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35,882 stories from The Stage

Cazeleon: The Movies in My Mind review at Gilded Balloon, Edinburgh " 'captivating vocalist and storyteller' by Paul Vale

With signature grey-scale make-up and outrageous style Cazeleon cuts quite an unusual figure, even on the fringe cabaret stage. Meticulous contouring presents

SOURCE: The Stage Registration at 5:17am on August 22, 2018☆⚑

Pleasance director Anthony Alderson: 'The secret is to make chaos look as natural as possible' by Tim Bano

From humble beginnings, the Pleasance has risen to become one of the biggest venues at the world's biggest arts event " the

SOURCE: The Stage Registration at 3:00am on August 22, 2018☆⚑

The Basement Tapes, The Fishermen and Queens of Sheba casts among The Stage Edinburgh Awards winners in week three by Georgia Snow

Performers from Edinburgh shows The Basement Tapes, The Fishermen and Queens of Sheba have won the latest batch of The Stage Edinburgh

SOURCE: The Stage Registration at 3:00am on August 22, 2018☆⚑

Competition: Win a Pinter at the Pinter bundle, including tickets, books and a film at the BFI by The Stage

To mark the 10th anniversary of Harold Pinter's death the BFI have teamed up with The Jamie Lloyd Company and Faber and Faber

SOURCE: The Stage Registration at 3:00am on August 22, 2018☆⚑

Lyn Gardner: Supporting performers in Edinburgh is crucial, but so too is supporting audiences by Lyn Gardner

In recent years, a great deal has been written and discussed about the toll that a month at the festival can take

SOURCE: The Stage Registration at 2:00am on August 22, 2018☆⚑

Entropy review at Underbelly, Edinburgh " 'fails to sustain its stylishly bruising start' by Fergus Morgan

There's a breathless intensity to Jennifer Roslyn Wingate's Entropy that grips, at first. There's an elusive, Pinter-ish menace to her writing, a

SOURCE: The Stage Registration at 1:23pm on August 21, 2018☆⚑

Frau Welt review at Assembly Rooms, Edinburgh " 'a forceful performance but fuzzy storytelling' by Natasha Tripney

A figure sits shrouded in shadow wearing a dress of black chiffon and jet beads. This is Frau Welt, a woman who

SOURCE: The Stage Registration at 12:59pm on August 21, 2018☆⚑

Thrown review at Underbelly Cowgate " 'stylish set-up let down by a weak script' by Fergus Morgan

This is so frustrating. Living Record Productions' Thrown has one of the coolest set-ups of any show in Edinburgh " a binaural

SOURCE: The Stage Registration at 12:55pm on August 21, 2018☆⚑

We've Got Each Other review at Pleasance Dome, Edinburgh " 'clever and funny one-man musical' by Tim Bano

This isn't a Jon Bon Jovi jukebox musical. Well it is and it isn't. It's definitely a very clever deconstruction and fond

SOURCE: The Stage Registration at 12:31pm on August 21, 2018☆⚑

The House review at Assembly George Square, Edinburgh " 'quick-fire, hyper-stylised delivery' by Thom Dibdin

American Absurdum returns with all its trademark incision and quick-fire, hyper-stylised delivery in The House, a fable of modern middle-class America. Empty-nesters

SOURCE: The Stage Registration at 12:22pm on August 21, 2018☆⚑

First Snow/Premiere Neige review at Summerhall, Edinburgh " 'meaty examination of identity' by Thom Dibdin

"Brexit, Trump " that’s change!" someone shouts early in First Snow/Premiere Neige, the National Theatre of Scotland’s Quebecois co-production. Following the NTS’

SOURCE: The Stage Registration at 12:17pm on August 21, 2018☆⚑

Loop review at Underbelly Cowgate, Edinburgh " 'a razor-sharp script and four great performances' by Tim Bano

Although Boxless makes physical theatre, the strongest moments in this piece about the impact of music on different generations come from the

SOURCE: The Stage Registration at 12:02pm on August 21, 2018☆⚑

(sorry) review at Assembly George Square, Edinburgh " 'sharply written critique' by Ben Kulvichit

Millennials, eh? Guzzling their avocados and binging Netflix, expecting everything to be handed to them on a plate. Well, maybe not, argues

SOURCE: The Stage Registration at 11:45am on August 21, 2018☆⚑

Out of Joint and PIPA to host events exploring difficulties for parents on tour by Georgia Snow

Out of Joint is partnering with campaign organisation Parents in Performing Arts to investigate the challenges facing parents working in touring theatre.

