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3,976 stories from http://www.theaterscene.net

The Wild Party (Encores!) by Tony Marinelli

In the hands of Michael John LaChiusa (music, lyrics and book) and George C. Wolfe (book), the feral, syncopated verse of Joseph Moncure March's Prohibition-era poem is not so much adapted a…

SOURCE: www.theaterscene.net at 9:23pm on March 23, 2026

Every Brilliant Thing by Joseph Pisano

In persistently hopeful defiance of its heavy subject matter, the show strives for lightness. That's largely achieved thanks to Radcliffe's affability, which also swiftly inoculates the audi…

SOURCE: www.theaterscene.net at 11:54pm on March 22, 2026

Burnout Paradise by Victor Gluck, Editor-in-chief

"Burnout Paradise" is the most unique show in New York right now and enormous fun. A sort of athletic performance piece, it is also an interactive circus competition. Four members from the A…

SOURCE: www.theaterscene.net at 6:41pm on March 22, 2026

Chasing Grace by Lydia Rose

"Chasing Grace" is an original musical by writer/composer Elizabeth Addison ("In Between…," "This Is Treatment") that excellently combines compelling drama and biting satire. The narrative…

SOURCE: www.theaterscene.net at 11:56pm on March 20, 2026

Entangled: 12 Scenes in a Circle K off the I-40 in New Mexico by Tony Marinelli

In "Entangled:12 Scenes in a Circle K off the I-40 in New Mexico," the beguiling and philosophically mischievous collaboration between Mona Mansour and Emily Zemba, the American desert becom…

SOURCE: www.theaterscene.net at 10:42pm on March 20, 2026

Trash by Victor Gluck, Editor-in-chief

James Caverly and Andew Morrill's Trash is a provocative play about two late 20s deaf roommates who have nothing in common except sharing an apartment. However, what is most intriguing about…

SOURCE: www.theaterscene.net at 11:49pm on March 19, 2026

The New York Pops: "United in Sound: America at 250" by Jack Quinn

There was something inherently ambitious"perhaps even unwieldy"about The New York Pops' season finale, "United in Sound: America at 250." Spanning two and a half centuries of Ame…

SOURCE: www.theaterscene.net at 11:34pm on March 17, 2026

Bigfoot! A New Musical by Victor Gluck, Editor-in-chief

The latest show about intolerance and social outcasts is the delightful "Bigfoot! A New Musical," now at New York City Center Stage I. Similar in plot to "Bat Boy: The Musical" but with a ha…

SOURCE: www.theaterscene.net at 4:25pm on March 17, 2026

Spare Parts by Tony Marinelli

What begins as a satirical clash between corporate swagger and academic idealism gradually deepens into a more unsettling inquiry. The play's true subject, it turns out, is not merely the ar…

SOURCE: www.theaterscene.net at 10:18pm on March 14, 2026

Zack by Victor Gluck, Editor-in-chief

While not the classic that "Hobson's Choice" has become, Harold Brighouse's follow-up play "Zack" proves to be a charming Edwardian comedy drama in the Mint Theater Company's production whic…

SOURCE: www.theaterscene.net at 10:03pm on March 14, 2026

Dear John by Lydia Rose

Elliott's staging is often quite clever, making use of the space in interesting ways. The use of actual letters Lin received adds a degree of authenticity to an already very personal piece, …

SOURCE: www.theaterscene.net at 10:25am on March 13, 2026

Our House by Victor Gluck, Editor-in-chief

Billed as a "comedy in two acts" on its title page, it is not funny nor does it deal with comic material, though the direction tries to emphasize its bitchier moments. Its plot involves homo…

SOURCE: www.theaterscene.net at 10:53pm on March 10, 2026

Body Count by Tony Marinelli

If the show's point of view occasionally feels one-sided, that imbalance ultimately serves its chief purpose: entertainment. 'Body Count' may not function as a comprehensive treatise on cont…

