Misery and Megalomania: How David Adjmi Became a Playwright
His new memoir "Lot Six" traces the Syrian-Jewish enclave that spawned him, the instructor who unnerved him, and the biting comedy that made his name.
His new memoir "Lot Six" traces the Syrian-Jewish enclave that spawned him, the instructor who unnerved him, and the biting comedy that made his name.
Sadler's Wells, LondonSet to Bartók's opera, the bloody myth becomes a bleak battle of the sexes where we can never quite tell right from wrong Pina Bausch was of the "hell is other peopl…
Roberts's debut as resident choreographer forms part of a programme of 'memorial' dances at City Center, New York
Sam Taylor-Johnson directs Aaron Taylor-Johnson in this husband-and-wife adaptation of James Frey's 2003 book
From the creator of Netflix's EMO the musical, Neil Triffett presents his first full-length solo show, Misery at Tasma Terrace as part of the 2019 Melbourne International Comedy Festival unt…
Annie Wilkes might talk like a sheltered goody-two-shoes ("cockadoodie" is as vulgar as she gets), but she's hardly benign.
Bertolt Brecht's series of vignettes following different characters as Germany approaches World War II is uncomfortable, sad and downright scary. It's also important and essential viewing. H…
Haven Theatre's production of Brecht's first open rebuke of Nazism is an aesthetically bold, artistically ambitious, and consummately brilliant work of progressive theater.
The role of Paul Sheldon is deceptively tricky, able to do what Hans Gruber and a slew of other terrorists couldn't in five "Die Hard" movies: It beat Bruce Willis.
With some super performances, smart direction and staging, this is a production that is well worth seeking out.
A fine production that grapples with the play's tricky structure to bring home Brecht's political points with a relevance for today that can hardly be missed.
Accusing any performance of Brecht's ferociously didactic Fear and Misery of the Third Reich of lacking subtlety may seem redundant. Yet while
From Nazi Germany to Trump's America? Aequitas Theatre's modern update on Bertolt Brecht's 1944 classic Fear and Misery of the Third Reich has just started performances at London's Brockley …
A warning from history? Aequitas Theatre relocates Bertolt Brecht's 1944 modern classic Fear and Misery of the Third Reich in the near future for a timely revival, starting performances this…
The world is under the threat of fascism and war is looming ever closer. Liberalism and socialist ties are condemned by those in power. How did we get here Aequitas takes Brecht's Fear and M…
Two members of Pussy Riot were in London to tell their story in opposing ways. One felt pointless and cynical, the other powerful and exhilaratingNadya Tolokonnikova and Maria Alyokhina were…
By Douglas Mayo Aequitas Theatre Company are to present Bertolt Brecht's Fear and Misery of the Third Reich at the Brockley Jack Studio Theatre This post Fear and Misery of the Third Reich c…
For those who grow sick and tired of being sick and tired about patriarchy and its abuses (so much in the spotlight in recent weeks, but never out of the picture), Pegasus Theatre Chicago ha…
Pegasus Theatre Chicago is proud to announce the first production in its 2017 " 2018 season, "Legacies," Shakin' [...]
Commonwealth Shakespeare Company Founding Artistic Director Steve Maler is pleased to welcome the return of Brooke Adams and Tony Shalhoub to the Sorenson stage for the staged reading of Ber…
There is a twist to the classic psychological thriller you know.
The world premiere of Midwestern Gothic is being staged at Signature Theatre's intimate ARK Theatre marries music, lyrics and orchestrations by Josh Schmidt and book and lyrics by Royce Vavr…
Also on tap in 2017-18 -- "Beehive: The '60s Musical," a celebration of the women whose voices helped define a decade.
Who's to blame for Hench and Bobbie? The two boys, 16 and 14, live alone in a rundown "social housing" block in a London suburb, with one shirt between them and only what food they can nick.…