Do German audiences have a keener appetite for theatrical experiment?
Plays that defy pigeonholing can struggle for recognition in the UK, but two recent Berlin productions reflect a different mindsetAs Michael Billington noted in his piece earlier this week " and as I commented when I first came to Berlin to look at the cultural scene in 2008 " it's striking how attentive audiences are here. There are no mobile phones, a genuine sense of concentration, and " usually " sustained applau…
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