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35,882 stories from The Stage

Blue Electric/Einstein's Dreams/Nibiru! review at RADA studios " 'some strong ideas' by Edward Bhesania

The one thing you can be sure of with a Tete a Tete triple bill is unpredictability. And yet on this occasion

SOURCE: The Stage Registration at 6:05am on August 8, 2018☆⚑

Island Town review at Roundabout, Summerhall, Edinburgh " 'moving three-hander about small-town life' by Natasha Tripney

There's not a lot to do in the town where Kate, Sam and Pete live. Sam's dad drinks, Kate's dad is sick;

SOURCE: The Stage Registration at 6:00am on August 8, 2018☆⚑

Drama school closes suddenly leaving staff redundant and students abandoned by Matthew Hemley

Drama school CPA Studios has closed suddenly blaming "financial challenges", leaving staff out of work and students with nowhere to train. CPA

SOURCE: The Stage Registration at 5:33am on August 8, 2018☆⚑

Horrible Histories: Barmy Britain " Part Four review at Apollo, London " 'daft, dirty, and gleefully puerile' by Dave Fargnoli

The fourth instalment of Birmingham Stage Company's long running sketch show based on the delightfully nasty children's franchise, Horrible Histories: Barmy Britain

SOURCE: The Stage Registration at 5:29am on August 8, 2018☆⚑

Exclusive: Producers owed 'thousands' following collapse of Peterborough's Broadway Theatre operator by Giverny Masso

Producers behind shows including a Ruby Wax tour at the Broadway Theatre in Peterborough claim to have been left owed thousands of

SOURCE: The Stage Registration at 3:30am on August 8, 2018☆⚑

Competition: Win tickets to a show in Shakespeare's Rose Theatre, York's summer season by The Stage

Win tickets and step back in time to experience Shakespeare as it was in his day, in a stunning pop-up Elizabethan theatre

SOURCE: The Stage Registration at 3:00am on August 8, 2018☆⚑

How the Edinburgh Festival Fringe can supercharge careers: 'You can go as a nobody and be Off Broadway a year later' by Lyn Gardner

For many theatremakers, the festival is fraught with financial risk and competition for punters, but it can provide rocket fuel for an

SOURCE: The Stage Registration at 3:00am on August 8, 2018☆⚑

Rob Halliday: No news turns out to be good news on EU lighting regulations by Rob Halliday

What happens to a story after it stops being headline news? After the initial urgency has gone, it often seems to gently

SOURCE: The Stage Registration at 2:00am on August 8, 2018☆⚑

Soapbox: Technical theatre must stop shutting out young talent by Soapbox

As a recent graduate with professional experience on touring shows, I have been frustrated by the way technical theatre operates in this

SOURCE: The Stage Registration at 2:00am on August 8, 2018☆⚑

Lyn Gardner: Is the Edinburgh Fringe revaluing the standing ovation? by Lyn Gardner

Twenty years ago, the standing ovation was almost unheard of in British theatre. Even on press nights, giving a standing ovation was

SOURCE: The Stage Registration at 2:00am on August 8, 2018☆⚑

The Barber of Seville review at Festival Theatre, Edinburgh " 'Clever and playful' by Tim Bano

The directions Laurent Pelly takes familiar works in, and the designs he gives them, are always pretty revelatory. That's true of his

SOURCE: The Stage Registration at 1:58pm on August 7, 2018☆⚑

What are the best shows of the Edinburgh Fringe 2018? by The Stage

With the Edinburgh Festival Fringe 2018 now underway, our expert reviewing team pick their best shows of the festival so far. Their

SOURCE: The Stage Registration at 1:05pm on August 7, 2018☆⚑

Othello starring Mark Rylance and Andrew Holland at Shakespeare's Globe, London " review round-up by Fergus Morgan

Rylance returns. Sir Mark, the first artistic director of Shakespeare's Globe when it opened its doors in the mid-1990s, is treading the

