199 stories from Philadelphia Weekly
Go for the music, not the acting.
A fine cast and director can't save this comedic clunker.
Glengarry Glen Ross puts capitalism on trial.
Chekhov Lizardbrain is a plotless but innovative experiment.
In the Continuum makes connections between Africa and America.
A musical about groundbreaking actress Lena Horne dissapoints.
The musical software satire is shrewd and schmaltzy.
After reminiscing about their college days, Dex and Julie untangle their emotional past.
The New Play Festival encourages area theaters to take risks.
Midseason report card: Philly theater gets a C-.
Theatre Exile presents a bitter menage a trois.
The Prince takes on a generation-defining novel, and gets it mostly right.
Wrapped up in polemics, Some Men leaves out the fun.
Another postponement at the Prince Music Theater highlights the difficulty of producing world premiere musicals.
With a little tweaking this production could make it to Broadway.
Two local theater companies join forces for an all-female version of Grease.
McDonagh’s dark comedy may not be the funniest play ever written but it’s not far behind.
For all the emotional angst conjured by Gonglewski and Hissom, the best moments in the production involve the quiet passage of time.
Race isn’t Mamet’s finest play, but at PTC it is certainly interesting, and offers a compelling look at America’s racial divide.
Lantern Theater Company contributes to the Philadelphia Irish Theatre Festival with its entertaining production of Martin McDonagh’s darkly funny and slightly gruesome...
Jorge Cousineau has never appeared onstage or uttered a single word in front of an audience. But that doesn’t stop him from being our runaway choice for PW ’s 2010 Philadelphia T…
