouge! The Musical' opens at the Hollywood Pantages Theatre.

SOURCE: Los Angeles Times at 5:18pm on July 8, 2022

Review: 'A Wicked Soul in Cherry Hill' is a charming albeit troubling true-crime musical by Charles McNulty

Mike Donahue directs the Geffen Playhouse world premiere of this new true-crime musical set in a tightknit Jewish community in New Jersey.

SOURCE: Los Angeles Times at 3:13pm on July 5, 2022

Appreciation: The radical majesty of British theater director Peter Brook by Charles McNulty

A tribute to Peter Brook, the pathbreaking British theater director who died at age 97.

SOURCE: Los Angeles Times at 4:50pm on July 3, 2022

Review: 'To T, or Not to T' alchemizes an internal saga and family drama into a moving comedy by Charles McNulty

A solo play by the queer and transgender Tamil Sri Lankan American actor D'Lo opens at the Kirk Douglas Theatre.

SOURCE: Los Angeles Times at 4:37pm on June 30, 2022

Review: 'The Beautiful People' is an uncomfortable look at combustible male rage by Charles McNulty

'The Beautiful People,' a new play by Tim Venable produced by Rogue Machine at the Matrix Theatre, is about two high school boys who have a sleepover on the eve of a school shooting that for…

SOURCE: Los Angeles Times at 9:00am on June 28, 2022

At Ace Hotel, being Hannah Gadsby has never been funnier by Charles McNulty

"Body of Work" is the "feel-good" show Gadsby thought she owed her fans after "Nanette" and "Douglas." But it's as subtly self-reflective as ever.

SOURCE: Los Angeles Times at 3:39pm on June 19, 2022

Why the Tony triumph of 'A Strange Loop' is momentous for Broadway by Charles McNulty

Michael R. Jackson's Black, queer musical 'A Strange Loop' was the big winner at the 75th Tony Awards.

SOURCE: Los Angeles Times at 12:08am on June 13, 2022

Review: LeBron mania informs a tale of friendship in Rajiv Joseph's 'King James' at the Taper by Charles McNulty

Rajiv Joseph's "King James" at the Mark Taper Forum centers on two fans living vicariously through basketball great LeBron James.

SOURCE: Los Angeles Times at 7:17pm on June 9, 2022

Review: A renewed 'Uncle Vanya' at Pasadena Playhouse shines with unforced naturalism by Charles McNulty

Michael Michetti directs a well-tuned version of Anton Chekhov's classic at Pasadena Playhouse.

SOURCE: Los Angeles Times at 5:15pm on June 7, 2022

Commentary: How Anton Chekhov became the playwright of the moment by Charles McNulty

Anton Chekhov's influence is seen in the Oscar-winning film "Drive My Car" and recent novels by Gary Shteyngart and Rachel Cusk. And stage productions, including a new "Uncle Vanya" at Pasad…

SOURCE: Los Angeles Times at 3:23pm on June 6, 2022

Once upon a time, a theatrical 'Dream' came true at the Hollywood Bowl by Charles McNulty

For his 1934 production of 'A Midsummer Night's Dream' with Mickey Rooney and Olivia de Havilland, Max Reinhardt had the Hollywood Bowl dismantled, and oak trees were shipped in from Calabas…

SOURCE: Los Angeles Times at 9:00am on June 2, 2022

Antaeus Theatre Company presents a brisk, if not especially resonant, 'Hamlet' by Charles McNulty

Ramón de Ocampo stars in a new production of William Shakespeare's 'Hamlet.'

SOURCE: Los Angeles Times at 10:00am on May 25, 2022

Randy Rainbow reveals the man behind the glitter " and how his father was like Trump by Charles McNulty

Randy Rainbow, author of the new memoir, "Playing With Myself," insists that politics isn't what motivates its musical theater parodies.

SOURCE: Los Angeles Times at 10:00am on May 24, 2022

Review: In striving to be modern, the Wallis makes a mockery of 'King Lear' by Charles McNulty

An updated version of Shakespeare's tragedy, set amid a climate apocalypse, stars Joe Morton as King Lear.

SOURCE: Los Angeles Times at 2:50pm on May 16, 2022

Review: The high-octane 'Tambo & Bones' scrutinizes the inescapable legacy of minstrelsy by Charles McNulty

Dave Harris' 'Tambo & Bones' opens at the Kirk Douglas Theatre in a world-premiere production with Playwrights Horizons.

SOURCE: Los Angeles Times at 3:06pm on May 10, 2022

Commentary: What the 2022 Tony nominations say about the state of Broadway by Charles McNulty

"A Strange Loop" leads the 2022 Tony nominations, with a strong showing in the play category for "The Lehman Trilogy."

SOURCE: Los Angeles Times at 3:13pm on May 9, 2022

Review: An oddly cast Martha and George expose fragility in Edward Albee's shatterproof play by Charles McNulty

Calista Flockhart and Zachary Quinto star in 'Who's Afraid of Virginia Woolf' at the Geffen Playhouse.

SOURCE: Los Angeles Times at 7:25pm on May 2, 2022

Commentary: Are Broadway megastars obsolete? Not while Hugh Jackman and Patti LuPone are around by Charles McNulty

Fans are flocking to see Hugh Jackman in 'The Music Man' and Patti LuPone in 'Company.'

SOURCE: Los Angeles Times at 10:00am on May 2, 2022

A mesmerizing 'Hadestown' at the Ahmanson makes an old tale feel startlingly new by Charles McNulty

"Hadestown," Anaïs Mitchell's Tony- and Grammy-musical reimagining the myth of Orpheus and Eurydice, arrives in Los Angeles with a cast that includes Tony-winner Levi Kreis as Hermes.

SOURCE: Los Angeles Times at 9:07pm on April 28, 2022

Review: Black, queer and laceratingly honest, 'A Strange Loop' liberates Broadway by Charles McNulty

Michael R. Jackson's Pulitzer Prize-winning musical triumphantly arrives on Broadway.

SOURCE: Los Angeles Times at 10:00pm on April 26, 2022

Review: Phylicia Rashad beautifully directs 'Blues for an Alabama Sky' at Mark Taper Forum by Charles McNulty

Phylicia Rashad leads a revival of Pearl Cleage's play about artists and activists at the convergence of the Great Depression and the Harlem Renaissance.

SOURCE: Los Angeles Times at 7:00pm on April 14, 2022

Review: Dark side of Walt Disney brought to weird life in Lucas Hnath's drama, now playing in L.A. by Charles McNulty

The strange, intriguing "A Public Reading of an Unproduced Screenplay About the Death of Walt Disney" has its West Coast premiere at the Odyssey Theatre.

SOURCE: Los Angeles Times at 5:41pm on April 5, 2022

Review: 'I'll Be Seein' Ya,' a new play by Jon Robin Baitz, fumbles an old tune by Charles McNulty

Starring Christine Lahti, "I'll Be Seein' Ya" is seeing its digital world premiere from Center Theatre Group.

SOURCE: Los Angeles Times at 4:21pm on March 31, 2022
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