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35,882 stories from The Stage

Heather Doole: Women in technical theatre need allies, here's what to do by Heather Doole

I love working in technical theatre and most days, I feel lucky to be part of this knowledgeable, nerdy and highly supportive

SOURCE: The Stage Registration at 2:00am on December 5, 2018☆⚑

True West starring Kit Harington and Johnny Flynn review at Vaudeville Theatre " 'a wickedly funny revival' by Fergus Morgan

Matthew Dunster's production of True West,the first major London revival of Sam Shepard's work since his death last July, demonstrates that not

SOURCE: The Stage Registration at 6:02pm on December 4, 2018☆⚑

Unique Spencer: 'The industry needs a shake-up " working-class actors are as capable as any from Eton' by Giverny Masso

Unique Spencer is making her theatre debut in The Night Before Christmas at Southwark Playhouse in London. She tells Giverny Masso why

SOURCE: The Stage Registration at 12:52pm on December 4, 2018☆⚑

Outgoing Traverse head Orla O'Loughlin: 'At Guildhall, I'll re-imagine theatre training for the 21st century' by David Pollock

After seven years as artistic director of the Traverse Theatre in Edinburgh, Orla O'Loughlin is moving on. She tells David Pollock about

SOURCE: The Stage Registration at 12:31pm on December 4, 2018☆⚑

Niamh O'Flaherty joins Cheek by Jowl as executive director by Matthew Hemley

Niamh O'Flaherty, currently senior producer at Hofesh Shechter Company, has been named executive director of theatre company Cheek by Jowl. She joins

SOURCE: The Stage Registration at 10:24am on December 4, 2018☆⚑

Glasgow Citizens Theatre dedicates new season to female writers and directors by Georgia Snow

Glasgow’s Citizens Theatre has announced a season of work by female writers that promises to showcase the talent of women working across

SOURCE: The Stage Registration at 10:04am on December 4, 2018☆⚑

Striking 12 review at Union Theatre, London " 'slight, but affecting' by Dave Hollander

With its eclectic score and bittersweet seasonal message, Striking 12 interweaves Hans Christian Andersen's The Little Match Girl with a tale of

SOURCE: The Stage Registration at 8:49am on December 4, 2018☆⚑

Further casting announced for Sara Bareilles' Waitress by Georgia Snow

Further casting has been announced for the West End transfer of Sara Bareilles’ musical Waitress. David Hunter, who recently starred in Kinky

SOURCE: The Stage Registration at 8:12am on December 4, 2018☆⚑

How to get your break in technical theatre without going to drama school by Heather Doole

As the cost of traditional routes into technical theatre rise, professional bodies and theatre companies are stepping in, with support and training

SOURCE: The Stage Registration at 8:00am on December 4, 2018☆⚑

Everybody's Talking About Jamie and Pieces of String nominated for inaugural musical theatre prize at Writers' Guild awards by Matthew Hemley

Everybody's Talking About Jamie will compete with Miss Littlewood and Pieces of String for the first ever musical theatre book writing prize

SOURCE: The Stage Registration at 7:04am on December 4, 2018☆⚑

Vault Festival 2019 line-up includes take-over from New Diorama Theatre by Giverny Masso

Vault Festival in London has announced its 2019 line-up, which include a two-week takeover from the New Diorama Theatre. More than 400

SOURCE: The Stage Registration at 7:04am on December 4, 2018☆⚑

Plaid Tidings review at Bridge House Theatre, London " 'homely and nostalgic' by Paul Vale

Stuart Ross’ musical Forever Plaid is a quirky homage to the clean-cut boy bands of the 1960s such as The Four Aces.

SOURCE: The Stage Registration at 6:44am on December 4, 2018☆⚑

Jack and the Beanstalk review at Brunton Theatre, Musselburgh " 'inventive, but dated' by Thom Dibdin

John Binnie returns to the Brunton after 18 years to write and direct a pantomime that finds inventive solutions to staging Jack

SOURCE: The Stage Registration at 6:29am on December 4, 2018☆⚑

Bristol Old Vic Theatre School's Jon Sherwood: 'I enjoy watching students progress' by John Byrne

How did you start in theatre production? I trained in stage management at GSA drama school and went on to work professionally

SOURCE: The Stage Registration at 5:00am on December 4, 2018☆⚑

The Green Room: What's the best way to approach playing multiple roles? by Jon Dryden Taylor

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details…​​​​​​â�…

SOURCE: The Stage Registration at 5:00am on December 4, 2018☆⚑

Selene C Jordan: 'I used to be a police officer, but now I am a musical theatre star " you can be too' by John Byrne

I was 10 years old when I was chosen to be one of the navy base kids in Carmen Jones at London's

SOURCE: The Stage Registration at 5:00am on December 4, 2018☆⚑

What are the best pantomimes of 2018? by Natasha Tripney

With panto season now underway, here’s a list of the best shows of the year so far, as reviewed by The Stage’s

SOURCE: The Stage Registration at 4:51am on December 4, 2018☆⚑

Jeannie review at Finborough Theatre, London " 'a whimsical revival' by Julia Rank

Aimee Stuart was one of many critically and commercially successful female interwar playwrights who have since been forgotten. Her 1940 romantic comedy

SOURCE: The Stage Registration at 4:39am on December 4, 2018☆⚑

Nine Night author Natasha Gordon: 'Where are our opportunities? The answers lie with the gatekeepers' by Eleanor Ross

Nine Night received rave reviews when it played at the National Theatre earlier this year " now transferring to Trafalgar Studios, it

SOURCE: The Stage Registration at 3:00am on December 4, 2018☆⚑

Jessica Murrain: Actions, not words, are needed to tackle sexual misconduct by Jessica Murrain

In the wake of #MeToo and the conversations the performance industry is having around gender dynamics, how can we ensure that talk

SOURCE: The Stage Registration at 2:00am on December 4, 2018☆⚑

Grace Smart: It's time to let theatre designers do the talking by Grace Smart

There's a phrase I've heard a lot this year. I heard it at Improbable's Devoted and Disgruntled get together and at the

SOURCE: The Stage Registration at 2:00am on December 4, 2018☆⚑

The Cher Show review at Neil Simon Theatre, New York " 'fun, if clumsy, jukebox musical' by Nicole Serratore

With nostalgic tunes, kitsch design, and oodles of Bob Mackie sequins, The Cher Show is a suitably dazzling new jukebox musical based

SOURCE: The Stage Registration at 9:00pm on December 3, 2018☆⚑

Andrzej Lukowski: With Quentin Letts leaving the Daily Mail, is criticism losing its panto villain? by Andrzej Lukowski

For 14 years, the chief bogeyman of British theatre's critical fraternity has been the Daily Mail's Quentin Letts. And now, at last,

SOURCE: The Stage Registration at 12:05pm on December 3, 2018☆⚑

How to transfer a hit UK show to New York, America's theatre capital by Mark Shenton

From two-handers spawned above London pubs and subsidised productions to West End commercial hits, there are many different routes a show can

SOURCE: The Stage Registration at 11:52am on December 3, 2018☆⚑

Suba Das named new artistic director of HighTide by Matthew Hemley

Curve associate director Suba Das has been named artistic director of HighTide. He replaces Steven Atkinson in the role and will join

SOURCE: The Stage Registration at 11:21am on December 3, 2018☆⚑
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