1,582 stories from The Front Row Center
Philadelphia, Here I Come! is no exception. It's a fulfilling evening of theatre all the way around and worth your time beyond the opportunity to see Brian Friel's work.
5 plays. 10 minutes each. This is the Estrogenius play festival in Under St. Marks: a tiny, but lovely theater. Here's a look at the five plays
Melissa Errico, radiant in boho chic at The Green Room 42 in Manhattan on March 22nd, presented a new show featuring Stephen Sondheim's songs (with one exception), on the great composer's ve…
The story of the 1941 labor strike at Disney; throughout the show, each actor tries to woo us over to their side of the fight, and each is remarkably convincing.
I'm not that big a love fan myself.  Onstage it can be clunky.  Passion can be badly choreographed or altogether unbelievable.  It can be too loud or too long or too sophomoric. Â�…
NEW YORK - My Beatnik Youth: A Solo Riff, Justin Elizabeth Sayre is an extraordinary storyteller with powerful music and literature contextualizing his sojourn to personal discovery and hope.
It's remarkable how talented this band is and how much fun they're having (and have had) as they hit 25 years together as a band.
Uggams was a gift when she started out. Â That she remains an iconic performer says something about not only her talent, but her determination and drive. Â This is a woman who is not int…
What can only be called, "Broadway theatrical magic!"
NEW YORK - Musica Sacra performs Spirit and Splendor: Schütz & Handel, in an evening of reflection, opulent listening, Baroque grandeur, and dramatic flair with a superb choir, orchestr…
43 Stages of Grieving is thoughtful and inspiring.
There are a few staging surprises that work very well indeed. Â We are not merely observers. Â We are witnesses. This is "Right vs Might" and it is not news. Â The only hopeful note is…
Before The Drugs Kick In is funny, heart-wrenching, and not to be missed. How Lemme creatively rolls out the story, discreetly turning one card after the other over until the deck is face up…
All of this turmoil has the makings of a great story to be told in theatrical form and Orson's Shadow delivers.
John Patrick Shanley wasn't kidding when he titled this play "Doubt A Parable" Â There is more theorizing and speculation thrown around here than a person can grab in one go-round. Â As …
This is a quiet, fun, frightening and beautiful performance by Trachtenberg as she wears the masks of her mother.
Corruption, directed by Bartlett Sher and written by J.T. Rogers, allows the audience to see behind the curtain of a media empire. Whether we're entering this performance with little knowled…
The Slow Dance Tangos Its Way To An Uplifting And Satisfying Conclusion
It was a wonderful, too short, evening. Come back Lucie Jones! Broadway - hello!
the show is very, very, very funny. There are all the "asides" you could ask for, and Charles Busch is in fine form.
The Effect has given us a huge gymnasium into which we are invited to play, engage, risk, contemplate, judge, experiment, and be our wild selves. Â All from the comfort of our seats. Â T…
The play picks up beautifully in the last hour both visually and thematically. Moving with emotions and stories and desperation to save themselves and their vessel.
I happen to like Jeff Hernar's Cole Porter show so much because I get to step into places like Birdland and revel in the music, the songs, the place, and their history, and be joyfully trans…
There are a million reasons to go see Brian J. Nash for his unforgettable singing and piano skills, but go for the laughs, the voice and his out-of-this world onstage antics.
"Dead Outlaw", now at Audible's Minetta Lane Theatre is a deceptive cuss of a show. What appears as a simple tale of varmints, thieves and outlaws is anything but.