SOURCE: The Stage Registration at 12:57pm on August 7, 2018☆⚑

Dietrich: Natural Duty review at Pleasance Courtyard, Edinburgh " 'explored with honesty, humour and class' by Paul Vale

It would probably be more apt to describe Peter Groom as an illusionist rather than a drag queen. As explained in no

SOURCE: The Stage Registration at 11:41am on August 7, 2018☆⚑

Big Aftermath of a Small Disclosure review at Summerhall, Edinburgh " 'a clever bit of writing' by Tim Bano

Jon is thinking about leaving. What, and to go where, we don't know. Magne van den Berg's play doesn't deal in the

SOURCE: The Stage Registration at 11:22am on August 7, 2018☆⚑

€4 million fund to help disabled artists 'break the glass ceiling' by Giverny Masso

A new €4 million fund led by the British Council will help disabled theatre and dance artists advance their careers internationally. The

SOURCE: The Stage Registration at 11:03am on August 7, 2018☆⚑

Voting opens for UK's Most Welcoming Theatre prize 2018 by Georgia Snow

Public voting has opened for this year’s competition to find the UK’s most welcoming theatres. Run by UK Theatre, the UK’s Most

SOURCE: The Stage Registration at 10:53am on August 7, 2018☆⚑

Status review at Summerhall, Edinburgh " 'searching and meticulously crafted' by Tim Bano

How does Chris Thorpe make a middle-aged white man with a guitar and a show about being British absolutely the opposite of

SOURCE: The Stage Registration at 10:46am on August 7, 2018☆⚑

When You Fall Down: The Buster Keaton Story review at Pleasance Courtyard, Edinburgh " 'thin musical treatment' by Paul Vale

Buster Keaton’s life is practically synonymous with the birth of Hollywood. He was the child of a vaudeville double act performing stunts

SOURCE: The Stage Registration at 10:26am on August 7, 2018☆⚑

The Egg is a Lonely Hunter review at Summerhall, Edinburgh " 'charming, funny off-kilter tale' by Nicole Serratore

Reminiscent of the storytelling of Daniel Kitson, The Egg is a Lonely Hunter by Hannah Mamalis excavates loneliness and grief with tenderness,

SOURCE: The Stage Registration at 10:08am on August 7, 2018☆⚑

Theatremaker Kaiya Stone on her Edinburgh Fringe show: 'This story is political, it's so important to tell' by Giverny Masso

Kaiya Stone is bringing her debut one-woman show, Everything is Going to be KO, to this year's Edinburgh Festival Fringe. She tells

SOURCE: The Stage Registration at 10:00am on August 7, 2018☆⚑

Tobacco Road review at Pleasance Courtyard, Edinburgh " 'appreciably ambitious' by Rosemary Waugh

It’s 1920s London, but the interwar world of Incognito's Tobacco Road is less interested in flappers and gin fizz, and more in

SOURCE: The Stage Registration at 8:21am on August 7, 2018☆⚑

Burn the Floor: Rebels of Ballroom review at Underbelly, Edinburgh " 'fancy footwork and frivolity' by Anna Winter

Cha-cha heels and cheese abound in Burn the Floor: Rebels of Ballroom, a cheerful hour-long exhibition of glitzy costumes, snappy technique and

SOURCE: The Stage Registration at 8:02am on August 7, 2018☆⚑

How to boost your acting career with promotional work by John Byrne

Actors who are between roles or in training often use their performance skills in promotional work. John Byrne looks at some key

SOURCE: The Stage Registration at 8:00am on August 7, 2018☆⚑

Sisterhood review at Pleasance Courtyard, Edinburgh " 'fails to cast a convincing spell' by Rosemary Waugh

When shall we three meet again? According to Sisterhood by Jolie Booth, at any point in history. This play weaves together the

SOURCE: The Stage Registration at 7:47am on August 7, 2018☆⚑
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