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35,609 stories from The Guardian

The Singer review – come on feel the noise with KT Tunstall’s glowing gig theatre by Mark Fisher

Traverse theatre, EdinburghIn Cora Bissett’s highly enjoyable and accessible show, a deaf man reintroduces a busker to the joy of music‘There are other ways to listen,” says Joe (Jamie…

SOURCE: The Guardian at 12:30am on August 16, 2026

Endgame review – Beckett’s lonely clowns raise an extra laugh by Arifa Akbar

Pleasance at EICC, EdinburghFlabbergast Theatre’s production of Samuel Beckett’s desolate play leans into slapstick – and loses some of the searing threatThis production by Flabbergast…

SOURCE: The Guardian at 3:45pm on August 15, 2026

Charlene Kaye: Diversity Shredder review – killer riffs slay toxic music industry by Arusa Qureshi

Gilded Balloon Teviot, Edinburgh This is a fun and feverish journey, with well-crafted comedy and screaming guitar, through the star’s career so farIn an industry that claims to be inclusi…

SOURCE: The Guardian at 10:20am on August 15, 2026

Ayo Adenekan: Homeland Insecurity review – SNL UK writer woos the room with summer romance by Brian Logan

CabVol @ Monkey Barrel, EdinburghA fringe fling is the backbone for a mischievous set with deft jokes and a fresh perspective but some of this material needs another draftAyo Adenekan’s as…

SOURCE: The Guardian at 7:20am on August 15, 2026

Good With Faces review – mesmerising power struggle will have you sitting uncomfortably by Chris Wiegand

Summerhall, EdinburghEvery comment sparks suspicion in Oisín Kearney’s bold play about a meeting between a mother and a social workerIf you book a seat for Good With Faces you might only …

SOURCE: The Guardian at 5:00am on August 15, 2026

A Foot Is Not an Appropriate Prize for the Tombola review – a fateful day at the fete by Tim Jonze

Pleasance Courtyard, Edinburgh Daniel McVey merrily recruits the audience for a fun hour of cosy crime that bleeds into cosmic horrorWith a title like that, perhaps it’s no surprise that t…

SOURCE: The Guardian at 4:00am on August 15, 2026

The Greatest Showman musical to come alive on the West End stage in 2027 by Chris Wiegand

Disney production ran in Bristol earlier this year and its stars Oliver Tompsett and Samantha Barks will resume their roles at Theatre Royal Drury LaneThe Greatest Showman, the 2017 Hugh Jac…

SOURCE: The Guardian at 1:55am on August 15, 2026

Flamenc Oh!! review – frills, flirting and fierce footwork in breezy Spanish comedy by Lyndsey Winship

Assembly Hall, EdinburghCan you dance flamenco to Eye of the Tiger? Of course, says the company Yllana, in a flamboyant celebration of breaking down barriersYou don’t need to know anything…

SOURCE: The Guardian at 1:55am on August 15, 2026

Boys Don’t Dance review – jump back to the 80s to celebrate the power of pop by Lyndsey Winship

Assembly @ Dance Base, EdinburghA sunny mashup of music accompanies choreographer Marc Brew’s feelgood coming-of-age storyMarc Brew made the acclaimed show An Accident/A Life in 2024, with…

SOURCE: The Guardian at 1:10pm on August 14, 2026

A critical mauling: Brian Logan on comedy critics being portrayed as horrible snobs by Brian Logan

Two Edinburgh fringe shows feature savage send-ups of reviewers. Is this petty revenge or do they have a case? Our writer finds one ‘a hoot’ – and thinks the other let him off lightlyN…

SOURCE: The Guardian at 12:05pm on August 14, 2026

Kristen Schaal: The Legend of Crystal Shell review – flighty Conchords comic is still kooking on gas by Brian Logan

Pleasance Courtyard, EdinburghAs a half-horse half-woman who dreams of being a unicorn and performing Swan Lake, Schaal sheds little light but has plenty of sparkleFor a happy handful of yea…

SOURCE: The Guardian at 12:05pm on August 14, 2026

Midsummer! review – Suri Noelle sparkles in a frisky Dream at the Edinburgh fringe by Chris Wiegand

Assembly @ St Andrew Square, EdinburghA lusty adaptation by Avenue Q’s co-creator is performed with verve by Katie Holmes and Tom Cruise’s daughter and her fellow studentsNot every under…

SOURCE: The Guardian at 7:50am on August 14, 2026

The Real Kyle McCarren review – musical eulogy to lost bandmate strikes a chord by Chris Wiegand

