Torben Betts's "Invincible," Yes; Charles Ludlam's "Artificial Jungle," Yes-Yes; Lory Lazarus's "Attack of the Elvis Imperson
Marrieds Oliver (Alastair Whatley) and Emily (Emily Bowker) enter arguing in Torben Betts's Invincible, at 59E59 Theatres
Marrieds Oliver (Alastair Whatley) and Emily (Emily Bowker) enter arguing in Torben Betts's Invincible, at 59E59 Theatres
Marrieds Oliver (Alastair Whatley) and Emily (Emily Bowker) enter arguing in Torben Betts's Invincible, at 59E59 Theatres
Kevin Spacey, who keeps on proving he can play anyone and do anything, reveres Clarence Darrow. During his highly successful
Any progress we make, to me, is fleeting because underneath it there's the smoldering coal about to break out in conflagration of a hatred of women.
Performer Jon Levin, writer Josh Luxenberg and director Joshua William Gelb have taken A Hunger Artist, Franz Kafka's difficult
Anyone reading this who's sold on Foyle's War and/or Midsomer Murders or, for that matter, the Sherlock Holmes follow-up
Drunk, streetwalker, apparently little educated Violet (Katy Blake) doesn't literally spell the name "Sweetee" any time during
Looking for an offbeat musical? A way, way offbeat musical? Look no further than The Boy Who Danced on Air, at Abingdon Theatre
Sunday night is the one night each week that Broadway actors have free. After a week of performances, including two-show
Sunday night is the one night each week that Broadway actors have free. After a week of performances, including two-show
Val Vigoda is a compact bundle of talent. She plays a strapped-on electric violin like a demon. She sings with a voice that
Here's great news. A forgotten J. B. Priestley play has just resurfaced. It's The Roundabout, and it hasn't been seen since
Here's great news. A forgotten J. B. Priestley play has just resurfaced. It's The Roundabout, and it hasn't been seen since
Whatever else it is, Samuel Beckett's Happy Days is without doubt a test that many of our most formidable actresses give
The nerds have been having their revenge for a few decades, and Stephen Karam introduces three more in Speech and Debate
Providing sequels to classics is a great temptation, particularly for authors who don't necessarily believe that characters
Bandstand is being promoted as "a swing musical," and that's what it joyfully is, as director-choreographer Andy (Hamilton
What the hugely gifted Annie Baker is getting at in The Antipodes, her new play at the Signature Center, is something I think
Full Disclosure: I have not seen the 1997 20th Century Fox animated cartoon Anastasia for which several screenwriters apparently
The 8- or 9-year-old girl farther along the aisle from me at Charlie and the Chocolate Factory told me she was having a good
American drama overflows with dysfunctional families, and those plays often require a living room set with a couch facing
Friedrich Schiller decided that even though Elizabeth I and half-sister Mary, Queen of Scots never actually met, they really
Forty-two years ago with International Stud, Harvey Feinstein introduced the first of the three plays that eventually became
At the risk of joining the critics crew who toss out the adjective "magnificent" far too frequently, I'm going to say that
Let's get right to it: Richard Jones's grappling with Eugene O'Neill's The Hairy Ape (1922) is without question the production