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35,882 stories from The Stage

How Soho Theatre is putting lunchtime theatre back on the menu by Matt Morrison

Once upon a time a lunch hour encompassed more than just a sandwich " in fact the hard-working employees of Soho could

SOURCE: The Stage Registration at 9:39am on March 23, 2018☆⚑

East Is East review at Octagon Theatre, Bolton " 'a high-spirited revival' by Chris Bartlett

Ayub Khan Din's much-loved East Is East, first performed at Birmingham Rep in 1996 and adapted successfully for the screen in 1999,

SOURCE: The Stage Registration at 9:21am on March 23, 2018☆⚑

Arinze Kene: 'I don't know who I'd be if I wasn't on stage' by Bridget Minamore

Recently seen in the West End’s Girl from the North Country, the versatile actor and writer is now starring in his self-written

SOURCE: The Stage Registration at 8:55am on March 23, 2018☆⚑

Alistair McDowall wins 2018 Pinter commission to write new play for the Royal Court by Matthew Hemley

Playwright Alistair McDowall is the winner of the 2018 Pinter Commission and will write a new play for the Royal Court in

SOURCE: The Stage Registration at 7:56am on March 23, 2018☆⚑

Theatre company Slung Low forms community arts college by Georgia Snow

Leeds theatre company Slung Low has announced it is establishing a community college, in a bid to make creative education available to

SOURCE: The Stage Registration at 7:55am on March 23, 2018☆⚑

The top talents to watch from Vault Festival 2018 by Fergus Morgan

With 300 shows, Vault Festival was a sprawling, multifaceted and gloriously eclectic event. The Stage sent Fergus Morgan to cover the event

SOURCE: The Stage Registration at 7:42am on March 23, 2018☆⚑

Chichester's Caroline, Or Change to transfer to the West End by Matthew Hemley

Chichester Festival Theatre's production of Caroline, Or Change is to transfer to the West End. The show, which ran in Chichester last

SOURCE: The Stage Registration at 7:34am on March 23, 2018☆⚑

Our Big Love Story review at Hope Theatre, London " 'convincing performances' by Rosemary Waugh

It's a very particular kind of a teenage emotion that powers Stephanie Silver's new play Our Big Love Story. The type of

SOURCE: The Stage Registration at 6:40am on March 23, 2018☆⚑

Frankenstein review at Battersea Arts Centre, London " 'a brilliant beatbox reimagining' by Tom Wicker

It starts with a breath, a beat and a vein pulsing in the neck. And then the ensemble for BAC Beatbox Academy's

SOURCE: The Stage Registration at 6:09am on March 23, 2018☆⚑

Howard Sherman: Harry Potter and the Cursed Child shows Broadway how to give back to superfans by Howard Sherman

Saturday mornings aren't the typical time for press releases to be sent out, but a couple of Saturdays ago, at 8.10am, Harry

SOURCE: The Stage Registration at 3:00am on March 23, 2018☆⚑

Mark Shenton: Disney's Frozen, Harry Potter and what else to watch on Broadway this spring by Mark Shenton

Broadway can’t be faulted for its timing. Despite spring officially beginning, it has been in the grip of a snowstorm this week,

SOURCE: The Stage Registration at 3:00am on March 23, 2018☆⚑

Disney's Frozen review at St James Theatre, New York " 'a thrilling stage version' by Mark Shenton

Premiering in Denver last summer, in a 2,800 seat performing arts centre, Disney's Frozen " the musical adaptation of the hit film

SOURCE: The Stage Registration at 10:00pm on March 22, 2018☆⚑

Courting older audiences will be crucial over next decade, theatres told by Georgia Snow

Arts organisations will need to focus more on older audiences over the next 10 years to cater for England’s ageing population, new

SOURCE: The Stage Registration at 11:43am on March 22, 2018☆⚑

Competition: Win tickets to see Oscar Wilde's The Selfish Giant at the Vaudeville Theatre by The Stage

The Selfish Giant is a new folk opera adapted from Oscar Wilde's classic children's story by multi-award winning composer, producer and song-writer

SOURCE: The Stage Registration at 11:36am on March 22, 2018☆⚑

Misty review at the Bush Theatre, London " 'intelligent and interrogative' by Natasha Tripney

Arinze Kene launches into a story about a fight on a night bus. His performance is physically and vocally rich, words rattling

SOURCE: The Stage Registration at 10:58am on March 22, 2018☆⚑

Competition: Win tickets to see Jennifer Saunders in Lady Windermere's Fan by The Stage

Last chance to see Kathy Burke's 'gloriously funny' (Broadway World) revival of Lady Windermere's Fan. Must end on April 7. Inspired by the

SOURCE: The Stage Registration at 10:24am on March 22, 2018☆⚑

Nadia Fall announces first season at Theatre Royal Stratford East by Giverny Masso

Nadia Fall has announced her first season as artistic director of London's Theatre Royal Stratford East. Fall will direct The Village, an

SOURCE: The Stage Registration at 9:34am on March 22, 2018☆⚑

Competition: Win tickets to see At The Heart of Things at Blue Elephant Theatre by The Stage

At the Heart of Things is a dance-puppetry performance inspired by Oscar Wilde's book De Profundis. Movement improvisation, visual imagery and devised text

SOURCE: The Stage Registration at 9:00am on March 22, 2018☆⚑

'GPs should offer arts on prescription', report claims by Georgia Snow

The arts should be offered on prescription by the NHS more as an alternative to more traditional methods of primary care, it

SOURCE: The Stage Registration at 7:59am on March 22, 2018☆⚑

Lowry launches 'buddy' scheme for solo theatregoers by Matthew Hemley

Salford venue the Lowry is piloting a scheme aimed at helping solo theatregoers meet other people attending shows alone. Going Solo works

SOURCE: The Stage Registration at 7:56am on March 22, 2018☆⚑

Agnes Colander review at Ustinov Studio, Bath " 'a long-lost Harley Granville Barker play' by Jeremy Brien

This long-lost play by eminent Edwardian playwright Harley Granville Barker did not win any favours from its author. Agnes Colander, an early

SOURCE: The Stage Registration at 6:39am on March 22, 2018☆⚑

The Last Ship review at Northern Stage, Newcastle-Upon-Tyne " 'a tour de force' by Tracey Sinclair

It has been something of a rough journey for Sting's debut musical The Last Ship to end up docked on Tyneside, its

SOURCE: The Stage Registration at 5:16am on March 22, 2018☆⚑

Richard Jordan: Place is crucial to a new play's success and can send it global by Richard Jordan

I have been in Australia and New Zealand for the past few weeks, experiencing the major festival season that runs in both

SOURCE: The Stage Registration at 3:00am on March 22, 2018☆⚑

Giverny Masso: How Good Chance's rich, truthful theatre allows refugees to express themselves by Giverny Masso

How Good Chance’s rich, truthful theatre allows refugees to express themselvesThe Jungle, a critically acclaimed play about the Calais refugee camp that

SOURCE: The Stage Registration at 8:01pm on March 21, 2018☆⚑

Rebranded CDET takes on revised accreditation role of defunct Drama UK by Giverny Masso

Accreditation and advocacy roles previously carried out by the now defunct Drama UK will be picked up by the Council for Dance

SOURCE: The Stage Registration at 8:01pm on March 21, 2018☆⚑
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