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7 stories by "Mark Espiner"

What to say about ... Complicit by Mark Espiner

Richard Dreyfuss is rumoured to be forgetting his lines in Joe Sutton's play. Don't let that put you off parroting a few paragraphs from the criticsWho needs Oscar glamour when it's here in …

SOURCE: The Guardian at 12:54am on November 5, 2017☆⚑

What to say about ... Lenny Henry's Othello by Mark Espiner

He's better known for comic relief than lofty tragedy, so how does the funnyman fare as Shakespeare's Moor? There's no need to head north for Barrie Rutter's production " just rifle through …

SOURCE: The Guardian at 5:36pm on December 19, 2016☆⚑

What to say about ... No Man's Land by Harold Pinter by Mark Espiner

Couldn't get to the revival of Pinter's classic but need to save face with your friends? Mark Espiner rounds up the reviewsIn these credit crunchy times, you tell your assembled friends, the…

SOURCE: The Guardian at 6:24pm on December 15, 2016☆⚑

Dinner for One serves up the lighter side of German theatre | Mark Espiner by Mark Espiner

The stage version of Germany's staple New Year comedy sketch is but a boo-hiss away from becoming the nation's first pantoWith Goethe, Schiller and Brecht as its guiding lights, not to menti…

SOURCE: The Guardian at 1:18am on November 25, 2016☆⚑

David Bowie: stage oddity by Mark Espiner

As the V&A's groundbreaking Bowie exhibition transfers to Berlin site of his creative transformation in the 70s the singer's theatrical side has been pushed centre-stageBowie and Berli…

SOURCE: The Guardian at 8:06am on June 26, 2014☆⚑

The Artist and the power of sensory deprivation in film and theatre | Mark Espiner by Mark Espiner

Taking voices away from actors, or plunging audiences into darkness, can provide an immersive, more intimate experienceFor the makers of The Artist, clutching five Oscars this week including…

SOURCE: The Guardian at 10:30am on February 28, 2012☆⚑

Do German audiences have a keener appetite for theatrical experiment? by Mark Espiner

Plays that defy pigeonholing can struggle for recognition in the UK, but two recent Berlin productions reflect a different mindsetAs Michael Billington noted in his piece earlier this week "…

SOURCE: The Guardian at 11:18am on March 17, 2011☆⚑
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