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Sex and God " review by Mark Fisher

Platform, GlasgowImagine a string quartet, but with actors instead of musicians. In place of a score, a set of overlapping monologues. As they riff on similar themes, they could be from a family of musical instruments, each with her own timbre and pitch, but each part of the ensemble. Phrases echo like a melody from one performer to another, sometimes dissonant, sometimes in harmony, taking on different meanings acco…

SOURCE: The Guardian at 1:15pm on October 16, 2012

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