SOURCE: The Stage Registration at 11:36am on August 21, 2018☆⚑

In Loyal Company review at Pleasance Courtyard, Edinburgh " 'bursting with energy' by Thom Dibdin

Bursting with energy and bold theatrical strokes, David William Bryan tells the true story of his great uncle Arthur " known as

SOURCE: The Stage Registration at 11:27am on August 21, 2018☆⚑

The Last Straw review at Summerhall, Edinburgh " 'deeply enigmatic and very watchable' by Tim Bano

It's apt for a show about fake news and the bombardment of information in the digital age that most of the time

SOURCE: The Stage Registration at 11:13am on August 21, 2018☆⚑

[Insert Slogan Here] review at Zoo Charteris, Edinburgh " 'intimate, if opaque' by Natasha Tripney

As a child Sam Ward was so entranced by a Volvo commercial that he wrote to the company asking if he could

SOURCE: The Stage Registration at 10:55am on August 21, 2018☆⚑

KillyMuck review at Underbelly Bristo Square, Edinburgh " 'powerful monologue about poverty and class' by Tim Bano

When it's good, this is what the fringe excels at: a really tightly written, deftly performed monologue. And this is good. Growing

SOURCE: The Stage Registration at 10:41am on August 21, 2018☆⚑

The Myth of the Singular Moment review at Summerhall, Edinburgh " 'prickling with moments of profundity' by Tim Bano

It's a bit difficult to grasp, this. The idea that nothing has happened until it's happened. And before that moment, infinite outcomes

SOURCE: The Stage Registration at 10:27am on August 21, 2018☆⚑

Performer and musical director Renee Reid: 'We are using theatre as a channel for change' by Giverny Masso

Renee Reid's first professional theatre role is in new musical at the Edinburgh Fringe that uses gospel, R'n'B, bluegrass and a cappella

SOURCE: The Stage Registration at 10:00am on August 21, 2018☆⚑

Broadway musical Waitress announces West End transfer by Georgia Snow

Broadway musical Waitress has announced that it will transfer to the West End next year. The musical, which has music by Sara

SOURCE: The Stage Registration at 8:41am on August 21, 2018☆⚑

Mr Swallow and the Vanishing Elephant at Pleasance Courtyard, Edinburgh " 'deliciously silly' by Natasha Tripney

While Nick Mohammed's third outing as manic-but-endearing northern magician Mr Swallow lacks the impressive escapology set pieces of its predecessor, it in

SOURCE: The Stage Registration at 8:31am on August 21, 2018☆⚑

Mistero Buffo review at Underbelly Cowgate, Edinburgh " 'magnificent production with an astounding performance' by Tim Bano

It takes brass to tackle Mistero Buffo. Dario Fo's twisted mystery play was a showcase for the late great man himself, as

SOURCE: The Stage Registration at 8:14am on August 21, 2018☆⚑

Open auditions: should theatres embrace them to break down barriers to the industry? by Michelle Douglass

With the issue of diversity a continuing concern for the industry, Michelle Douglass gauges opinion on whether more open auditions would help

SOURCE: The Stage Registration at 8:00am on August 21, 2018☆⚑

Old Boy review at Scottish Storytelling Centre, Edinburgh " 'fascinating view of real life' by Thom Dibdin

Male relationships " specifically inter-generational familial relationships " come under intense, if friendly examination in Glas(s) Productions’ Old Boy. The company has

SOURCE: The Stage Registration at 7:59am on August 21, 2018☆⚑
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