By YVONNE HUDSON Daron Hagen’s “I Hear America Singing” serves up multiple treats for audiences that love singers, intimate performances, and music with a distinctively American flav…
Discover the Tony Award®-nominated play Home by Samm-Art Williams as it returns to Broadway. In this video, Roundabout Theatre Company Teaching Artists Nafeesa Monroe and Berk Uzman explo…
The post Heide Museum of Modern Art explores the significance of hair in contemporary culture with Hair Pieces appeared first on Australian Arts Review.
Cooking on its own can be entertaining. But are there ways to embrace it as a performance of sorts? You can when you consider the world of cooking art! Today we're reimagining your culinary …
Born 100 years ago today: announcer, quiz show host, news anchor, and actor Art Fleming (Arthur Fleming Fazzin, 1925-1995). It was Fleming's bad fortune to have his most notable accomplishme…
To an AI model, a picture is data, sound and music are data, as is traditional spoken or written language. That data is translatable, interchangeable, and, most importantly, linkable and act…
By SHARON EBERSON Blending bold brushstrokes of historic events with insightful artistic license, Andy Warhol in Iran prods and pokes at a topical piñata, unleashing debates over art, polit…
Danielle Dutton's new genre-defying collection is a garden of earthly delights, losses, and discursions.
Prairie, Dresses, Art, Other, by Danielle Dutton,
Coffee House Press, 169 pages, $1…
(Renaud Lefort's, Armelle Caux's, Olivia Salazar-Winpear's, Stephanie Cheval's and Sonia Baritello's report appeared on France 24, 4/22.) Visit  In 1924, French poet André Breton wrote …
Daniel Aukin's lauded production, featuring new songs by Will Butler of Arcade Fire, transfers to Broadway with its gifted ensemble of actor-musicians intact.
Some of us whistle while we work, but what happens when your work is whistling? This week, host Brittany Luse is joined by professional whistler, Molly Lewis. Lewis' catalogue spans across t…
A new exhibition by woodworker and interdisciplinary artist Gina Siepel at the Museum for Art in Wood asks what happens when we regard trees as "you" rather than "it". Anndee Hochman reviews.