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13,345 stories from The Financial Times

Blues for an Alabama Sky review " a wonderful, bittersweet staging at the National Theatre

Also opening in London: 'The Crucible' at the National, and Simon Russell Beale in the Bridge Theatre's 'John Gabriel Borkman'

SOURCE: The Financial Times Subscription at 12:00am on October 6, 2022

James IV: Queen of the Fight review " history play says a great deal about modern Scotland

Playwright Rona Munro returns to her series of portraits of Stewart monarchs at the Festival Theatre, Edinburgh

SOURCE: The Financial Times Subscription at 11:42am on October 5, 2022

Turning anime classic My Neighbour Totoro into theatre: 'It's got to be its own thing on stage'

Tom Morton-Smith on adapting Studio Ghibli's beloved movie with puppets, music and a giant, furry cat-bus

SOURCE: The Financial Times Subscription at 12:00am on October 1, 2022

Culture wars go ballistic in Eureka Day at the Old Vic " review

Also opening in London: Jews. In Their Own Words at the Royal Court and The P Word at the Bush Theatre

SOURCE: The Financial Times Subscription at 12:00am on September 29, 2022

Theatre director Dominic Cooke: 'I like plays that ask the hard questions'

David Tennant plays a German scientist losing his grip on morality during the Nazi era in Cooke's staging of 'Good'

SOURCE: The Financial Times Subscription at 12:00am on September 24, 2022

The HTSI arts special, autumn 2022

We shine a light on Kyiv's creatives, modern muses and the greatest show on Broadway . . . 

SOURCE: The Financial Times Subscription at 11:55pm on September 23, 2022

Inflation ruins Broadway's romance with the 'Phantom of the Opera'

Rising costs and falling global tourism undermine the business of spectacular musicals

SOURCE: The Financial Times Subscription at 6:00pm on September 23, 2022

The greatest show on Broadway... is Jordan Roth

The Tony award-winning producer, theatre heir and couture hound is shaking up the Great White Way, frock by frock

SOURCE: The Financial Times Subscription at 4:30am on September 23, 2022

Who Killed My Father " grief and poverty furiously warp a father-son relationship

Also reviewed: racism tears apart a family in 'The Clinic' at the Almeida; love fights the law in the Open Air Theatre's 'Antigone'

SOURCE: The Financial Times Subscription at 12:00am on September 15, 2022

Belly laughs with Les Ballets Trockadero de Monte Carlo " review

The brilliant " and brilliantly funny " all-male troupe returns to the Peacock Theatre, London

SOURCE: The Financial Times Subscription at 12:00am on September 8, 2022

Silence at the Donmar Warehouse " a powerful, moving play about partition

Also opening: The Narcissist at the Chichester Festival Theatre and I, Joan at Shakespeare's Globe

SOURCE: The Financial Times Subscription at 12:00am on September 8, 2022

Stars pay tribute to a ballet great in Nureyev: Legend and Legacy

Outstanding performances from dancers including Natalia Osipova and Vadim Muntagirov at the Theatre Royal Drury Lane

SOURCE: The Financial Times Subscription at 9:46am on September 6, 2022

Melencolia " an absurd new work has its world premiere in Bregenz

This strange piece of musical theatre is exquisitely played by the Ensemble Modern

SOURCE: The Financial Times Subscription at 8:22am on August 23, 2022

Phaedra and Minotaur " an inspired double bill of music and dance in Bath

Theatre Royal's Ustinov Studio delivers dazzling performances in Britten's cantata and Kim Brandstrup's choreography

SOURCE: The Financial Times Subscription at 5:25am on August 22, 2022

Broadway composer David Yazbek: 'It's about two disparate tribes connecting'

His Tony-winning 'The Band's Visit', about an Egyptian orchestra's accidental, eventful stay in Israel, is coming to London

SOURCE: The Financial Times Subscription at 7:00am on August 18, 2022

Roar of the live music crowd drowns out stadium income from sport

Fans are rushing to lucrative 'big hit' events at giant venues as smaller theatres are squeezed out

SOURCE: The Financial Times Subscription at 12:00am on August 12, 2022

All of Us, National Theatre review " furious drama of disability, politics and society

Francesca Martinez's play excels when it focuses on grim details

SOURCE: The Financial Times Subscription at 12:00am on August 11, 2022

Auto-erotic passion and chip-shop romance at the Traverse Theatre " review round-up

Wilf tells of a man who falls in love with his car. Also reviewed: Bloody Elle, Blood Harmony, Exodus and Psychodrama

SOURCE: The Financial Times Subscription at 12:10pm on August 10, 2022

Theatre review " The Tempest at the Globe is gaudy, playful and smart

Plus: Chasing Hares at the Young Vic; Sister Act at the Eventim Apollo

SOURCE: The Financial Times Subscription at 11:00am on August 3, 2022

Crazy for You " deliriously daft musical is revived in Chichester

Also reviewed: London openings of 101 Dalmatians at the Open Air Theatre; Patrick Marber's Closer at the Lyric Hammersmith

SOURCE: The Financial Times Subscription at 12:00am on July 28, 2022

Much Ado About Nothing is now popping up everywhere

The National Theatre's new production is the latest to tackle Shakespeare's sorrow-stained comedy

SOURCE: The Financial Times Subscription at 12:00am on July 21, 2022

Jack Absolute Flies Again " a cheerful farce at the National Theatre

New knockabout comedy updates Sheridan's The Rivals to a second world war setting

SOURCE: The Financial Times Subscription at 12:51pm on July 20, 2022

Putin and Berezovsky play chilling power games in Patriots at the Almeida Theatre

Tom Hollander and Will Keen excel in Peter Morgan's riveting new drama. Plus: Emilia Clarke in The Seagull; Peaky Blinders goes immersive

SOURCE: The Financial Times Subscription at 12:00am on July 14, 2022

Director Timothy Sheader on letting 101 Dalmatians off the leash

Puppets stand in for the pups in the latest of the Open Air Theatre's productions to grace London's Regent's Park

SOURCE: The Financial Times Subscription at 12:00am on July 9, 2022

The RSC's Richard III is a powerful portrait of savagery

The production features a magnetic central performance from Arthur Hughes. Plus: The Southbury Child at the Bridge Theatre

SOURCE: The Financial Times Subscription at 12:00am on July 7, 2022
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