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35,882 stories from The Stage

Tetra-Decathlon review at Summerhall, Edinburgh " 'lots of pleasure to be had' by Ben Kulvichit

Not many people have heard of the tetra-decathlon, a hugely difficult race of 14 track and field events, and even fewer people

SOURCE: The Stage Registration at 7:46am on August 21, 2018☆⚑

A Life on the Silk Road review at Zoo Southside, Edinburgh " 'some wonderful moments' by Tim Bano

A really brief note on the free sheet for this physical show by National Theatre of China says it's about the life

SOURCE: The Stage Registration at 7:34am on August 21, 2018☆⚑

Director Stef O'Driscoll: 'Theatre's duty is to reflect a wide range of human experiences' by Natasha Tripney

Stef O'Driscoll has long championed works that connects with audiences who feel excluded from traditional theatre. She tells Natasha Tripney how unconventional

SOURCE: The Stage Registration at 7:30am on August 21, 2018☆⚑

Tanika Gupta wins £10,000 James Tait Black drama prize 2018 by Giverny Masso

Playwright Tanika Gupta has been announced the winner of the 2018 James Tait Black Prize for Drama. The £10,000 playwriting prize is

SOURCE: The Stage Registration at 7:18am on August 21, 2018☆⚑

Northern Irish Arts Council chief executive sues for age discrimination by Michael Quinn

The chief executive of the Arts Council of Northern Ireland has begun legal proceedings against the body's chairman and its parent organisation,

SOURCE: The Stage Registration at 6:29am on August 21, 2018☆⚑

The Vanishing Man review at Pleasance Courtyard, Edinburgh " 'taut, smart and satisfying' by Natasha Tripney

Simon Evans' and David Aula's meta-magic show has been knocking around for a couple of years now. There's even a sequel, The

SOURCE: The Stage Registration at 6:22am on August 21, 2018☆⚑

Margo: Half Woman, Half Beast review at Assembly Rooms, Edinburgh " 'moving personal drama' by Paul Vale

Many artists have attempted to capture on stage the essence of cabaret during the Weimar Republic in Germany. Rather than simply performing

SOURCE: The Stage Registration at 6:08am on August 21, 2018☆⚑

Dance artist Mele Broomes: 'There needs to be a push to represent black voices and writers' by Giverny Masso

Mele Broomes runs Glasgow-based dance, music and theatre company Various Dance Artists and is one of the founders of Project X, an

SOURCE: The Stage Registration at 6:04am on August 21, 2018☆⚑

Marie review at Assembly Rooms, Edinburgh " 'strong piece but with more potential than substance' by Thom Dibdin

Nicely turned as comedy, Sarah MacGillivray and Phil Bartlett’s story of a Scottish actress straight out of drama school who goes down

SOURCE: The Stage Registration at 5:55am on August 21, 2018☆⚑

Haddon Hall review at Royal Hall, Harrogate " 'rare resuscitation of Arthur Sullivan's pedestrian work' by George Hall

In 1890, impresario Richard D’Oyly Carte, composer Arthur Sullivan and librettist WS Gilbert fell out over the costs of a carpet. It

SOURCE: The Stage Registration at 5:42am on August 21, 2018☆⚑

Canoe review at the Space, Edinburgh " 'complex one-man show about grieving' by Thom Dibdin

There is a complexity to Matthew Roberts’ one-man show, Canoe, which goes much deeper than the issue of grieving that lies at its

SOURCE: The Stage Registration at 5:40am on August 21, 2018☆⚑

The Dip review at the Space, Edinburgh " 'undisciplined but ripe with possibility' by Paul Vale

Milk and Blood is a brand new theatre collective drawn predominantly from graduates of East 15 Acting School and The Dip is

SOURCE: The Stage Registration at 5:28am on August 21, 2018☆⚑

Pussy Riot: Riot Days review at Summerhall, Edinburgh " 'unsophisticated and unimaginative' by Fergus Morgan

The feminist, punk-rock protest group Pussy Riot is a vital voice in Russian society, daring to dissent in the face of an

SOURCE: The Stage Registration at 5:18am on August 21, 2018☆⚑

Upswing circus' Victoria Amedume: 'My first job taught me the importance of boundaries' by John Byrne

Until my first job offer, I had not considered that the performing arts could be a career. The company was called Exponential.

