Esposito's last show, Rape Jokes, was hailed as part of a new queer-friendly, woke brand of comedy for the #MeToo era. How does she follow it up?When Hannah Gadsby's show Nanette went supernova earlier this year, we were told that it was going to change comedy. Nothing, apparently, would be the same again. Much as I acknowledge the show's power, I reserved judgment on all that. But, at this year's Edinburgh fringe, I…
SOURCE: The Guardian at 11:36AM on September 13, 2018