SOURCE: www.theaterscene.net at 5:22pm on March 10, 2026

Chinese Republicans by Victor Gluck, Editor-in-chief

Unlike "Glengarry Glen Ross" which also begins at luncheon meetings in a Chinese restaurant but then took us to the office in its second act, "Chinese Republicans" is mostly set at the month…

SOURCE: www.theaterscene.net at 10:23pm on March 8, 2026

The Mall The Mall The Mall by Lydia Rose

"The Mall The Mall The Mall" is a magical realist comedy about three teenagers traversing a suburban mall in search of stolen fandom merchandise. Along the way, they encounter a coterie of i…

SOURCE: www.theaterscene.net at 3:56pm on March 7, 2026

The Reservoir by Victor Gluck, Editor-in-chief

Alcoholism and Alzheimer's wouldn't seem to have much in common. However, Jake Brasch cleverly links the two in his comedy drama "The Reservoir," the story of a recovering drunk on leave fro…

SOURCE: www.theaterscene.net at 3:55pm on March 7, 2026

Marcel on the Train by Tony Marinelli

Slater's performance is a revelation of synthesis. Known for his buoyant athleticism in Broadway's "SpongeBob SquarePants" and his chilling portrayal of the Balladeer and Lee Harvey Oswald i…

SOURCE: www.theaterscene.net at 11:53pm on March 1, 2026

Hold on to Your Butts by Tony Marinelli

Actors Kerry Ipema and Natalie Rich, joined by the live Foley artist Kelly Robinson, proceed to conjure Spielberg's dinosaur epic. They marshal an arsenal of materials so defiantly homespun …

SOURCE: www.theaterscene.net at 10:55pm on February 28, 2026

Mother Russia by Tony Marinelli

In Lauren Yee's exuberant and stealthily devastating new comedy, "Mother Russia," history arrives not with a bang but with an order of fast food. Two young men, perched at the lip of a new w…

SOURCE: www.theaterscene.net at 11:27pm on February 26, 2026

The Waterfall by Victor Gluck, Editor-in-chief

Not only does Phanésia Pharel's "The Waterfall" have a great deal to say, it is also very revealing of immigrant views on the American Dream. A tour de force for two actresses, Taylor Reyno…

SOURCE: www.theaterscene.net at 12:48pm on February 24, 2026

The Monsters by Victor Gluck, Editor-in-chief

Written and directed by Ngozi Anyanwu, author of "The Last of the Love Letters" (Atlantic Theater Company) and "Good Grief" (Vineyard Theatre), 'The Monsters" is a tour de force for two acto…

SOURCE: www.theaterscene.net at 6:19pm on February 22, 2026

Hate Radio by Tony Marinelli

The premise"a radio broadcast"might seem theatrically inert, yet Rau ingeniously implicates the audience by issuing each spectator a set of headphones. We are not merely watching propaganda;…

SOURCE: www.theaterscene.net at 2:24pm on February 22, 2026

The Dinosaurs by Victor Gluck, Editor-in-chief

Like Beth Wohl's Liberation, Jacob Perkins' "The Dinosaurs" follows a group of women who meet weekly to discuss a problem that interests them, in this case alcoholic addiction. Covering many…

SOURCE: www.theaterscene.net at 8:19pm on February 21, 2026

MANO A MANO by Tony Marinelli

To enter the performance space of Paul Pinto's "MANO A MANO" is to find oneself seated not before a proscenium, but around a giant Arthurian round table, a scenic choice that immediately dis…

SOURCE: www.theaterscene.net at 6:49pm on February 20, 2026

The Tragedy of Coriolanus (Theatre for a New Audience) by Victor Gluck, Editor-in-chief

Tata's staging is also problematic making  almost every scene look like every other. The mob scenes have been reduced to five actors (other than the lead characters) which does not sugges…

SOURCE: www.theaterscene.net at 5:28pm on February 19, 2026
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