SOURCE: The Stage Registration at 5:00am on August 21, 2018☆⚑

The Green Room: Have you ever had a diva moment " or witnessed any? by Jon Dryden Taylor

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details…​​​​​​â�…

SOURCE: The Stage Registration at 5:00am on August 21, 2018☆⚑

Acting teacher Emma Catherine Robinson: 'Know yourself and find your niche in the market' by John Byrne

Which organisations have you taught at? Bird College and Italia Conti Arts Centre. Before that, I worked as a teacher in formal

SOURCE: The Stage Registration at 5:00am on August 21, 2018☆⚑

Catherine Kodicek: Stop tipping your dresser " it's time to pay costume professionals properly by Catherine Kodicek

Recently WhatsOnStage compiled a Twitter-sourced list of things theatre people all know but audiences might not be aware of. Fun as it

SOURCE: The Stage Registration at 2:00am on August 21, 2018☆⚑

Lyn Gardner: With no five-star shows yet, I'm still searching for THE fringe show of 2018 by Lyn Gardner

"At this point, you might be thinking you'd like to exchange your ticket for Thor and Loki, the musical," says US soldier

SOURCE: The Stage Registration at 2:00am on August 21, 2018☆⚑

Richard Howle: Shunting Ticketmaster's resale sites is welcome, but there's work to do by Richard Howle

It's not often that ticketing makes the BBC news, and it is even rarer that it is a positive story. However, earlier

SOURCE: The Stage Registration at 2:00am on August 21, 2018☆⚑

Gulliver Returns review at Underbelly Cowgate, Edinburgh " 'inventive expansion of Swift's novel' by Tim Bano

As Lil points out at the beginning of this startling reinterpretation of Jonathan Swift's satire, the only bit of Gulliver's Travels people

SOURCE: The Stage Registration at 12:53pm on August 20, 2018☆⚑

#MeToo at Edinburgh Festival Fringe: 'Our stories are more relevant than ever' by Emily Jupp

Sexual harassment in the industry has been the hot topic of 2018, and it's no different at Edinburgh. Emily Jupp hears from

SOURCE: The Stage Registration at 12:50pm on August 20, 2018☆⚑

Hymns for Robots review at C Aquila, Edinburgh " 'super-smart recreation of the life of a pioneer' by Tim Bano

Earlier this year the BBC announced it was shutting down its Maida Vale studio. It's a shame considering its incredible history, no

SOURCE: The Stage Registration at 12:39pm on August 20, 2018☆⚑

Games review at Gilded Balloon Teviot, Edinburgh " 'competent but clinical' by Fergus Morgan

You know what you're getting with a Henry Naylor play by now. An authoritative voice, a well-researched story, an unapologetically political message,

SOURCE: The Stage Registration at 12:22pm on August 20, 2018☆⚑

The Half Moon Shania review at Zoo Southside, Edinburgh " 'infectiously exuberant gig-theatre show' by Fergus Morgan

Burnt Lemon Theatre " freshly minted as a New Diorama Graduate Emerging Company for 2018-19 " is well worth watching, judging by

SOURCE: The Stage Registration at 12:06pm on August 20, 2018☆⚑

Void review at Summerhall, Edinburgh " 'overwhelming but opaque dance adaptation' by Ben Kulvichit

In JG Ballard's novel, Concrete Island, an architect is left stranded after a car accident in an area of overgrown wasteland in

SOURCE: The Stage Registration at 12:05pm on August 20, 2018☆⚑
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