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The Notebook

Gerald Schoenfeld Theatre

Previews February 10, 2024

Opening March 14, 2024

Closing December 15, 2024

Official Site · IBDB

Box Office

$31,820,672 total gross 45 weeks best week $1,094,299 (Dec 15, 2024)

Weekly gross — full run

Feb 11, 2024Dec 15, 2024

Grosses provided by The Broadway League. For additional The Notebook grosses, see broadwaywrap.com.

Articles about The Notebook

1,206 articles · page 26 of 49

Critic's Notebook: There's Magic in the Air, if You Believe by Alexis Soloski

Jason Bishop's "Straight Up Magic" and "The Illusionists: Turn of the Century" offer audiences a chance to feel bewitched, bothered and bamboozled.

SOURCE: The New York Times Subscription at 10:24pm on December 4, 2016☆⚑

Critic's Notebook: Watching Postelection, So Much Feels Different by Alexis Soloski

Wherever we fall on the political spectrum, we're going to see our desires and fears reflected in the art we encounter, especially in theater.

SOURCE: The New York Times Subscription at 7:36pm on November 22, 2016☆⚑

Critic's Notebook: 'Hamilton' Duel: Addressing the President-Elect on His Own Blunt Terms by Ben Brantley

In delivering his plea to Mike Pence after the show, the Broadway actor Brandon Victor Dixon was also speaking to Donald J. Trump, meeting directness with directness.

SOURCE: The New York Times Subscription at 1:18pm on November 20, 2016☆⚑

Critic's Notebook: Tennessee Williams and Eugene O'Neill Side by Side, Under the Sun by Charles Isherwood

This year's Provincetown Tennessee Williams Theater Festival featured works by Williams and Eugene O'Neill, including a searing "Desire Under the Elms."

SOURCE: The New York Times Subscription at 3:55pm on September 28, 2016☆⚑

Critic's Notebook: Forget Twitter. I'd Rather Binge Theater. by Charles Isherwood

Our critic Charles Isherwood prizes epic theater. Here's his take on two inspired long-form works coming to an end in New York at roughly the same time.

SOURCE: The New York Times Subscription at 6:42pm on September 21, 2016☆⚑

Critic's Notebook: Assimilating Onstage in Theater of Immigration by Alexis Soloski

Brian Quijada and Sonya Kelly are performing in plays they have written that illustrate the hoops people go through when they join another culture.

SOURCE: The New York Times Subscription at 8:51pm on September 20, 2016☆⚑

Critic's Notebook: Identity Crisis: Theater Productions That Refuse to Be Theater by Alexis Soloski

What if Cirque du Soleil acrobats took over "Avatar" " and little Norwegian trains just ran across some tracks? Such are the shows "Toruk" and "Bridge Over Mud."

SOURCE: The New York Times Subscription at 6:48pm on September 9, 2016☆⚑

Pedagogy Notebook: Latin@ Theatre for Social Action in the Time of Donald Trump by HowlRound

By Marci R. McMahon. Marci R. McMahon writes about the Latina/o Theater for Social Action course she recently taught at the University of Texas Rio Grande Valley.

SOURCE: HowlRound at 12:09pm on August 26, 2016☆⚑

London notebook: I saw a show you'll likely see here, and that's The Truth by Christopher Henley

To tell the truth, The Truth is a thoroughly delightful evening. The play is hilarious, clever, and insightful. That said, I think I would have admired it much more if it wasn't also so deri…

SOURCE: DC Theatre Scene at 11:32am on August 25, 2016☆⚑

London notebook: Stunning production The Deep Blue Sea (review) by Christopher Henley

The Deep Blue Sea is a wonderful play by Terence Rattigan, with a wonderful lead role for a woman.Â Helen McCrory is a wonderful actor who takes full advantage of the opportunities the par…

SOURCE: DC Theatre Scene at 8:44am on August 24, 2016☆⚑

Critic's Notebook: FringeNYC: Plays That Are Bold, Daring and Full of Lust by Laura Collins-hughes

A critic revisits the festival for "The Box Show," "Thud!," a new "Cyrano," "Night of the Living N-Word!!" and "Roadkill."

SOURCE: The New York Times Subscription at 6:04pm on August 23, 2016☆⚑

Critic's Notebook: FringeNYC, a Grab Bag That Calls for Intuition, Not to Mention Dumb Luck by Elisabeth Vincentelli

Another theater critic roves through the festival, finding an ambitious revival here and many a hapless drama there.

