8,523 stories by "American Theatre Editors"
An experienced entertainment attorney, she will join the leadership team at the MENA/SWANA-focused NYC company.
The artistic director and managing director of Pittsburgh Public Theater make the case for programming that is uniquely fresh and local.
The winners are advocates for women and nonbinary playwrights over the age of 40.
Co-lead theatre critics at New York magazine/Vulture, they make the case that 2 heads are better than 1, especially covering a field in flux.
A writer based in Atlanta and a frequent contributor to the magazine, she will now help lead its return to print.
Haruna Lee, Shayan Lotfi, Deepa Purohit, Jordan Seavey, SM Shephard-Massat, Phillip Christian Smith, and Bryna Turner will begin their residencies this fall.
The untold history of the Latinx theatre movement in modern Los Angeles.
Albany Park Theater Project partnered with Third Rail Projects to create a new immersive production that invites audiences into apartments in one of Chicago's most diverse neighborhoods.
David Byrne's Broadway musical is a breakthrough for Filipino American performers, but at what cost to the historical truths it dances around?
An experience fundraiser for nonprofits across the U.S., he is returning to the region where he was raised and educated.
August theatre history brings the heat of protest, rolling blackouts, the creation of two new companies, and the less-than-stellar U.S. premiere of a literary star.
The company's current finance and HR director, she will succeed Joel Ruark after his 26 years in the executive role.
This month Woodzick talks to writer and educator Seayoung Yim about self-love, care-filled casting, and America's recent obsession with Korean culture.
Weeks after stepping into the role on an interim basis after Tim Bond's departure, Sardelli and the board have made the leadership transition official.
The Pulitzer-winning author of 'English' and the Pulitzer finalists for 'On Sugarland' and 'The Far Country' gather to talk craft, language, expectation, and optimism.
New works from six finalists will take the stage over two weekends this fall.
Working alongside Cynthia Flowers, they will succeed Sarah Benson and Meropi Peponides as co-directors, continuing the theatre's shared leadership model.
Currently co-leading Geva Theatre Center in Rochester, N.Y., Mannelli wiill follow Michael Maso's 41-year term in the Boston post.
The twelve-month residency, which begins in September, features monthly workshops and culminates in new play development readings produced by the Geffen.
Her leadership, which spanned the Great Recession, recovery, COVID, and other ups and downs, focused on audiences and equity, diversity, and inclusion.
With experience in marketing and audience engagement, Beardsley joins a leadership that includes producing artistic director Paul Daigneault and new board co-chair Constance Gist Guindo.
Maltais suceeds Bernadine C. Griffin, who retired after 21 years at the Seattle company.
The WP Producers Lab alumna succeeds Rebecca Martinez after three years in the role.
This month Brian talks to MJ Kaufman, the co-writer of 'A Transparent Musical,' about their evolving sense of home, their creative instincts, and their dog, Milkshake.
The annual commission partners an emerging playwright, director, and Method-trained actors to develop an ensemble play.
