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The Notebook

Gerald Schoenfeld Theatre

Previews February 10, 2024

Opening March 14, 2024

Closing December 15, 2024

Official Site · IBDB

Box Office

$31,820,672 total gross 45 weeks best week $1,094,299 (Dec 15, 2024)

Weekly gross — full run

Feb 11, 2024Dec 15, 2024

Grosses provided by The Broadway League. For additional The Notebook grosses, see broadwaywrap.com.

Articles about The Notebook

1,206 articles · page 44 of 49

Ashland: critic's notebook by Karen D'Souza

A bikini-clad Helen of Troy parties poolside, Cressida cloaks her face in a head scarf and the troops lob hand grenades in Rob Melrose’s shock and awe “Troilus and Cressida.̶…

SOURCE: San Jose Mercury News at 7:49pm on June 16, 2012☆⚑

Critic's Notebook: The heartening resurgence of the American play by Charles McNulty

A new body of domestic work on Broadway, including Tony front-runners 'Clybourne Park' and 'Other Desert Cities,' marks a strong change of pace for playwriting.Had you polled theater pundits…

SOURCE: Los Angeles Times at 3:00am on June 3, 2012☆⚑

Critic's Notebook: The Choreography of Tony Nominees by Alastair Macaulay

There is no single method for choreography to succeed in a musical, and this year's Tony Award nominees take distinct approaches.

SOURCE: The New York Times Subscription at 10:00am on May 29, 2012☆⚑

Jon Hamm and Daniel Radliffe to Star in Sky Arts' A Young Doctor's Notebook by Brian Scott Lipton

Jon Hamm and Daniel Radcliffe will star in Sky Arts' series based on Russian satirist Mikhal Bulgakov's short story memoir A Young Doctor's Notebook, according to The Hollywoo…

SOURCE: TheaterMania at 10:31am on May 18, 2012☆⚑

Agitprop Nostalgia: Judith Malina's Piscator Notebook Book Launch by Beck Feibelman

Erwin Piscator remembered and Judith Malina feted at The New School.

SOURCE: Clyde Fitch Report at 11:57pm on May 11, 2012☆⚑

Critic's Notebook: 'The Best Man' and 'Other Desert Cities' Are Eloquent Plays by Ben Brantley

The Broadway season that ended recently has shown that the art of eloquence in theater is very much alive.

SOURCE: The New York Times Subscription at 6:58pm on May 8, 2012☆⚑

Critic's Notebook: Magic and heartbreak at the 'End of the Rainbow' by Charles McNulty

An essay on Tracie Bennett's portrayal of Judy Garland

SOURCE: Los Angeles Times at 11:25am on April 30, 2012☆⚑

Critic's Notebook: Magic and heartbreak at the 'End of the Rainbow' by Charles McNulty

At New York's Belasco Theatre, Tracie Bennett is astonishing as the aging Judy Garland in Peter Quilter's biographical account of the final chapter of the performer's life.NEW YORK — J…

SOURCE: Los Angeles Times at 3:00am on April 30, 2012☆⚑

Critic's Notebook: 'One Man, Two Guvnors' Is Born of a Long Tradition by Jason Zinoman

"One Man, Two Guvnors" celebrates British lowbrow comedy and presents it in a way palatable in America.

SOURCE: The New York Times Subscription at 7:48pm on April 27, 2012☆⚑

Critic's Notebook: Anthony de Mare's 'Liaisons: Reimaging Sondheim' by Anthony Tommasini

The pianist Anthony de Mare performed pieces from his "Reimagining Sondheim" project in a concert at Symphony Space.

SOURCE: The New York Times Subscription at 6:15pm on April 23, 2012☆⚑

Critic's Notebook: Samuel Beckett, Harold Pinter share literary legacy by Charles McNulty

A look at Beckett's and Pinter's literary origins, with questions raised about how we are educating our playwrights today

SOURCE: Los Angeles Times at 2:47pm on April 16, 2012☆⚑

Nightlife notebook: Fashion, spring forward

"Envision: Artopia" is in its 10th season.

