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32 stories by "Amanda Holloway"

The Mikado review at King's Head Theatre, London " 'wit and energy' by Amanda Holloway

Who'd have thought that Gilbert and Sullivan's baggy old warhorse could be reimagined for eight singers and a piano in a pub

SOURCE: The Stage Registration at 8:39am on March 29, 2018

Eugene Onegin review at Arcola Theatre, London " 'ambitious, pocket-sized opera' by Amanda Holloway

In OperaUpClose's ambitious pocket production of Eugene Onegin, the rolling Russian landscape of the Larin family estate has been replaced by a

SOURCE: The Stage Registration at 11:39am on November 30, 2017

The Lighthouse review at Hackney Showroom, London " 'nerve-shredding' by Amanda Holloway

Peter Maxwell Davies' violent, unsettling tale of three lighthouse keepers who disappear in mysterious circumstances is especially intense in the modestly-proportioned Hackney

SOURCE: The Stage Registration at 11:26am on November 6, 2017

Lucia di Lammermoor review at Royal Opera House, London " 'a triumph' by Amanda Holloway

Katie Mitchell’s production of Lucia di Lammermoor for the Royal Opera drew howls of protest at its premiere in 2016 for its

SOURCE: The Stage Registration at 8:29am on October 31, 2017

Salieri's The School of Jealousy review at St John's Smith Square " 'a sprightly performance' by Amanda Holloway

Poor Salieri. Having paved the way for Mozart, whom he admired and encouraged, he became known as the man who killed the

SOURCE: The Stage Registration at 10:30am on September 13, 2017

Datong " The Chinese Utopia review at Richmond Theatre, London " 'an entertaining chamber opera' by Amanda Holloway

Utopian thinkers are often dismissed as dreamers, madmen or heretics. But for a brief moment in China's history, one man succeeded in

SOURCE: The Stage Registration at 12:38pm on August 1, 2017

Ariadne auf Naxos review at Glyndebourne, Lewes " 'soprano Lise Davidsen soars' by Amanda Holloway

Strauss and his librettist Hugo von Hoffmansthal struggled to agree on an approach to Ariadne auf Naxos and the conflict can be

SOURCE: The Stage Registration at 11:01am on June 29, 2017
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