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Medea " review by Mark Fisher

Citizens, GlasgowShe enters in socks, tracksuit bottoms and faded grey T-shirt. Her blood-red hair is a shade away from the glossy surfaces of her fitted kitchen. Her son has just been dropped off by one of the neighbours.None of this fits the archetypal image of Medea, which is what makes Mike Bartlett's version of the Euripides classic initially so arresting. Behind the photorealist facade of Ruari Murchison's subu…

SOURCE: The Guardian at 6:44am on October 3, 2012 ☆ ⚑

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