Inspired in part by "he Magic Mountain," Thomas Mann’s 1924 meditation on illness and temporality, Zimet’s play borrows not its plot but its sensibility: the peculiar dilation and contraction of time as it is lived, remembered, and imagined. Like Mann’s sanatorium-bound protagonist, Zimet’s characters find themselves suspended in a liminal zone where past, present, and future bleed into one another with disor…
SOURCE: www.theaterscene.net at 01:48PM on May 4, 2026