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35,727 stories from The Guardian

Something wicked: why I mashed up Macbeth and Othello by Jude Christian

Shakespeare's tragedies need to be told for today's world. It's time for their female voices to be brought to the foreWhen you're a freelance director and you're given a play to consider, yo…

SOURCE: The Guardian at 10:06am on September 17, 2018

Eastern Star review " heroism and journalism in heart of Burmese revolution by Michael Billington

Tara theatre, LondonA survivor of the 1988 uprising meets the ex-reporter to whom he leaked information " for which action he was jailed " in this vital, fascinating dramaPlays in which two …

SOURCE: The Guardian at 5:42am on September 17, 2018

'Actors don't black up, so why do they still crip up?' " video by Maeve Shearlaw and Shay Notelovitz

The actor Adam Pearson has a similar condition to Joseph Merrick, whose story was told in The Elephant Man. When the BBC was remaking the biopic, he did not even get an audition. This is why…

SOURCE: The Guardian at 3:32am on September 17, 2018

RSC gives musicians a central role at Stratford by Dalya Alberge

Evelyn Glennie scores Troilus and Cressida as musicians get greater prominence in next Shakespeare season"If music be the food of love, play on" " Shakespeare knew a thing or two about the p…

SOURCE: The Guardian at 3:32am on September 17, 2018

Jonathan Pryce: 'I'd rather be Welsh than English, that's for sure' by Kate Kellaway

The award-winning actor on playing a narcissistic writer opposite Glenn Close in The Wife, his Welsh roots, and looking like the popeJonathan Pryce has played Shakespearean heroes (Hamlet, S…

SOURCE: The Guardian at 3:32am on September 17, 2018

Les Ballets Trockadero de Monte Carlo review " all-male hammy parody of Swan Lake by Sanjoy Roy

The Peacock, LondonIn their much-loved version, the company subtly point out ballet's constraints on female dancers while preserving the magic of the storyFounded in 1974 and still going str…

SOURCE: The Guardian at 2:24am on September 17, 2018

Memoirs of an Asian Football Casual: hooliganism gave me a way to fit in by Simon Hattenstone

He dressed smart, carried a knife and wound up in jail. As his life story hits the stage, Riaz Khan reveals how, in 1980s Britain, soccer violence was very multiculturalIt wasn't so much the…

SOURCE: The Guardian at 10:54am on September 16, 2018

The week in theatre: Missing; Holy Sh!t; The Humans " review by Susannah Clapp

Battersea Arts Centre; Kiln; Hampstead, LondonMissing reappears three years after fire interrupted its run at the Battersea Arts Centre, while the Kiln opens with some topical grievancesThes…

SOURCE: The Guardian at 4:18am on September 16, 2018

Better Off Dead review " an elegy for the written off by Clare Brennan

Stephen Joseph theatre, ScarboroughAlan Ayckbourn blurs the lines as an ageing crime writer's life invades his fictionFor three of its four acts, the tone of Alan Ayckbourn's new play, his 8…

SOURCE: The Guardian at 4:18am on September 16, 2018

Natalia Osipova: Pure Dance review " another dimension by Luke Jennings

Sadler's Wells, LondonFor all her exceptional gifts, the Russian star often fails to connect convincingly with her partners in this handpicked programmeDance programmes constructed around a …

SOURCE: The Guardian at 4:18am on September 16, 2018

The Village review " teenage firebrand leads resistance against patriarchy by Michael Billington

Theatre Royal, Stratford East, LondonAnya Chalotra is compelling as a 16-year-old who leads the women in her Indian village to stand up to Art Malik's sadistic, tyrannical cop Nadia Fall beg…

SOURCE: The Guardian at 5:42am on September 15, 2018

Foxfinder review " Dawn King's dystopia is defanged by a jarring cast by Miriam Gillinson

Ambassadors, LondonThe drama that made King's name falls flat in Rachel O'Riordan's revival starring Iwan Rheon and Paul NichollsFoxfinder starts in silence. A farmer and his wife sit at a t…

SOURCE: The Guardian at 9:48am on September 14, 2018

Natalia Osipova: Pure Dance review " a dizzying odyssey from past to present by Lyndsey Winship

