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35,882 stories from The Stage

London's last scene-painting workshop faces final curtain after luxury flats get go-ahead by Georgia Snow

A central London scene-painting workshop that has created sets for West End productions for more than a century is facing closure amid

SOURCE: The Stage Registration at 3:36am on October 25, 2017☆⚑

Competition: Win tickets to The Diary of a Nobody at King's Head Theatre by The Stage

Four men, 45 mixed-gender roles, a stage full of props, a party, a brawl, and lots of bad puns. The cult Victorian

SOURCE: The Stage Registration at 3:00am on October 25, 2017☆⚑

Mark Shenton: How should we address theatre's sexual harassment problem? by Mark Shenton

In the immediate wake of the first round of revelations about Harvey Weinstein, I wrote a column in which I quoted Katherine

SOURCE: The Stage Registration at 2:00am on October 25, 2017☆⚑

Maggie Brown: Sitcoms are damn hard, but Ofcom's right: we need them by Maggie Brown

We all like a laugh from time to time, which is why one of British television's great gifts has been the sitcom.

SOURCE: The Stage Registration at 2:00am on October 25, 2017☆⚑

Steven Berkoff's East to be revived at the King's Head Theatre in London by Giverny Masso

Steven Berkoff's East is being revived at the King's Head Theatre, where it made its London debut in 1975. The revival will

SOURCE: The Stage Registration at 12:30pm on October 24, 2017☆⚑

Tarek Iskander joins Arts Council England as interim director of theatre by Giverny Masso

One of the founders of London's Yard Theatre has been appointed interim director of theatre at Arts Council England. Tarek Iskander, who

SOURCE: The Stage Registration at 12:18pm on October 24, 2017☆⚑

Director-led theatre festival to champion women by Giverny Masso

A new theatre festival has launched to showcase the work of emerging female directors. The Damsel Develops festival will give eight women

SOURCE: The Stage Registration at 12:18pm on October 24, 2017☆⚑

Margherita review at Wexford Opera House " 'smile-raising' by George Hall

Back in 2013 the Wexford Festival had a hit on its hands with Cristina, regina di Svezia " a rediscovery from the

SOURCE: The Stage Registration at 12:04pm on October 24, 2017☆⚑

Wendy Spon to leave head of casting job at National Theatre by Georgia Snow

Wendy Spon, the National Theatre's head of casting, is leaving the role after 12 years. Spon leaves in March 2018 to pursue

SOURCE: The Stage Registration at 11:56am on October 24, 2017☆⚑

James Mackenzie-Blackman appointed chief executive at Eden Court by Thom Dibdin

Eden Court Theatre in Inverness has appointed James Mackenzie-Blackman as its new chief executive. Mackenzie-Blackman is currently executive director at Matthew Bourne’s

SOURCE: The Stage Registration at 11:36am on October 24, 2017☆⚑

Duet for One review at Richmond Theatre, London " 'compellingly cerebral' by Dave Fargnoli

Shot through with elegance and icy restraint, this touring remount of Tom Kempinski's stingingly insightful Duet for One feels every bit as

SOURCE: The Stage Registration at 10:52am on October 24, 2017☆⚑

Hamlet review at Glyndebourne, Lewes " 'a powerful new score' by Graham Rogers

Australian composer Brett Dean's operatic treatment of Hamlet, with a Bard-bowdlerising libretto by Matthew Jocelyn, premiered in Glyndebourne in June. Now it

SOURCE: The Stage Registration at 9:32am on October 24, 2017☆⚑

Natasha Tripney: Critics need to remember their power and ditch the toxic adolescent commentary by Natasha Tripney

Lyn Gardner has already done a very good job of covering the meat of last week's Widening the Lens debate on diversity

SOURCE: The Stage Registration at 7:26am on October 24, 2017☆⚑

Waiting for Godot review for Tobacco Factory Theatre, Bristol " 'lilting camaraderie' by Rosemary Waugh

Director Mark Rosenblatt's new production of Waiting for Godot deals less in existential speculation and more in the friendship between two men

SOURCE: The Stage Registration at 7:25am on October 24, 2017☆⚑

Wizard of Oz: Harry Potter stage show announces Australian production by Georgia Snow

Harry Potter and the Cursed Child has announced that an Australian production of the play will open in Melbourne in 2019. Melbourne

SOURCE: The Stage Registration at 7:01am on October 24, 2017☆⚑

London's Old Vic announces 200th birthday season of world premieres by Giverny Masso

London's Old Vic has announced a season of world premieres in celebration of its 200th birthday, including new work by Joe Penhall

SOURCE: The Stage Registration at 6:56am on October 24, 2017☆⚑

Edinburgh Fringe Society to probe workers' pay and working conditions by Thom Dibdin

Workers and volunteers at the Edinburgh Festival Fringe are to be questioned about pay and working conditions, as part of a survey

SOURCE: The Stage Registration at 6:49am on October 24, 2017☆⚑

Hampstead announces female-led studio season by Roda Musa

Hampstead Theatre in London has announced it is to stage three plays by emerging female playwrights. Georgia Christou's debut play Yous Two,

SOURCE: The Stage Registration at 6:33am on October 24, 2017☆⚑

Obituary: Roy Dotrice by Michael Quinn

A recipient of Tony and BAFTA awards, Roy Dotrice had two other claims to fame " or, at least, to longevity and

SOURCE: The Stage Registration at 6:31am on October 24, 2017☆⚑

Insignificance review at Arcola Theatre, London " 'a timely revival' by Tim Bano

The case for a revival of Terry Johnson's flight of fancy on the nature of fame is clear. More so than in

SOURCE: The Stage Registration at 6:19am on October 24, 2017☆⚑

Witness for the Prosecution review at County Hall, London " 'cumbersome' by Natasha Tripney

You can see why the idea appealed. The council chamber at County Hall, with its pillars and panelling, with its grand galleries,

SOURCE: The Stage Registration at 4:24am on October 24, 2017☆⚑

Actor, stand-up comedian and screenwriter among Bruntwood Prize nominees by Giverny Masso

The Bruntwood Prize for Playwriting has announced its shortlist for the first time in its 11-year history. Actor Rebecca Callard and screenwriter

SOURCE: The Stage Registration at 4:00am on October 24, 2017☆⚑

Javaad Alipoor: 'It's time for women to stop being written out of their own work' by Javaad Alipoor

Theatre is, by its nature, a collaborative art form " why then, asks Javaad Alipoor, do we so often insist on crediting

SOURCE: The Stage Registration at 2:00am on October 24, 2017☆⚑

The Green Room: How do you use social media? by Jon Dryden Taylor

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details…​​ Albert

SOURCE: The Stage Registration at 2:00am on October 24, 2017☆⚑

Andrzej Lukowski: Labours of love actually as theatre sees new romcom boom by Andrzej Lukowski

As Mark Shenton recently observed, there is a lot of new writing in London at the moment. The National Theatre only has

SOURCE: The Stage Registration at 2:00am on October 24, 2017☆⚑
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