SOURCE: StarTribune at 4:14pm on April 12, 2012☆⚑

Critic's Notebook: Advancing a New Form of Comedy: Storytelling by Jason Zinoman

As comedians pursue the relatively new school of storytelling, they sometimes show that emotion can be mixed with humor.

SOURCE: The New York Times Subscription at 5:13pm on April 4, 2012☆⚑

Critic's Notebook: 'Making History' and 'Remembering Shakespeare' at Yale by Edward Rothstein

Two separate exhibitions at Yale, on the Society of Antiquaries and on Shakespeare, together illuminate a four-century British effort to discover and reinvent its past.

SOURCE: The New York Times Subscription at 6:50pm on March 22, 2012☆⚑

Critic's Notebook: Defending 'This American Life' and Its Mike Daisey Retraction by Charles Isherwood

Nonfiction should mean facts and nothing but the facts, argues the theater critic Charles Isherwood, in support of the retraction by "This American Life" of a program about Mike Daisey's "Th…

SOURCE: The New York Times Subscription at 5:58pm on March 18, 2012☆⚑

Critic's Notebook: New, Plush Theaters Raise Concerns of Their Own by Charles Isherwood

Off Broadway's major companies, regenerating for years, are now opening a spate of new theaters, raising questions of commercialism.

SOURCE: The New York Times Subscription at 7:31pm on March 9, 2012☆⚑

Critic's Notebook: My Meryl Streep problem by Charles McNulty

The virtuosic 'Iron Lady' star is stuck in two self-parodying modes of late: impersonating a character quite unlike herself or playing one who bears a teasing resemblance to her starry self.

SOURCE: Los Angeles Times at 6:53am on February 26, 2012☆⚑

Critic's Notebook: In London Theater, the Past Isn't Dead, It's Onstage by Ben Brantley

Several current British productions, including "Lovesong," "Travelling Light" and "The Kreutzer Sonata," feature characters who recall earlier times.

SOURCE: The New York Times Subscription at 8:17pm on February 3, 2012☆⚑

Nightlife notebook: The meanest man in comedy

Jeffrey Ross swings by the Varsity.

SOURCE: StarTribune at 4:18pm on February 2, 2012☆⚑

Critic's Notebook: London Theater Journal: It's About Time by Ben Brantley

Abi Morgan's "Lovesong" is playing at London's Lyric Hammersmith Theater, which is probably the wettest house in town, given all the tears being shed there.

SOURCE: The New York Times Subscription at 10:38am on February 2, 2012☆⚑

Critic's Notebook: Did 'The Gershwins' Porgy and Bess' Meets Its Goal? by Anthony Tommasini

"The Gershwins' Porgy and Bess" was streamlined to make the original opera more accessible and realistic, but we're left with something slighter.

SOURCE: The New York Times Subscription at 9:13pm on January 13, 2012☆⚑

Critic's Notebook: Festivals: Under the Radar, Coil, Other Forces, American Realness by Jason Zinoman

Experimental theater festivals, including Under the Radar, Coil, Other Forces and American Realness, enliven New York's January.

SOURCE: The New York Times Subscription at 6:36pm on January 3, 2012☆⚑

From the Elf King notebook: The Undertaking by George Hunka

In an early note for my play The Elf King I wrote, “Ritualistic remembrance may be the overarching form of the play” and “This play is not about hope. It is about how to li…

SOURCE: Superfluities Redux at 9:36am on December 29, 2011☆⚑

Critic's Notebook: In a Rough Year, London Theaters Embraced Comedy and a Deluge of Shakespeare by Matt Wolf

Highlights of 2011 included Richard Bean's "One Man, Two Guvnors" and a revisionist "Hamlet," starring Michael Sheen.

SOURCE: The New York Times Subscription at 12:28pm on December 27, 2011☆⚑

New York Notebook: Only a few sparks in the fall theater season by Peter Marks

NEW YORK " Although the power stayed on all through the topsy-turvy weather patterns of the fall, the city's theater district has found a key ingredient in the making of plays and musicals i…

SOURCE: Washington Post at 10:49pm on December 26, 2011☆⚑

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