37,846 stories from The New York Times
The taboo-busting, gasp-inducing Broadway musical comedy has been a hit with audiences and critics. But could it be produced today?
A raucous adaptation of a gritty portrait of New York stifles tension with comedy, leaving its stars, Jon Bernthal and Ebon Moss-Bachrach, adrift.
He created dances performed around the world, and under his leadership the Houston company grew into one of America's largest and most prominent.
She elevated supporting roles in films with insight and improvisational skill, a talent she took to Broadway as well, earning Tony nominations.
One of two New York premieres at the Brooklyn Academy of Music, "Via Dolorosa" seeks truth in plainness.
In her "Trilogy of Funerals," the Spanish provocateur Angélica Liddell shows a sense of vulnerability that will surprise longtime watchers of her work.
Joe Mantello's Broadway revival, starring Nathan Lane and Laurie Metcalf, was inspired by a draft with notes by Arthur Miller. Here are some of them.
Starting in May, Hargitay will make her Broadway debut in "Every Brilliant Thing," an elastic play that shape shifts to fit a distinctly different star.
The Upper West Side performing arts venue will take its programming across the city while its doors close for a 15-month overhaul.
As a new commercial era of space exploration accelerates, scientists are considering the physical culture of outer space. Dancers are well positioned to help.
One hundred years after it was banned for its depiction of hedonism, the rhythmic, jazz-soaked poetry of Joseph Moncure March continues to find new life.
Jon Bernthal and Ebon Moss-Bachrach are both making their Broadway debut in a high-stakes adaptation of the beloved 1975 film "Dog Day Afternoon."
The decision by the company, one of the most prestigious in the country, is the latest in a wave of high-profile cancellations at the center.
For half the price of a great seat at a Broadway show, you can see "Paddington" in the West End (if you can find a ticket) and snack on a marmalade sandwich.
A favorite of actors like Maggie Smith, he produced dozens of plays, including "The Audience," about Queen Elizabeth II, which was made into the Netflix show "The Crown."
The singer Self Esteem, aka Rebecca Lucy Taylor, is an incarnation of late 1960s counterculture in a new London production of David Hare's "Teeth 'n' Smiles."
A new play at the Public Theater written by Michael J. Chepiga and the former ambassador Julissa Reynoso is a diplomatic memoir of sorts, and a meditation on loving one's country.
In "Superbloom," the latest work by the ballet dancer Sara Mearns and the postmodern choreographer Jodi Melnick, women are at the forefront.
A week before opening night, tensions spilled over offstage, with the show's producing team temporarily prohibiting Stephen Adly Guirgis from entering the theater.
Entranced by traditional Balinese puppet theater, he developed a modern, multicultural version that he performed around the world.
Once a week, patients in an Argentine hospital with Parkinson's disease use the movements of tango to help address issues of balance, stiffness and coordination.
In Mark Rosenblatt's play, a powerful portrayal of the beloved children's book author who almost gleefully exposes his bigotry.
Rennie Harris's "Losing My Religion" and a Matthew Neenan program from BalletX were signs of health in two of the city's most important dance institutions.
A sampling of the city's creative cohorts and the places where they gather, from the Tompkins Square Park monkey bars to a hair salon that doubles as an art gallery.
A new tour featuring New Edition and Boyz II Men is also a showcase for the influential work of their longtime choreographer, Brooke Payne.
