Online This Week: It's Possible!
From a vintage 'Cinderella' to the bracing 'Is God Is,' there's something for every palate this week.
From a vintage 'Cinderella' to the bracing 'Is God Is,' there's something for every palate this week.
The League of Professional Theatre Women will present the award in October.
The funds will support young and emerging artists and art administrators.
The company's 50th anniversary season will be presented when it is safe to welcome audiences.
The playwright/actress brings an independent artist's perspective to the board room, where she hopes it can offer the field a 'bird's-eye view' at a crucial time.
This Chicago-based performer's on-again, off-again relationship with theatre takes another turn, but she's not bowing out.
Chris J. Handley and Robyn Lee Horn take over as leadership for the Buffalo company.
Cincinnati Playhouse in the Park, Cincinnati Shakespeare Company, and Ensemble Theatre Cincinnati set tentative reopening schedules.
The season will open in January of 2021 will 'Celia and Fidel,' which was cut short this spring.
The National Alliance for Middle Eastern and North African Theater Makers will amplify the voices of MENA artists in the American theatre.
Big winners of the night included 'Heroes of the Fourth Turning,' 'A Strange Loop,' and 'Is This A Room.'
A new album featuring many of her alt-musical singer/composer heirs reminds us of the vital, ever-timely pulse of her music.
The series of 10-minute plays by women and non-binary writers explores the passage of the amendment and its impact 100 years later.
The Chicago company will produce a virtual series this fall, and live programming will resume in February 2021.
The year-long fellowship for Black Chicago-area artists is aimed at creating lasting relationships between artists and theatres.
The collective that started by saying 'We See You, White American Theater' makes its own demands to be seen, and fully included, at last.
Midwestern orgs are hunkering down but not defeated in their plans to stay relevant as they restructure.
At theatres in New York, Pennsylvania, and New Jersey, flexibility is the watchword.
As we face another Depression, can we dream of a new Federal Theatre Project? Any such hope begins with political organizing onstage and off.
Theatres in Maine, Vermont, New Hampshire, and Connecticut are variously going local and virtual, and reflecting deeply on their role in a changed future.
Theatres in Nebraska, Minnesota, and Missouri work to adapt to the new reality and plan for the next chapter.
Theatres in Colorado, Wyoming, Utah, and Idaho keep the theatre faith, and many or most employees, in hopes of a full return.
Theatres in Florida, Georgia, and South Carolina focus on how they can best serve their communities when they can't do it from their stages.
Theatres in Alabama, Tennessee, Mississippi, and Louisiana face budget shortfalls, existential questions, and a new sense of purpose.
As the pandemic rages through Arizona, Texas, and Oklahoma, theatres adjust their models and make new commitments, while one New Mexico theatre goes under.