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35,882 stories from The Stage

Performer and producer John Hewer: 'Camaraderie always gets you through' by John Byrne

I started Hambledon Productions with my sister, Rachel, in 2007. It came from a lack of practical outlet following my university course,

SOURCE: The Stage Registration at 5:00am on November 27, 2018☆⚑

Theatre practitioner Nick O'Brien: 'Practise being in character every day' by John Byrne

How did you start off in theatre? At my prep school, drama was at the forefront of school life " it's where

SOURCE: The Stage Registration at 5:00am on November 27, 2018☆⚑

The Green Room: Is the preparation expected for auditions too much? by Jon Dryden Taylor

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details…​​​​​​â�…

SOURCE: The Stage Registration at 5:00am on November 27, 2018☆⚑

UK theatres unite to tackle lack of diversity offstage by Giverny Masso

More than 90 theatres across the UK have vowed to tackle black, Asian and minority ethnic under-representation in their offstage workforce as

SOURCE: The Stage Registration at 4:00am on November 27, 2018☆⚑

Playwright Moira Buffini: 'Success was a bigger crisis for me than failure' by Matt Trueman

With a series of well-received plays behind her, writer Moira Buffini deserves a heavyweight reputation but, as she tells Matt Trueman, she

SOURCE: The Stage Registration at 3:00am on November 27, 2018☆⚑

Irvine Iqbal: Producers overlook seasoned performers at their peril by Irvine Iqbal

In 2006, Stephen Sondheim spoke about a turning point in his early career. As a young man trying to make it as

SOURCE: The Stage Registration at 2:00am on November 27, 2018☆⚑

Rob Halliday: Theatre freelances are more prevalent, but it's still hard to get a mortgage by Rob Halliday

If I were more entrepreneurial or much better connected, the business I'd be getting myself into right now is providing mortgages for

SOURCE: The Stage Registration at 2:00am on November 27, 2018☆⚑

Sleepin' Cutie review at Macrobert Arts Centre, Stirling " 'expertly staged' by David Pollock

Despite a broad career as a writer and director, Johnny McKnight enjoys a singular reputation in Scotland as a creator of great-value

SOURCE: The Stage Registration at 12:42pm on November 26, 2018☆⚑

An Honourable Man review at White Bear Theatre, London " 'confusing play set in post-Brexit Britain' by Fergus Morgan

Bring on James Graham's Brexit play, because it seems few other people are up to the task. Certainly not former Tory parliamentary

SOURCE: The Stage Registration at 12:13pm on November 26, 2018☆⚑

Blackpool Opera House technical manager Duncan Jump: 'We used to have lots of technicians " now one person controls everything' by Catherine Jones

After four decades at Blackpool Opera House, its technical manager tells Catherine Jones why working at the Winter Gardens is a family

SOURCE: The Stage Registration at 12:00pm on November 26, 2018☆⚑

Huddle review at Unicorn Theatre, London " 'beautifully crafted' by Jo Caird

Huddle may be set on an icy tundra but it's impossible not to warm to this tale of a father penguin and his fearless

SOURCE: The Stage Registration at 11:28am on November 26, 2018☆⚑

Old Vic to hold free daily carol concerts for older people by Georgia Snow

The Old Vic is holding free carol concerts every day for two weeks in December, as a way of opening its building

SOURCE: The Stage Registration at 11:18am on November 26, 2018☆⚑

Cinderella review at Theatre Royal Wakefield " 'poignancy and laughter' by Chris Bartlett

It's hard to bring something fresh to Cinderella. But Rhiannon Hannon's confidently mounted production adds some novel touches to a familiar tale

SOURCE: The Stage Registration at 11:13am on November 26, 2018☆⚑

Poll: Do you agree that arts courses promote unrealistic career prospects to potential students? by The Stage

Last week, Amanda Spielman, Ofsted’s chief inspector, said she believed arts and media courses stand out as offering the “greatest mismatch between

SOURCE: The Stage Registration at 10:00am on November 26, 2018☆⚑

Macbeth review at Garrick Theatre, London " 'refreshingly inventive' by Fergus Morgan

The National Youth Theatre's Macbeth " the third and final instalment of the company's 2018 West End season " is the third

SOURCE: The Stage Registration at 9:18am on November 26, 2018☆⚑

It's a Wonderful Life review at San Francisco Opera " 'a visual treat' by Inge Kjemtrup

American composer Jake Heggie is best known for his opera Dead Man Walking. His predilection for turning to popular sources continues with

SOURCE: The Stage Registration at 8:42am on November 26, 2018☆⚑

Nottingham Playhouse and Stephen Joseph Theatre among venues offering placements for young directors by Matthew Hemley

The Regional Theatre Young Director Scheme, which creates professional development opportunities for directors, has announced projects at 12 theatres across the UK.

SOURCE: The Stage Registration at 7:29am on November 26, 2018☆⚑

Dick Whittington review at Lyric Hammersmith, London " 'colourful and warm-hearted' by Natasha Tripney

This year's Lyric Hammersmith pantomime, now in its 10th year, rather hearteningly takes the form of a celebration of the welcome that

SOURCE: The Stage Registration at 5:34am on November 26, 2018☆⚑

Daniel Evans: The Arts Council's 10-year plan has its critics, but an invigorating event has given me hope by Daniel Evans

You may not know it, but for nearly 10 years, those of us who lead organisations that receive Arts Council England funding

SOURCE: The Stage Registration at 2:00am on November 26, 2018☆⚑

Top five theatre shows to see this week (November 25-December 2) by Natasha Tripney

Torch " St Helens town centre ANU Productions makes immersive, unsettling site-responsive performance work. Previous production The Lost O'Casey was a highlight of

SOURCE: The Stage Registration at 2:00am on November 26, 2018☆⚑

Lyn Gardner: To stay relevant, theatre needs to keep its finger on the pulse by Lyn Gardner

Why this play and why now? I often ask myself this question in the auditorium, while watching the action on stage. I

SOURCE: The Stage Registration at 2:00am on November 26, 2018☆⚑

Torch review at St Helens " 'a remarkable immersive experience' by Francesca Peschier

There is a point in Torch were you wonder if you've made a terrible mistake. The experience is at times so realist

SOURCE: The Stage Registration at 10:26am on November 25, 2018☆⚑

A Christmas Carol review at Leeds Playhouse " 'Dickens with added panto cheer' by John Murphy

It takes skill to inject freshness into A Christmas Carol. Yet Amy Leach has managed just that, by adding some pantomime elements

SOURCE: The Stage Registration at 9:30am on November 25, 2018☆⚑

The Travelling Companion review at Town Hall, Lewes " 'fine performances' by George Hall

In recent decades there's been a revival of interest in Charles Stanford " a leading light of the English musical Renaissance who

SOURCE: The Stage Registration at 1:03pm on November 23, 2018☆⚑

Production news round-up: Katharine McPhee leads Waitress casting and Jamie Lloyd to direct Evita at Regent's Park by The Stage

This week featured the news that Katharine McPhee, best known for her starring role in US series Smash, will reprise the role

SOURCE: The Stage Registration at 12:21pm on November 23, 2018☆⚑
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