Sadler's Wells, LondonThe ballet superstar plots a course from classic to modern with six pieces that evoke eeriness, desolation and giddy joyMuch is made these days of ballet dancers being …

SOURCE: The Guardian at 7:42am on September 14, 2018

An Execution (By Invitation Only) review " obtuse philosophical games by Kate Wyver

Camden People's Theatre, LondonInspired by Vladimir Nabokov, this patience-trying piece about a prisoner awaiting execution is full of lazy surrealism and tired gamesWhen the prisoner (Greg …

SOURCE: The Guardian at 7:42am on September 14, 2018

The Woods review " motherhood cuts deep for Lesley Sharp in grim fairytale by Kate Wyver

Royal Court, LondonA tracksuit-clad wolf stalks a mother and son through the forest in Lucy Morrison's stunningly designed enigma of a showAn exquisite woodland shrouds the Royal Court theat…

SOURCE: The Guardian at 6:36am on September 14, 2018

Heathers the Musical review " teenagers safely on the rampage by Hadley Freeman

Theatre Royal Haymarket, London Defanged for darker times, the cult 80s high-school revenge saga homes in on the universal agonies of growing up and outsmarting bullies'Have you had a brain …

SOURCE: The Guardian at 7:32pm on September 13, 2018

Women in Power review " rude, raucous reboot of radical Greek comedy by Michael Billington

NST City, SouthamptonAristophanes' neglected classic The Assemblymen, which proposes economic and sexual communism " is given an uneven musical updateNo fewer than seven female writers are c…

SOURCE: The Guardian at 6:18pm on September 13, 2018

William Shakespeare: father's legal skirmishes shed light on bard's early years by Alison Flood

Newly found documents in the National Archives show the playwright's father John was harassed by Crown informers, which may have influenced his attitude to power and classLong-forgotten docu…

SOURCE: The Guardian at 11:36am on September 13, 2018

Cameron Esposito: a new kind of comedy hero by Brian Logan

Esposito's last show, Rape Jokes, was hailed as part of a new queer-friendly, woke brand of comedy for the #MeToo era. How does she follow it up?When Hannah Gadsby's show Nanette went supern…

SOURCE: The Guardian at 11:36am on September 13, 2018

Wasted review " sex, drugs and headbanging … meet the rock'n'roll Brontës by Arifa Akbar

Southwark Playhouse, LondonThe doomed sisters release their inner goths in this fantastically witty, mischievous and camp musical update of their tragic livesThe lives of the Brontë siste…

SOURCE: The Guardian at 11:36am on September 13, 2018

Diana's funeral: re-enacted in Salford with Jill Dando and a mariachi band by Dave Simpson

It provoked tabloid fury. But this bizarre spectacle, complete with car wreck, posed tough questions about death, royals and the social order. Our writer joined the procession'Princess Diana…

SOURCE: The Guardian at 8:18pm on September 12, 2018

Iran detains pair over A Midsummer Night's Dream production by Associated Press

Director and theatre manager held after trailer showed male and female actors dancingIranian authorities have detained two artists over a theatre production of A Midsummer Night's Dream.Shah…

SOURCE: The Guardian at 5:06pm on September 12, 2018

Fenella Fielding was magical, subversive and sexy " so meeting her was an absolute treat by Suzanne Moore

The Carry On star was more than the queen of double entendre. She was very clever and camp as Christmas, with all the steel that that involves'And who are you, my darling?" Fenella Fielding …

SOURCE: The Guardian at 5:06pm on September 12, 2018

Losing Venice review " Jo Clifford's odyssey gets a punkish revamp by Miriam Gillinson

Orange Tree, RichmondThis tale of a 17th century duke trying to make Spain great again begins strongly but falters when things get weirdThere's a whiff of Brexit about Losing Venice, which s…

SOURCE: The Guardian at 10:32am on September 12, 2018

Better Off Dead review " Ayckbourn's washed-up writer satire backfires by Catherine Love

Stephen Joseph theatre, ScarboroughAlan Ayckbourn's 82nd play, about an over-the-hill crime novelist, struggles to come up with anything new to say about creativity, fame or failureAn ageing…

SOURCE: The Guardian at 9:24am on September 12, 2018
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