Pleasance Courtyard, EdinburghAndy Roninson’s tribute to a friend who died aged 21 combines original rock, soul and folk songs in a considered exploration of griefThey say don’t speak il…

SOURCE: The Guardian at 6:45am on August 14, 2026

Joseph Morpurgo: Highlander 70 review – a dork’s last day at school is one to remember by Brian Logan

Pleasance Courtyard, EdinburghThis one-man comic play, told at breakneck speed and featuring West Side Story-like dance-numbers, is highly entertainingIt’s as if Joseph Morpurgo had never …

SOURCE: The Guardian at 4:35am on August 14, 2026

Dear Michelle Kwan review – fire and ice in a whirlwind figure-skating comedy by Arifa Akbar

theSpace Triplex, EdinburghFour skaters enter into feral competition in this darkly funny yet flimsily plotted play about female teenhoodThe title refers to the figure-skating legend and Oly…

SOURCE: The Guardian at 12:15am on August 14, 2026

Come Back Home review – loss and love in Palestinian artist’s intriguing fringe hour by Mark Fisher

Summerhall, EdinburghFadi Murad’s unconventional drama is a collage structured with the free-form imagination of a poetLast year, a group of Scottish producers staged a four-day mini festi…

SOURCE: The Guardian at 3:45pm on August 13, 2026

116 Grams: A Play to Lose Weight review – a shocking satire of body policing by Arifa Akbar

Zoo Southside, Edinburgh Letícia Rodrigues takes on the titular challenge in this show about shame, rage and how female bodies are surveilledA smiling woman steps on to the weighing scales …

SOURCE: The Guardian at 1:35pm on August 13, 2026

Turn Your F*cking Phones Off review – a tremendous takedown of big tech by Mark Fisher

Summerhall, EdinburghHannah Maxwell quits doomscrolling and turns her attention to tech bros’ targeted assault on democracy and our smartphone-addicted complicityLast year, Hannah Maxwell …

SOURCE: The Guardian at 11:20am on August 13, 2026

Ham review – vegan take on Hamlet delivers meaty rebuke to carnivores by Kate Wyver

Summerhall, EdinburghVengeance for a slaughtered pig is the starting point for a riotous parody that suggests the meat industry poses an existential threat to human survivalThat’s my next …

SOURCE: The Guardian at 10:20am on August 13, 2026

Hollywood encore: how ‘pro-shot’ Broadway shows became a major draw on the big screen by Jesse Hassenger

Filmed versions of hit shows such as Hadestown, Hamilton and SIX have been transformed into cinematic events for those without hundreds to spend on ticketsIt’s long been a source of frustr…

SOURCE: The Guardian at 6:00am on August 13, 2026

Jordan Brookes: The Part of You That’s Always Screaming review – former fringe champ’s chewy croissant tale by Brian Logan

Pleasance Dome, EdinburghThis is a spiky, interrogative and surprisingly conventional set from an act who usually pushes standup to its limitsYou can fall victim to your own high standards �…

SOURCE: The Guardian at 4:55am on August 13, 2026

As Far As We Know review – strange solo goes full pelt down the mean streets by Mark Fisher

Summerhall, EdinburghWith increasing speed, Sam Ward tells the story of a woman who finds holes in her garden – but is it just a shaggy dog story?And there is a man sitting at a desk, welc…

SOURCE: The Guardian at 3:50am on August 13, 2026

Mrs Stern Wanders the Prussian State Library review – interrogating Hannah Arendt by Mark Fisher

Traverse theatre, EdinburghAn encounter in a police cell with a Nazi officer could have been the end of the political theorist, but Jenny Lyn Bader’s play has little feel for the dramaticT…

SOURCE: The Guardian at 1:20am on August 13, 2026

The Plot review – exploding myths in an hour of gunpowder and treason by Mark Fisher

Summerhall, EdinburghSet in purgatory, Emma Howlett’s two-hander rethinks the national intrigue with 5 NovemberNever play with matches is good advice – especially when gunpowder is invol…

SOURCE: The Guardian at 3:50pm on August 12, 2026

How the Other Half Loves review – Alan Ayckbourn’s ingenious farce brings the houses down by Mark Lawson

The Old Vic, London The suburban romp of envy and infidelity in two different homes comes bouncing back to life with a fizzing cast led by Roger AllamEarly in a career that reaches 92 plays …

SOURCE: The Guardian at 1:45pm on August 12, 2026
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