The Mikado review at King's Head Theatre, London " 'wit and energy'
Who'd have thought that Gilbert and Sullivan's baggy old warhorse could be reimagined for eight singers and a piano in a pub
Who'd have thought that Gilbert and Sullivan's baggy old warhorse could be reimagined for eight singers and a piano in a pub
In OperaUpClose's ambitious pocket production of Eugene Onegin, the rolling Russian landscape of the Larin family estate has been replaced by a
Peter Maxwell Davies' violent, unsettling tale of three lighthouse keepers who disappear in mysterious circumstances is especially intense in the modestly-proportioned Hackney
Katie Mitchell’s production of Lucia di Lammermoor for the Royal Opera drew howls of protest at its premiere in 2016 for its
Poor Salieri. Having paved the way for Mozart, whom he admired and encouraged, he became known as the man who killed the
Utopian thinkers are often dismissed as dreamers, madmen or heretics. But for a brief moment in China's history, one man succeeded in
Strauss and his librettist Hugo von Hoffmansthal struggled to agree on an approach to Ariadne auf Naxos and the conflict can be