SOURCE: The New York Times Subscription at 5:43pm on August 19, 2016☆⚑

Critic's Notebook: Finding Some Treasures at FringeNYC by Laura Collins-hughes

A dozen-show dive into the New York International Fringe Festival, which has nearly 200 shows on offer.

SOURCE: The New York Times Subscription at 5:39pm on August 16, 2016☆⚑

Critic's Notebook: Devotion to the Stage, and to a Newborn by Alexis Soloski

A theater critic with an infant son is going to shows less this summer, but she is managing to stay engaged in her field " sometimes outdoors.

SOURCE: The New York Times Subscription at 5:40pm on August 15, 2016☆⚑

Edinburgh theatre review " a week of masks, music - and a swiped notebook by Kate Kellaway

Tennessee Williams devastates afresh, refugees face a treacherous journey and papier-mache masks thrill in a wild and windy festival cityThe Edinburgh fringe is like a game of Scottish whisp…

SOURCE: The Guardian at 4:10am on August 14, 2016☆⚑

Pedagogy Notebook: Better Up: A Learning Process in Teaching Latina/o Theatre Creatively by [email protected] (jamie)

By Teresa Marrero. Teresa Marrero writes about the successes and learning moments encountered while teaching a Latina/o Theatre Special Topics course.

SOURCE: HowlRound at 9:20am on August 6, 2016☆⚑

Critic's Notebook: In Las Vegas, All You Need Is 'Love' and Eight Million Beatles Fans by Allan Kozinn

A decade after Cirque du Soleil's Beatles show, "Love," opened, it is still running strong, presenting a revamped edition for its 10th anniversary last month.

SOURCE: The New York Times Subscription at 10:37am on August 2, 2016☆⚑

Critic's Notebook: In Defense of Candid Reviews, Minus the Nastiness by Laura Collins-hughes

A critic revisiting Cape Cod in the high season muses about "The Kritik," a satire about theater, criticism and the nature of community in a small town.

SOURCE: The New York Times Subscription at 5:32pm on July 26, 2016☆⚑

Critic's Notebook: 'Sweeney Todd' and 'The Crucible': Not New, but Darkly Up-to-Date by Zachary Woolfe

Operatic performances of these works highlight the Glimmerglass Festival, while "Iris" serves as a kind of preview of the Bard Music Festival.

SOURCE: The New York Times Subscription at 5:50pm on July 25, 2016☆⚑

Critic's Notebook: Broadway Comes to a Laptop Near You by Margaret Lyons

The first live stream of a Broadway musical, "She Loves You," went smoothly, but not without artistic and technological complications.

SOURCE: The New York Times Subscription at 5:18pm on July 1, 2016☆⚑

Critic's Notebook: Are We Heading Into a Year of #BroadwaySoWhite? by David Rooney

Following last season's unprecedented diversity representation, led by 'Hamilton,' the 2016-17 lineup is looking decidedly pallid.

SOURCE: The Hollywood Reporter at 8:43pm on June 30, 2016☆⚑

Critic's Notebook: Defining, and Proclaiming, a New Black Power by Wesley Morris

In shows like "Shuffle Along" and albums like "Lemonade," a form of black self-love and empowerment is emerging, in ways not seen since the 1970s.

SOURCE: The New York Times Subscription at 6:43pm on June 16, 2016☆⚑

Critic's Notebook: Miranda's big night, and Corden's larger truths by Peter Marks

On a difficult day, the host set the perfect tone at the Tonys.

SOURCE: Washington Post at 3:37pm on June 13, 2016☆⚑

Critic's Notebook: The Tonys: A Polished Night of Selling Broadway, With Nods to a Tragedy by Mike Hale

The host, James Corden, began the show with a short tribute to the mass shooting in Orlando, Fla., and a salute to the inclusiveness of the theater world.

SOURCE: The New York Times Subscription at 12:25am on June 13, 2016☆⚑

Critic's Notebook: At the Human Rights Watch Film Festival, a Lot of the Humans Are Women by Stephen Holden

Among this year's subjects: an Afghan rapper whose mother tried to sell her and Chinese women seeking justice in the reported rape of six children.

SOURCE: The New York Times Subscription at 5:29pm on June 8, 2016☆⚑

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