1,826 stories from The Globe and Mail
With the artistic director term’s ending in 2013, speculation has begun about his successor
Delightful fresh dancing and a superb score make this new ballet a grand achievement
Delightful fresh dancing and a superb score make this new ballet a grand achievement
Even though the lead was suffering from a bronchial infection, the show was truly inspired
Tony-winning director to complete six years as artistic director at the Stratford Shakespeare Festival
Spectacular cast and staging garner this Stratford show four stars
Actress Seana McKenna takes on the title role of Shakespeare’s Richard III. Her performance makes this plausible, even if the production loses its focus
But the surtitle policy means only international shows are presented in both official languages, which serves Quebec artists poorly
Mix established Vancouver theatre artists and new Canadian immigrants, and get them cooking. Then, serve the show (and the dinner) to an audience
Mix established Vancouver theatre artists and new Canadian immigrants, and get them cooking. Then, serve the show (and the dinner) to an audience
Stratford Festival provides fresh take on classic with actress Seana McKenn playing the king
Steinbeck's tragic parable given a dark and unremittingly grim treatment
Tragic parable given a dark and unremittingly grim treatment
New ballet based on Lewis Carroll classic turns Alice into a teenager and adds Broadway-worthy effects
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Ballerina to perform in coveted spot on opening night
In this mostly marvellous production, Geraint Wyn Davies shines as King Arthur, despite the fact that he can hardly sing at all
His debauched knight, transplanted from Shakespeare’s Henriad, is calculating and objectionable, but almost loses the spotlight to Tom Rooney’s Ford
Pair will take the play to Broadway in November after its Toronto run.
The Stratford Shakespeare Festival kicks off its season with its namesake playwright’s only middle-class comedy
In a pair of plays, one grand, one slight, the festival’s actors impress even in the smallest roles
Berlin Collective’s utterly brilliant show on a tiny Colorado town is a fan favourite
The classic gets an enjoyable rendition, but not enough depth
When Opera Australia unveils its eye-popping, effects-heavy production of La Traviata next March, it will join a growing list of stage companies pumping up the wow factor with everyth…
Ingenious special effects and high-tech spectacles are becoming de rigeur in theatrical productions, but are they worth the expense?
